Artists
David Abbruzzese Expresses Feelings on Pearl Jam’s Continued Success Without Him
David Abbruzzese Expresses Feelings on Pearl Jam’s Continued Success Without Him
Former Pearl Jam drummer David Abbruzzese admits to feeling a sense of detachment as his former bandmates continue their musical journey without his involvement.
David Abbruzzese, the former drummer for Pearl Jam, has recently shared his sentiments regarding the band’s ongoing tours and recordings in his absence. Abbruzzese, who contributed to the albums ‘Ten’ and ‘Vs’ during his tenure from 1991 to 1994, was dismissed from the group, reportedly due to disagreements with Eddie Vedder. In a recent interview, when questioned about Pearl Jam’s continued success, Abbruzzese confessed to feeling a degree of separation. He acknowledged his role in the band’s ascent and admitted that witnessing their continued journey without him evokes a sense of longing. While recognizing the sting of being excluded, Abbruzzese emphasized his commitment to moving forward, expressing pride in his contributions to Pearl Jam and gratitude for the opportunities he received. Since his departure, Abbruzzese has remained active in the music scene, notably with his band, Green Romance Orchestra. He was also honored with an induction into the Rock and Roll Hall of Fame as a member of Pearl Jam in 2017. Studio Team CarryOnHarry reports.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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