Artists
“Fun,” the New Dance Celebration Single by Doug Payne on Phase 5 Records
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In September of 2018, Doug was producing a song when he noticed a lump on his back. His wife encouraged him to get it checked out, but he elected to wait. It wasn’t until the lump had grown from the size of a grape to the size of a plum that Doug decided it was time to go to the doctor. After conducting a physical, the doctor told him they would perform surgery to remove the tumor. At his follow-up appointment, they told him it’s cancer.
The “Fun” music video will follow shortly after the song becomes available at all streaming and download music sites. It’s about a workaholic corporate boss having a “Bored” meeting and requesting his employees to work overtime. But when they hear dance music coming from a nearby dance club, the employees dance their way out of the office leaving the boss alone with another employee aka ”Uncle Joe” that fell asleep during the “Bored” meeting.
In 2022 Doug Payne released a reggae styled love song called “Feels Like Gold” that was written by Joseph Brown from Kingston Upon Hull in England. The music video is a funny love story of a janitor that falls asleep while cleaning the theater office and starts dreaming that he is actually in the theater’s musical about “Pirates.”
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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