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Laura Lee Everett Selected as USITT Executive Director

Harry Johal

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Laura Lee Everett Selected as USITT Executive Director

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Carolyn Satter, president of the United States Institute for Theatre Technology (USITT), today announced that LAURA LEE EVERETT has been named as the Executive Director of the association after an exhaustive nationwide search.

USITT was founded in 1960 as an organization to promote dialogue, research, and learning among practitioners of theatre design and technology. Now in its 63rd year, its approximately 4,000 members include those at all career levels in every state in the union. USITT is now the leader in lifelong learning opportunities for the entertainment design and technology industry. The Institute has consistently embraced and expanded to include new technologies being used in all live entertainment.  

“I am ecstatic that Laura Lee will be able to bring her extensive skill set to USITT to invigorate and grow the already impressive impact of the Institute,” said Satter. “I am confident, as is the Board of Directors, that her incredibly sharp tactical acumen and extensive industry knowledge will take USITT to unparalleled new heights.”

Everett is currently the Chief Programs Officer for OPERA America.

Joining OPERA America in 2012, she facilitated the creation and opening of the National Opera Center in New York City. She created the public programming series Onstage at the Opera Center and established the curating cycles for the production design galleries featuring the work of celebrated scenic, costume, lighting, projection, wig, and production designers’ work in opera. Additionally, she produced professional development programs at the National Opera Center to facilitate composers and librettists, singers and pianists, and leadership training for future leaders in non-profit arts administration. She produced all programming and content for the biannual New Works Forum, gatherings of up to 400 producers, presenters, creators and collaborators of new music. 

For OPERA America, she executive produced the Opera America Songbook (a collection of 50 commissioned songs for the opening of the National Opera Center) and Fierce Grace: Jeannette Rankin, a commissioned song cycle about the first U.S. congresswoman, written by an all-woman team of composers and librettists. In 2015, she launched the Women’s Opera Network and in 2022, produced the inaugural Awards for Digital Excellence in Opera, recognizing the best work created for digital platforms by artists and producers across the U.S. and Canada.

Everett spent 10 years as the managing director at the Maryland Opera Studio at the University of Maryland and eight seasons with the Aspen Opera Theater Center. In both positions, she cultivated support for programs developing new work, training the next generation of performers, directors, designers, and technicians, and giving students in the performing arts the essential opportunity to gain experience in classic repertoire and contemporary work. 

She spent more than 20 years of her career as a stage and production manager specializing in opera and in this capacity has overseen productions and worked with many of the leading companies across the U.S.

“I am thrilled to be joining the team at USITT,” said Everett. “The chance to lead an organization that means so much to the industry is an opportunity that I do not embark on lightly. I believe that the prospects for USITT are unlimited.”

Everett is no stranger to USITT, having been actively involved as a volunteer for a number of years, currently serving as Management Commissioner.

“I am confident that Laura Lee is the visionary thought-leader that we sought to create a robust future-proof organization that can achieve success at the next level,” said Satter. “Along with her copious industry knowledge is her fundraising expertise, which will be a critical component in advancing the Institute while basing all that we do on our bedrock Core Values of inclusion, excellence, and responsibility.”

As the program officer for all of OPERA America’s granting programs, annually funding more than $2 million for new work creation and development, innovation in programming and production, and civic practice initiatives, Everett was instrumental in the 2014 creation of the Opera Grants for Women Composers programs, awarding more than $1 million to 98 composers, and to companies producing their work. She was essential in cultivating the funding and creation of the 2019 and 2020 IDEA grant programs offering developmental grants for work and residencies by BIPOC composers and librettists.

“Having only returned to live event production in 2022, it feels quite right to introduce Laura Lee to the USITT membership at our Annual Conference & Stage Expo in St. Louis, which we had already styled ‘The Gateway to the Future,'” said Satter. “In bringing Laura Lee on board as our executive leader, I am convinced that we have solidified a very bright future for the Institute. I just could not be happier.”

Each year, the Institute produces its signature Annual Conference & Stage Expo, generally drawing more than 5,000 attendees and 300 exhibitors to a selected city. It is one of the most anticipated events of the year in live entertainment technology, production and design, drawing a robust cross-section of the industry to explore the rich and diverse educational offerings, job opportunities, and vendor products and services on display.

“I would be remiss if I did not thank the Executive Director Search Committee for their time and dedication to USITT,” noted Satter, “especially former USITT President Carl Lefko who graciously chaired the committee.”

Besides Lefko, other members of the search committee were Rich Dionne, Avery Evans, LT Gourzong, Jody Harris, Brent “Mickey” Henry, Joe Payne, Lea Ann Quimby, Jim Streeter, Whitney Winkels, and President Satter. The search was conducted in concert with Isaacson, Miller.

Satter also expressed her thanks to Institute Fellow and former President Lea Asbell-Swanger, who has served as Interim Executive Director since June 2022.

Everett will make her first address to USITT at the Annual Membership Meeting in St. Louis on March 15. Her tenure as USITT Executive Director begins on March 21, 2023.

A high-resolution version of Everett’s headshot can be downloaded at www.usitt.org/lle.

Source: USITT

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Editor's Choice

Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

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Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

Balle Balle Radio™ Entertainment Desk

Two 2026 releases, "Resident Evil" and "Spider-Man: Brand New Day," are tied at the top of Rotten Tomatoes’ running Verified Hot list, each pulling in more than 5,000 Verified ratings from ticket-buying audiences, according to the site’s latest update.

Just as Certified Fresh represents critics’ consensus via the Tomatometer, Verified Hot is its audience equivalent, requiring a minimum 90% score on the Popcornmeter using ratings exclusively from Fandango ticket buyers, according to the guide. Rotten Tomatoes introduced the badge to give paying audiences their own equivalent stamp of approval, separate from critical consensus.

Behind the two leaders in the largest-sample tier, "The Odyssey" ranks second with over 5,000 Verified ratings, followed by "Project Hail Mary," "Obsession," "Hoppers" and "The Super Mario Galaxy Movie." Several of these titles also turn up on other year-end and mid-year lists tracking 2026’s most-discussed films, including "The Odyssey," "Project Hail Mary" and "Obsession" among the movies cited as generating the most audience conversation this year.

In the next tier, covering films with 1,000 to 5,000 Verified ratings, "Avengers: Endgame," "Heart of the Beast," "Forgotten Island" and "Practical Magic 2" share the top spot, with "Coyote vs. Acme," "The Invite," a musical performance film featuring Stray Kids and others filling out the rest of the ranking. Rotten Tomatoes notes a third, smaller tier of 250 to 999 ratings exists for titles still building an audience track record, which it describes as newer and more niche releases.

New films earning a 90% Popcornmeter score are added weekly, with placement within each tier based on cumulative Verified rating volume.

Studio CarryOnHarry will be watching whether films lower in the 1,000-to-5,000 tier gain enough ratings to crack the top bracket as the list updates through the rest of 2026.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Editor's Choice

Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

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Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

Balle Balle Radio™ Entertainment Desk

Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.

Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.

"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.

The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.

Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.

About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.

[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)

> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri

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Harry Johal — Entertainment Editor

Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.

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