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The world’s only anonymous singer-songwriter, Peter Lake, emerges out of the woods with his EP ‘GREEN’ dedicated to the epic love affair between Blue and Yellow

Harry Johal

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The world’s only anonymous singer-songwriter, Peter Lake, emerges out of the woods with his EP ‘GREEN’ dedicated to the epic love affair between Blue and Yellow

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Says Peter Lake: “I will be known as the greatest songwriter of all time. Get on board early! If you’re going to climb a mountain, why not Everest?”

Press Release
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Jan 29, 2023

The self-proclaimed “Ghost of New York” strikes again with three hit songs that make up his first release of 2023. Peter Lake, the world’s only anonymous singer-songwriter, emerged on the scene in the last 24 months with a series of songs that have garnered over 23 million streams on Spotify and 19 million streams on YouTube. Once again, Lake has used his music to create powerful messages to help listeners all around the world find comfort and seek optimism. In his lead single “Sweet Sour Minds” Lake tapped into to his growing fan base and promised to write the song about whatever they decide. The process, which Lake documented on his YouTube channel, led to his writing of “Sweet Sour Minds.” Lake reveals the idea that ‘We can give anything power by loving it, and if that thing turns on us, it can destroy our spirit. But in the end, after it all settles down, we remain optimistic, somehow it’s fine.”

The song Crowds is an ode to Lake’s favorite collaborator, Charley Drayton, whose unequaled drum beats make the song at once a vehicle for Lake’s sometimes mysterious lyrics, as well as a fast-paced anthem that protests against the unfair use of power. Lake comments that “Charley’s drums sound different. There is a magic there. I’m so glad he’s finished touring with Bob Dylan. I need Charley back.”

Perhaps the most unusual element of Lake’s latest EP is the song “Comfort’s Cross” which seems to contradict Lake’s genre of electro pop. In this recent release, Comforts Cross reminds the listener of Lake’s premise that music no longer has any genres. The song, a classic ballad that Lake originally wrote as a poem in response to the loss of a loved one and the grieving thereafter, is a naked and visceral emotional response that is led by his voice, and is supported by minimal background music.

Green is now available globally wherever music is streamed. To learn more about the music of Peter Lake, please visit his social media. @peterlakemusic

All inquiries can be directed to brigid@peterlakesounds.com.

Artist Biography:

Peter Lake is a Canadian born, New York City based singer-songwriter who revels in anonymity. In an age where privacy is rare, Peter is convinced that his ability to create music is protected by his anonymity, and by working with unconventional partners in an attempt to avoid the constraints of traditional record deals, which often consider recorded music as a means to promote tours. Peter is the first of a kind: an artist who will only do live concerts via a web-based platform, thereby freeing him to focus exclusively on writing and recording new, original music that crosses all genres. In the process, Peter has assembled one of the largest singer-songwriter catalogues in the industry. His musical influences include Neil Young, Max Martin, David Bowie, Motown, and Drake. It’s no surprise that his songs are hard to place, often flying between (and combining) House beats, crunchy guitar riffs and “traditional chants and natural sounds.” Lake considers his work as that of starting an avalanche: you don’t know which snowflake starts the avalanche, “my job is to make it snow.” Through his consistent work over the next decade Lake plans to gradually displace Max Martin as the greatest songwriter who has ever lived.

Source: Peter Lake Sounds LLC

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Editor's Choice

Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

H Johal

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Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

Balle Balle Radio™ Entertainment Desk

Two 2026 releases, "Resident Evil" and "Spider-Man: Brand New Day," are tied at the top of Rotten Tomatoes’ running Verified Hot list, each pulling in more than 5,000 Verified ratings from ticket-buying audiences, according to the site’s latest update.

Just as Certified Fresh represents critics’ consensus via the Tomatometer, Verified Hot is its audience equivalent, requiring a minimum 90% score on the Popcornmeter using ratings exclusively from Fandango ticket buyers, according to the guide. Rotten Tomatoes introduced the badge to give paying audiences their own equivalent stamp of approval, separate from critical consensus.

Behind the two leaders in the largest-sample tier, "The Odyssey" ranks second with over 5,000 Verified ratings, followed by "Project Hail Mary," "Obsession," "Hoppers" and "The Super Mario Galaxy Movie." Several of these titles also turn up on other year-end and mid-year lists tracking 2026’s most-discussed films, including "The Odyssey," "Project Hail Mary" and "Obsession" among the movies cited as generating the most audience conversation this year.

In the next tier, covering films with 1,000 to 5,000 Verified ratings, "Avengers: Endgame," "Heart of the Beast," "Forgotten Island" and "Practical Magic 2" share the top spot, with "Coyote vs. Acme," "The Invite," a musical performance film featuring Stray Kids and others filling out the rest of the ranking. Rotten Tomatoes notes a third, smaller tier of 250 to 999 ratings exists for titles still building an audience track record, which it describes as newer and more niche releases.

New films earning a 90% Popcornmeter score are added weekly, with placement within each tier based on cumulative Verified rating volume.

Studio CarryOnHarry will be watching whether films lower in the 1,000-to-5,000 tier gain enough ratings to crack the top bracket as the list updates through the rest of 2026.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Editor's Choice

Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

H Johal

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Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

Balle Balle Radio™ Entertainment Desk

Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.

Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.

"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.

The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.

Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.

About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.

[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)

> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri

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Harry Johal — Entertainment Editor

Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.

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