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TRYST: An Artful Story Collection and Its New Publisher Find a Home on Ethereum

Harry Johal

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TRYST: An Artful Story Collection and Its New Publisher Find a Home on Ethereum

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New publisher Alexandria found an outpouring of love and a historic sellout for book NFT collection, TRYST, from award-winning poet and artist Ana María Caballero. Now, they’re releasing the second edition.

Press Release
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Jan 26, 2023

“Amazing to see such an incredibly strong reception for [literature] within the web3 space.” – Keith Grossman, President of TIME Magazine

Readers gathered at Usagi NY on Dec. 8 for the launch party to promote Ana María Caballero’s new fiction collection TRYST. However, the book had already sold out that morning, within 48 hours of release. Keith Grossman, President of TIME Magazine, had just collected the book on the secondary market. The promotional event had become a celebration instead.

Poet and artist Ana María Caballero released a digital collection of short stories, each with a one-of-a-kind cover. With the Alexandria team, publishers of special collectible editions of books as NFTs, Caballero presented her book as a web3 native art piece. The book isn’t token-gated, which means anyone can read it, regardless of whether they own the NFT. Buying a copy, then, means creating a relationship between the reader and the author.

“Web3 publishing is revolutionary,” Caballero Tweeted the day the book was released for pre-sale. “Finished editing a collection of stories today. Minted them as a digital book via my own smart contract, where I own all royalties. Shared it with you all. Chose a price, chose not to token-gate. I repeat: as an emerging author I chose.”

Ana María Caballero won the Steel Toe Books 2022 Book Award for poetry collection Mammal, which will be released this year. She is the recipient of the Beverly International Prize for Literature, Colombia’s José Manuel Arango National Poetry Prize, and a Sevens Foundation Grant. Her pioneering work with poetry on the blockchain has been featured by outlets such as Right Click Save, Forbes, Entrepreneur, and Elle UK. She co-founded theVERSEverse, a digital gallery for poetry. 

This groundbreaking release is the first fiction book from Alexandria, a new publisher creating limited edition digital books powered by web3, which received coverage this year from CoinDesk and Esquire. Alexandria is creating literary experiences for the digital age, focusing on the preservation and access of information and on putting IP and royalties in the hands of authors using emerging technologies. 

Alexandria’s founders, Amelie Lasker (MPhil, Cambridge University) and Sonia Joseph (Ph.D. candidate, Mila), are writers themselves. They created Alexandria out of a desire to contribute to the innovation of books and the ways in which they will be made and read in the future.

Released on Jan. 26, the book’s second edition makes more copies available for readers to collect, enjoy, and gift, while paying homage to the first edition in its art style. Collectors of the second edition will receive one of five original covers; the covers feature foliage inspired by a Brooklyn winter (with the earliest hints of spring) created by artist Alexandria Sofija and cover designer Julia Lasker.

TRYST explores the moments and the non-moments, the loves, the losses, and the in-between that make up the lives of the people of Brooklyn. A set of three lyrical and arresting short stories, TRYST offers a glimpse into the poetic and expansive inner lives of three women, each rooted in a different Brooklyn neighborhood.

“These three narratives are told by women looking for ways to be free and failing,” Caballero remarks. “There’s beauty in the endurance delivered by failure—a beauty I love to dial. I say: ‘Hi, heartbreaking beauty, how are you today? Will you lift your foot from my throat, from my wrists, so that I might describe the shadow of your size?'”

To read the book, which is free for the public, and find updates about the second edition release, visit alexandrialabs.xyz.

Source: Alexandria Labs

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Editor's Choice

Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

H Johal

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Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

Balle Balle Radio™ Entertainment Desk

Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.

Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.

"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.

The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.

Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.

About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.

[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)

> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Harry Johal — Entertainment Editor

Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.

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Editor's Choice

How The Odyssey Pushed Nolan Into Cinema’s Billion-Dollar Elite

H Johal

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How The Odyssey Pushed Nolan Into Cinema’s Billion-Dollar Elite

How The Odyssey Pushed Nolan Into Cinema’s Billion-Dollar Elite

Studio CarryOnHarry Entertainment Desk | 13 October 2026

The Odyssey Rewrites Box Office History

Christopher Nolan has officially cemented his place among the most commercially powerful filmmakers in cinema history. His latest epic, The Odyssey, has stormed past $1.78 billion at the worldwide box office, making it not only the biggest film of his career but also the highest-grossing R-rated movie ever released globally.

The achievement has propelled Nolan past the $8 billion milestone in cumulative career earnings at the worldwide box office — a staggering figure that places him third on the all-time list of highest-grossing directors, displacing the Russo Brothers from that coveted position.

What Makes The Odyssey a Record-Breaker?

Adapted from Homer’s ancient Greek epic poem, The Odyssey marks Nolan’s first venture into mythological storytelling — and the gamble has paid off spectacularly. The film boasts one of Hollywood’s most impressive ensemble casts, led by Matt Damon, with Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, Samantha Morton, and Charlize Theron rounding out the lineup.

Box Office Breakdown

  • Opening Weekend (North America): $123.5 million
  • North American Total: $623.1 million
  • International Gross: $1.157 billion
  • Worldwide Total (to date): $1.78 billion
  • Projected Final Worldwide: ~$1.9 billion

Nolan Pushes Russo Brothers Out of the Top 3

Prior to The Odyssey‘s release, Nolan’s global career total sat just below the $8 billion threshold. The film’s extraordinary run has now vaulted him ahead of the Russo Brothers — best known for the Marvel juggernaut films Avengers: Infinity War and Avengers: Endgame — in the all-time director rankings.

For context, Nolan’s previous biggest hit was The Dark Knight Rises, which earned over $1 billion globally. The Odyssey has shattered that benchmark decisively, reportedly tracking toward a $1.9 billion final tally.

Why This Matters for Global Cinema Fans

This milestone is a defining moment for original, auteur-driven blockbuster filmmaking. For fans tracking Bollywood’s top stories and global cinema alike, Nolan’s ascent signals that bold, large-scale storytelling continues to draw audiences worldwide.

For deeper context on how Hollywood’s biggest milestones intersect with the global film landscape, entertainment industry coverage continues to track every record-breaking development in real time.

With The Odyssey still in theatres and its final numbers yet to be tallied, Nolan’s position in cinema history looks more secure than ever.

– Entertainment Desk, Studio Carry On Harry

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