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The world’s only anonymous singer-songwriter, Peter Lake, emerges out of the woods with his EP ‘GREEN’ dedicated to the epic love affair between Blue and Yellow

Harry Johal

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The world’s only anonymous singer-songwriter, Peter Lake, emerges out of the woods with his EP ‘GREEN’ dedicated to the epic love affair between Blue and Yellow


Says Peter Lake: “I will be known as the greatest songwriter of all time. Get on board early! If you’re going to climb a mountain, why not Everest?”

Press Release


Jan 29, 2023

The self-proclaimed “Ghost of New York” strikes again with three hit songs that make up his first release of 2023. Peter Lake, the world’s only anonymous singer-songwriter, emerged on the scene in the last 24 months with a series of songs that have garnered over 23 million streams on Spotify and 19 million streams on YouTube. Once again, Lake has used his music to create powerful messages to help listeners all around the world find comfort and seek optimism. In his lead single “Sweet Sour Minds” Lake tapped into to his growing fan base and promised to write the song about whatever they decide. The process, which Lake documented on his YouTube channel, led to his writing of “Sweet Sour Minds.” Lake reveals the idea that ‘We can give anything power by loving it, and if that thing turns on us, it can destroy our spirit. But in the end, after it all settles down, we remain optimistic, somehow it’s fine.”

The song Crowds is an ode to Lake’s favorite collaborator, Charley Drayton, whose unequaled drum beats make the song at once a vehicle for Lake’s sometimes mysterious lyrics, as well as a fast-paced anthem that protests against the unfair use of power. Lake comments that “Charley’s drums sound different. There is a magic there. I’m so glad he’s finished touring with Bob Dylan. I need Charley back.”

Perhaps the most unusual element of Lake’s latest EP is the song “Comfort’s Cross” which seems to contradict Lake’s genre of electro pop. In this recent release, Comforts Cross reminds the listener of Lake’s premise that music no longer has any genres. The song, a classic ballad that Lake originally wrote as a poem in response to the loss of a loved one and the grieving thereafter, is a naked and visceral emotional response that is led by his voice, and is supported by minimal background music.

Green is now available globally wherever music is streamed. To learn more about the music of Peter Lake, please visit his social media. @peterlakemusic

All inquiries can be directed to brigid@peterlakesounds.com.

Artist Biography:

Peter Lake is a Canadian born, New York City based singer-songwriter who revels in anonymity. In an age where privacy is rare, Peter is convinced that his ability to create music is protected by his anonymity, and by working with unconventional partners in an attempt to avoid the constraints of traditional record deals, which often consider recorded music as a means to promote tours. Peter is the first of a kind: an artist who will only do live concerts via a web-based platform, thereby freeing him to focus exclusively on writing and recording new, original music that crosses all genres. In the process, Peter has assembled one of the largest singer-songwriter catalogues in the industry. His musical influences include Neil Young, Max Martin, David Bowie, Motown, and Drake. It’s no surprise that his songs are hard to place, often flying between (and combining) House beats, crunchy guitar riffs and “traditional chants and natural sounds.” Lake considers his work as that of starting an avalanche: you don’t know which snowflake starts the avalanche, “my job is to make it snow.” Through his consistent work over the next decade Lake plans to gradually displace Max Martin as the greatest songwriter who has ever lived.

Source: Peter Lake Sounds LLC



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Editor's Choice

When the Stars Fade Away: Navigating the Tides of Celebrity, Legacy, and Loss

H Johal

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Studio CarryOnHarry Entertainment Desk

In the whirlwind world of fame, where the lights shine brightest, the departure of a star can leave a profound silence in its wake. It’s a reminder of the fleeting nature of celebrity and the indelible marks some leave on the fabric of our culture. Recently, the entertainment sphere was shaken by the tragic news of Shefali Jariwala’s untimely passing—a talent whose spark dimmed too soon. Amidst the bustling digital landscape where trends come and go, certain stories, like Shefali’s, grip us, urging a search for meaning amidst loss.

Shefali, fondly remembered as the “Kanta Laga Girl,” left a void not just among her close-knit circle but within the broader audience base that adored her. Her untimely demise at the age of 42 not only sparked an outcry of grief but a surge of online searches, seeking to understand the how and why. She had been a vibrant presence on screen, and her sudden departure led to a significant spike in Google searches, overtaking even major events. The cause, reportedly a consequence of a cardiac arrest, raised discussions on the pressures and the unseen struggles behind the glamorous facades of celebrity life.

In another corner of the digital universe, Anupam Kher experienced an unexpected jolt—not of loss, but of digital disappearance. Imagine waking up one day to find a whopping nine lakh followers vanished from your social media profile. In a world where online presence and follower count are often seen as measures of influence and credibility, such an occurrence is disconcerting. Kher’s direct query to Elon Musk brought light to the often invisible cleanup processes on social media platforms, aiming to purge bots and inactive accounts. Yet, it serves as a metaphor for the impermanence in the digital age—what is here today can be gone tomorrow, echoing the transient nature of fame itself.

As we navigate through a torrent of updates, from the surprising revelations post-Samantha Ruth Prabhu’s wedding to the heartwarming support for TV’s Sai Baba, Sudhir Dalvi, by the Shirdi Sansthan, it’s evident how stories of celebrities’ lives, their highs and lows, fascinate and unite us in conversation and speculation.

In the midst of these narratives, a peculiar phenomenon caught my attention—the barometer of public interest as reflected in Google’s most searched movies of 2025. From Bollywood outpacing Southern cinema to unexpected hits that captured the public’s imagination, it’s a fascinating glimpse into collective tastes and the ever-shifting sands of viewer preference.

But perhaps, the most human aspect amidst these tales is the community’s response to Sudhir Dalvi’s plight. Facing health challenges, the actor renowned for his portrayal of Sai Baba found relief not just in medical intervention but in the collective support of a community willing to uphold one of its beloved figures. It’s moments like these that reinforce the ties that bind us, transcending the screen to touch lives in tangible ways.

 

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Editor's Choice

Remembering Dharam Ji: A Nostalgic Birthday, an Unseen Farewell, and a Cultural Clash

H Johal

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In the world of glitz and glamour, where every story seems like it’s ripped straight from a screenplay, today’s conversation feels particularly poignant. We gather ’round not just to celebrate but to reflect and muse – on the past, the present, and the subtle ways they weave into the stories we cherish. And oh, what a tale I have to share with you today, touching upon the legacies we hold dear, the shifts in our cinematic universe, and a controversy that whispers of deeper societal divides.

Let’s start with Dharam Ji, the venerable Dharmendra, whose birthday celebrations today echo in the hearts of fans and family alike. Imagine, if he were with us today, he’d be marking 90 remarkable years – a journey brimming with roles that have nestled themselves into the very fabric of our cinematic memory. Social media today is awash with tributes, a digital shrine adorned with unseen pictures and heartfelt messages, shared not just by legions of admirers but by his own kin, painting a touching portrait of remembrance.

Amid these tributes surfaces an intriguing tidbit – a behind-the-scenes glimpse from what’s poised to be Dharmendra’s final cinematic outing, a testament to a career that’s spanned decades, leaving an indelible mark on Hindi cinema. It’s a bittersweet moment, a reminder of the cyclical nature of fame, art, and ultimately, life itself.

Shifting gears, let’s mull over the intriguing debut of Agastya Nanda in a big-screen spectacle, shadowed by a controversy that’s as much about cinema as it is about the societal chasms it inadvertently spotlights. The Bachchan family, no strangers to the spotlight’s glare, finds itself at the heart of this whirlwind – navigated with a mix of grace, indignation, and a poignant silence from some quarters. It’s a tale that underscores not just the evolving dynamics of celebrity culture but the simmering tensions between the patricians and the plebeians of the fame world.

Amidst this unfolds the narrative of “Sholay,” re-emerging in a meticulously crafted 4K avatar that promises to be nothing short of a cinematic resurgence. Yet, it’s not the technology that stirs the pot; it’s a seemingly innocuous tweak to a legendary dialogue that’s stirred a maelstrom, signaling a fascinating discourse on history, legacy, and the guardianship of cultural artifacts. The question of who decides the trajectory of narratives – be they personal like Dharam Ji’s farewell or collective like “Sholay’s” rebirth – becomes a compelling subplot in our reflection on contemporary cinema and its intertwined relation with cultural consciousness.

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