Artists
19-Year-Old Anthony Pittman of Canton, MA, Announces Fourth Album, “The Healing Of Art”
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Pittman, who celebrated his 19th birthday just two days before the new year, has once again written, mixed, mastered, and performed every track himself. The album’s title, The Healing of Art, is a clever play on the phrase “the art of healing,” reflecting Pittman’s belief in the transformative power of music.
“This album is deeply personal to me,” Pittman shares. “It’s about the ways art can heal and inspire us, and I’m thrilled to bring that message to life on vinyl for the first time.”
With its genre-blending sound and polished production, The Healing of Art is poised to capture the attention of music fans and critics alike. From its high-energy dance tracks to its introspective rock ballads, the album showcases Pittman’s versatility and artistic growth.
Vinyl editions of the album will be available for pre-order starting January 3, 2025, alongside digital pre-orders on major platforms.
Instagram: @anthonypittmanmusic
For additional information or inquiries, please contact Anthony Pittman directly via email at anthonypittman24@icloud.com or by phone at 609-284-7594.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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