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Laura Lee Everett Selected as USITT Executive Director

Harry Johal

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Laura Lee Everett Selected as USITT Executive Director

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Carolyn Satter, president of the United States Institute for Theatre Technology (USITT), today announced that LAURA LEE EVERETT has been named as the Executive Director of the association after an exhaustive nationwide search.

USITT was founded in 1960 as an organization to promote dialogue, research, and learning among practitioners of theatre design and technology. Now in its 63rd year, its approximately 4,000 members include those at all career levels in every state in the union. USITT is now the leader in lifelong learning opportunities for the entertainment design and technology industry. The Institute has consistently embraced and expanded to include new technologies being used in all live entertainment.  

“I am ecstatic that Laura Lee will be able to bring her extensive skill set to USITT to invigorate and grow the already impressive impact of the Institute,” said Satter. “I am confident, as is the Board of Directors, that her incredibly sharp tactical acumen and extensive industry knowledge will take USITT to unparalleled new heights.”

Everett is currently the Chief Programs Officer for OPERA America.

Joining OPERA America in 2012, she facilitated the creation and opening of the National Opera Center in New York City. She created the public programming series Onstage at the Opera Center and established the curating cycles for the production design galleries featuring the work of celebrated scenic, costume, lighting, projection, wig, and production designers’ work in opera. Additionally, she produced professional development programs at the National Opera Center to facilitate composers and librettists, singers and pianists, and leadership training for future leaders in non-profit arts administration. She produced all programming and content for the biannual New Works Forum, gatherings of up to 400 producers, presenters, creators and collaborators of new music. 

For OPERA America, she executive produced the Opera America Songbook (a collection of 50 commissioned songs for the opening of the National Opera Center) and Fierce Grace: Jeannette Rankin, a commissioned song cycle about the first U.S. congresswoman, written by an all-woman team of composers and librettists. In 2015, she launched the Women’s Opera Network and in 2022, produced the inaugural Awards for Digital Excellence in Opera, recognizing the best work created for digital platforms by artists and producers across the U.S. and Canada.

Everett spent 10 years as the managing director at the Maryland Opera Studio at the University of Maryland and eight seasons with the Aspen Opera Theater Center. In both positions, she cultivated support for programs developing new work, training the next generation of performers, directors, designers, and technicians, and giving students in the performing arts the essential opportunity to gain experience in classic repertoire and contemporary work. 

She spent more than 20 years of her career as a stage and production manager specializing in opera and in this capacity has overseen productions and worked with many of the leading companies across the U.S.

“I am thrilled to be joining the team at USITT,” said Everett. “The chance to lead an organization that means so much to the industry is an opportunity that I do not embark on lightly. I believe that the prospects for USITT are unlimited.”

Everett is no stranger to USITT, having been actively involved as a volunteer for a number of years, currently serving as Management Commissioner.

“I am confident that Laura Lee is the visionary thought-leader that we sought to create a robust future-proof organization that can achieve success at the next level,” said Satter. “Along with her copious industry knowledge is her fundraising expertise, which will be a critical component in advancing the Institute while basing all that we do on our bedrock Core Values of inclusion, excellence, and responsibility.”

As the program officer for all of OPERA America’s granting programs, annually funding more than $2 million for new work creation and development, innovation in programming and production, and civic practice initiatives, Everett was instrumental in the 2014 creation of the Opera Grants for Women Composers programs, awarding more than $1 million to 98 composers, and to companies producing their work. She was essential in cultivating the funding and creation of the 2019 and 2020 IDEA grant programs offering developmental grants for work and residencies by BIPOC composers and librettists.

“Having only returned to live event production in 2022, it feels quite right to introduce Laura Lee to the USITT membership at our Annual Conference & Stage Expo in St. Louis, which we had already styled ‘The Gateway to the Future,'” said Satter. “In bringing Laura Lee on board as our executive leader, I am convinced that we have solidified a very bright future for the Institute. I just could not be happier.”

Each year, the Institute produces its signature Annual Conference & Stage Expo, generally drawing more than 5,000 attendees and 300 exhibitors to a selected city. It is one of the most anticipated events of the year in live entertainment technology, production and design, drawing a robust cross-section of the industry to explore the rich and diverse educational offerings, job opportunities, and vendor products and services on display.

“I would be remiss if I did not thank the Executive Director Search Committee for their time and dedication to USITT,” noted Satter, “especially former USITT President Carl Lefko who graciously chaired the committee.”

Besides Lefko, other members of the search committee were Rich Dionne, Avery Evans, LT Gourzong, Jody Harris, Brent “Mickey” Henry, Joe Payne, Lea Ann Quimby, Jim Streeter, Whitney Winkels, and President Satter. The search was conducted in concert with Isaacson, Miller.

Satter also expressed her thanks to Institute Fellow and former President Lea Asbell-Swanger, who has served as Interim Executive Director since June 2022.

Everett will make her first address to USITT at the Annual Membership Meeting in St. Louis on March 15. Her tenure as USITT Executive Director begins on March 21, 2023.

A high-resolution version of Everett’s headshot can be downloaded at www.usitt.org/lle.

Source: USITT

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Editor's Choice

Bollywood Loses a Titan: Patekar Dies, State Funeral Confirmed

Director Anees Bazmee breaks silence on Nana Patekar’s death, calling it unbearable. Read the full story on India’s cinema legend’s final farewell.

H Johal

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Bollywood Loses a Titan: Patekar Dies, State Funeral Confirmed

Bollywood Loses a Titan: Patekar Dies, State Funeral Confirmed

Studio CarryOnHarry Entertainment Desk | 8 October 2026

A Filmmaker’s Grief: Anees Bazmee Speaks From the Heart

Veteran Bollywood director Anees Bazmee has issued a deeply emotional appeal to the media following the sudden passing of legendary actor Nana Patekar on 8 October 2026. In a heartfelt message shared on his official Instagram account, Bazmee admitted he is not yet in a position to speak publicly about the tragedy.

“This is an unbearable loss and an unbearable pain for me and for all of us,” the director wrote, requesting that journalists and well-wishers allow him time to grieve privately. His message resonated across the industry, reflecting the profound bond the two shared over decades in Hindi cinema.

Nana Patekar’s Final Hours: What We Know

The Padma Shri-winning actor reportedly suffered a severe cardiac arrest in the early hours of Thursday at his residence in Dona Paula, Goa. Emergency services rushed him to Manipal Hospital after he was found unresponsive, but despite approximately 45 minutes of CPR efforts by medical personnel, the veteran star could not be revived.

He was officially declared deceased at around 5:20 AM IST. His son, Malhar Patekar, subsequently confirmed the heartbreaking news to the media.

State Funeral Announced by Maharashtra Government

In recognition of Nana Patekar’s extraordinary contribution to Indian cinema, the Maharashtra government has announced that the actor will receive a state funeral with full state honours. His mortal remains are being transported from Goa to Pune, where final rites are scheduled to take place at his farmhouse in Donje.

A Legacy That Transcends Generations

Over a career spanning more than four decades, Nana Patekar built an unrivalled reputation across both Hindi and Marathi cinema. Known for his intense screen presence, raw emotional depth, and unflinching commitment to his craft, he was widely regarded as one of the finest actors India has ever produced.

  • Recipient of the prestigious Padma Shri, one of India’s highest civilian honours
  • Celebrated for landmark performances across Hindi and Marathi films
  • Passed away on 8 October 2026, aged 75, in Dona Paula, Goa
  • State funeral to be held at his Donje farmhouse near Pune

For the latest tributes and reactions pouring in from across the film fraternity, follow Bollywood’s top stories as the industry comes to terms with this devastating loss.

Industry Mourns: A Moment of National Grief

The outpouring of grief from fellow actors, directors, and fans across India underscores the extraordinary impact Nana Patekar had on generations of cinema lovers. For comprehensive entertainment industry coverage on how Bollywood is responding to this loss, tributes and memorial events are being closely tracked.

Anees Bazmee’s quiet, dignified appeal to the media — itself a testament to a friendship forged through years of creative collaboration — has been widely shared and respected across social platforms today.

– Entertainment Desk, Studio Carry On Harry

—

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Editor's Choice

CSIFF26 Showcases Diverse Caribbean Voices Through Six Nominated Films This October

Conch Shell International Film Festival returns to Queens October 9-11 with six Best Film nominees exploring Caribbean and diaspora filmmaking.

H Johal

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CSIFF26 Showcases Diverse Caribbean Voices Through Six Nominated Films This October

Balle Balle Radio™ Entertainment Desk

The Conch Shell International Film Festival will present six Best Film nominees October 9-11, 2026, with events at Regal UA Midway in Forest Hills, Queens, and panel discussions at HB Playwright Theatre in Manhattan, according to the festival.

Conch Shell Productions operates CSIFF as a 501(c)(3) nonprofit organization centered on celebrating Caribbean and diaspora filmmaking, with programming that in past years has drawn on films from across Cuba, Puerto Rico, Suriname, Martinique, the UK, and Trinidad, among other places. This year’s Best Film nominees span Havana, Kingston, Brooklyn, London, and Los Angeles, tracing filmmakers who split their lives and their work between a Caribbean homeland and a diaspora city.

"I F*cking Hate You!" comes from Gabriela Paciel, who was born and raised in Havana and based the film on her relationship with her own sister, describing a bond of fighting and fierce loyalty that she’s said she’d give a kidney for, literally. Hanif James’s "A Shade Of Indigo" follows the generational weight of colorism in Jamaica, a theme James traces to his own grandmother’s advice never to marry anyone darker than himself.

Stacey Sargeant wrote, directed, and stars in "Stand Clear ‘The Closing Doors," filmed guerrilla-style on a live subway train in a six-hour shoot, drawing from an actual incident Sargeant witnessed. She’s said she made the film for Black women first, to affirm a right to take up space without apology. Juliette Jeffers’s "Pan Gyul" grew out of her one-woman stage show and, according to Jeffers, is the first professional film to tell a Nevisian story; it has already screened at Cannes and the Pan African Film Festival, where she’s said audiences unfamiliar with Nevis left wanting to visit.

Noella Letitia Mingo’s "Mummy?" is based on her cousin’s life and centers on tragedy and the strength it takes to carry on, a project Mingo has linked to feeling unheard as a Black woman of Guyanese heritage in Britain. Karen Martinez’s "Trinidad Remains" follows a British-born woman who travels to Trinidad to scatter her estranged grandmother’s ashes with her cousin, a trip upended by a stranger’s hold-up that reshapes her sense of the island and herself.

Festival founder and director Magaly Colimon-Christopher said the six films resist any single definition of Caribbean identity, touching on colorism, sisterhood, belonging, grief, and the complicated pull of home, whether the stories are set there or in the diaspora. Full schedule, screening times, and tickets are available through the festival’s website.

Studio CarryOnHarry sees the real draw here less in any one film and more in the range: six directors working in six different registers, from guerrilla subway filmmaking to Cannes-screened steel-pan drama, all competing under one Best Film banner. That’s a wider swing than most regional festivals attempt in a single category, and it’s worth watching which of these six breaks out beyond the festival circuit.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Prince Johal — Press Release Editor

Prince Johal is the Press Release Editor at Studio CarryOnHarry, handling wire and press-release coverage.

Press Contact: harryjohal@carryonharry.com

This story was drafted with AI assistance and reviewed and approved by the editor before publication. Learn how we use AI.

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