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Laura Lee Everett Selected as USITT Executive Director

Harry Johal

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Laura Lee Everett Selected as USITT Executive Director


Carolyn Satter, president of the United States Institute for Theatre Technology (USITT), today announced that LAURA LEE EVERETT has been named as the Executive Director of the association after an exhaustive nationwide search.

USITT was founded in 1960 as an organization to promote dialogue, research, and learning among practitioners of theatre design and technology. Now in its 63rd year, its approximately 4,000 members include those at all career levels in every state in the union. USITT is now the leader in lifelong learning opportunities for the entertainment design and technology industry. The Institute has consistently embraced and expanded to include new technologies being used in all live entertainment.  

“I am ecstatic that Laura Lee will be able to bring her extensive skill set to USITT to invigorate and grow the already impressive impact of the Institute,” said Satter. “I am confident, as is the Board of Directors, that her incredibly sharp tactical acumen and extensive industry knowledge will take USITT to unparalleled new heights.”

Everett is currently the Chief Programs Officer for OPERA America.

Joining OPERA America in 2012, she facilitated the creation and opening of the National Opera Center in New York City. She created the public programming series Onstage at the Opera Center and established the curating cycles for the production design galleries featuring the work of celebrated scenic, costume, lighting, projection, wig, and production designers’ work in opera. Additionally, she produced professional development programs at the National Opera Center to facilitate composers and librettists, singers and pianists, and leadership training for future leaders in non-profit arts administration. She produced all programming and content for the biannual New Works Forum, gatherings of up to 400 producers, presenters, creators and collaborators of new music. 

For OPERA America, she executive produced the Opera America Songbook (a collection of 50 commissioned songs for the opening of the National Opera Center) and Fierce Grace: Jeannette Rankin, a commissioned song cycle about the first U.S. congresswoman, written by an all-woman team of composers and librettists. In 2015, she launched the Women’s Opera Network and in 2022, produced the inaugural Awards for Digital Excellence in Opera, recognizing the best work created for digital platforms by artists and producers across the U.S. and Canada.

Everett spent 10 years as the managing director at the Maryland Opera Studio at the University of Maryland and eight seasons with the Aspen Opera Theater Center. In both positions, she cultivated support for programs developing new work, training the next generation of performers, directors, designers, and technicians, and giving students in the performing arts the essential opportunity to gain experience in classic repertoire and contemporary work. 

She spent more than 20 years of her career as a stage and production manager specializing in opera and in this capacity has overseen productions and worked with many of the leading companies across the U.S.

“I am thrilled to be joining the team at USITT,” said Everett. “The chance to lead an organization that means so much to the industry is an opportunity that I do not embark on lightly. I believe that the prospects for USITT are unlimited.”

Everett is no stranger to USITT, having been actively involved as a volunteer for a number of years, currently serving as Management Commissioner.

“I am confident that Laura Lee is the visionary thought-leader that we sought to create a robust future-proof organization that can achieve success at the next level,” said Satter. “Along with her copious industry knowledge is her fundraising expertise, which will be a critical component in advancing the Institute while basing all that we do on our bedrock Core Values of inclusion, excellence, and responsibility.”

As the program officer for all of OPERA America’s granting programs, annually funding more than $2 million for new work creation and development, innovation in programming and production, and civic practice initiatives, Everett was instrumental in the 2014 creation of the Opera Grants for Women Composers programs, awarding more than $1 million to 98 composers, and to companies producing their work. She was essential in cultivating the funding and creation of the 2019 and 2020 IDEA grant programs offering developmental grants for work and residencies by BIPOC composers and librettists.

“Having only returned to live event production in 2022, it feels quite right to introduce Laura Lee to the USITT membership at our Annual Conference & Stage Expo in St. Louis, which we had already styled ‘The Gateway to the Future,'” said Satter. “In bringing Laura Lee on board as our executive leader, I am convinced that we have solidified a very bright future for the Institute. I just could not be happier.”

Each year, the Institute produces its signature Annual Conference & Stage Expo, generally drawing more than 5,000 attendees and 300 exhibitors to a selected city. It is one of the most anticipated events of the year in live entertainment technology, production and design, drawing a robust cross-section of the industry to explore the rich and diverse educational offerings, job opportunities, and vendor products and services on display.

“I would be remiss if I did not thank the Executive Director Search Committee for their time and dedication to USITT,” noted Satter, “especially former USITT President Carl Lefko who graciously chaired the committee.”

Besides Lefko, other members of the search committee were Rich Dionne, Avery Evans, LT Gourzong, Jody Harris, Brent “Mickey” Henry, Joe Payne, Lea Ann Quimby, Jim Streeter, Whitney Winkels, and President Satter. The search was conducted in concert with Isaacson, Miller.

Satter also expressed her thanks to Institute Fellow and former President Lea Asbell-Swanger, who has served as Interim Executive Director since June 2022.

Everett will make her first address to USITT at the Annual Membership Meeting in St. Louis on March 15. Her tenure as USITT Executive Director begins on March 21, 2023.

A high-resolution version of Everett’s headshot can be downloaded at www.usitt.org/lle.

Source: USITT



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Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

H Johal

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Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Veteran Bollywood actor Naseeruddin Shah has made his position crystal clear amid the escalating controversy surrounding the Chalo Sansad march at Jantar Mantar, publicly denouncing those who unleashed violence on demonstrating students.

Shah pulled no punches in his condemnation, labelling the individuals responsible for the attacks as nothing short of thugs, while firmly expressing his support for the student community protesting against the alleged NEET examination paper leak scandal.

The actor’s statements come in the wake of a misleading video that spread rapidly across social media, purportedly showing Shah at the demonstration site. Sources reveal the footage was actually captured at an entirely separate event — a film screening held in Mumbai — with no connection to the Delhi protests whatsoever.

Meanwhile, the unrest has refused to stay contained within the capital. Entertainment circles and observers note that demonstrations have now rippled outward, with students taking their grievances to the streets of Mumbai as well.

Authorities in the city have responded swiftly, according to insiders, implementing restrictions on public gatherings as tensions continue to simmer across the nation over the examination integrity scandal.

The NEET controversy has ignited a fierce national conversation about fairness in India’s high-stakes academic examination system, with students and public figures alike demanding accountability from those in charge.

Shah’s vocal stance adds a prominent cultural voice to what has become one of the most charged student-driven movements in recent memory, with insiders suggesting his words have further amplified the conversation around justice for the affected candidates.

Harry’s Take

Distance doesn’t necessarily dilute solidarity — but in this case, it does complicate it. Shah’s condemnation carries moral weight, yet the viral video confusion inadvertently made his physical absence the story, which risks overshadowing the substance of what he actually said. A statement made from the sidelines, however sincerely meant, invites the question of whether cultural figures in India are prepared to put presence behind their principles when the moment demands it.

Editor’s Verdict

Naseeruddin Shah’s intervention here is significant, but the viral video mishap is the more instructive story. When misinformation positions someone at a protest they never attended, the clarification inevitably becomes louder than the cause itself — and that is a genuine problem for movements that rely on celebrity solidarity to sustain public attention. Shah’s words carry earned credibility; few voices in Indian cinema have maintained that kind of consistent moral clarity over decades. But the episode quietly exposes how fragile that solidarity can appear in the social media age, where a mislabelled clip can simultaneously amplify and undermine a public figure’s standing within hours. Students fighting a legitimate battle over examination integrity deserve more than complicated news cycles about who was or wasn’t where. Beyond the headlines, when the messenger becomes the story, the message has already lost ground it may struggle to recover.

Studio Ki Raye

Naseeruddin Shah ka NEET par bayan aana — yeh Bollywood ka ek jaana-pehchaana pattern hai. Jab bhi koi bada student ya social movement uthta hai, kuch selective voices saamne aati hain, baaki industry khamosh rehti hai. Lekin asli sawaal yeh hai ki Shah ka bayan ek fake viral video ke *response* mein zyada clearly define hua — matlab unhe apni position isliye explain karni padi kyunki social media ne pehle unhe wahan “place” kar diya. Yeh solidarity hai ya damage control? Dono ke beech ki line Bollywood mein hamesha blurry rehti hai. Aur jab tak industry ka sirf ek-do percent hi bolega, baaki chuppe rahenge — toh cultural weight kitna meaningful hai, yeh sochne wali baat hai.

  • Entertainment Desk, Studio Carry On Harry

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Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

H Johal

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Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

Vijay’s Political Swan Song Sets Box Office Ablaze With Massive Pre-Sales

Thalapathy Vijay is heading into his final cinematic chapter with a bang. His much-anticipated action drama *Jana Nayagan* has stormed advance booking charts, pulling in close to Rs 14.94 crore in pre-sales nationwide ahead of its theatrical debut.

Tamil Nadu is spearheading the ticketing frenzy, with Chennai emerging as a particularly dominant force in occupancy numbers, according to insiders. The response signals an enormous appetite among fans eager to witness the superstar’s farewell performance on the big screen.

Entertainment circles suggest the film carries considerable thematic weight, with its director steering the narrative toward ideals of unity and democratic values rather than conventional mass-entertainer fare. Sources reveal the creative team has been deliberate in crafting a story that resonates beyond pure spectacle.

The stakes surrounding *Jana Nayagan* extend well beyond typical box office competition. Industry insiders confirm this project is widely understood to be Vijay’s final film before he steps away from cinema altogether to pursue a full-time political career — a transition that has captivated both fans and observers across South India.

Critics note that the combination of a star-driven farewell, strong pre-release buzz, and a socially charged storyline creates a rare cinematic event that transcends the usual release cycle. Whether the film meets its towering expectations at the box office remains to be seen, but the advance numbers suggest audiences are already voting with their wallets.

– Entertainment Desk, Studio Carry On Harry

Harry’s Take

The tension here is real: Vijay’s farewell leverage is greatest right now, at peak sentimental value, yet Vinoth is spending that leverage on a civics lesson rather than a crowd-pleasing spectacle. That’s either a genuinely bold artistic bet or a miscalculation — because audiences voting with pre-sale wallets are buying the star’s exit, not necessarily the ideology attached to it. Whether the film can hold that theatrical momentum past opening weekend will be the real verdict on whether the thematic ambition helped or hurt.

Editor’s Verdict
The Rs 14.94 crore advance is impressive, but the more interesting story here is what it actually represents — a superstar essentially using his final film as a public manifesto before entering politics. That is an almost unprecedented convergence of cinema and political ambition in modern Indian entertainment, and it changes how audiences experience the film before they’ve even seen a single frame. The thematic pivot toward unity and democratic values isn’t incidental — it reads like a calculated statement of intent, a trailer for the politician as much as the actor. Whether the film sustains that weight across its full runtime, or whether the mass-entertainer instincts eventually override the message, will determine whether this farewell is remembered as cinema or simply as campaign material. Beyond the headlines, when a superstar’s last scene doubles as his political opening act, the audience isn’t just buying a ticket — they’re casting an early vote.

Studio Ki Raye
Vijay ka yeh farewell film sirf ek superstar ka last release nahi hai — yeh ek carefully orchestrated political launchpad hai. Rs 14.94 crore ka pre-sales number impressive zaroor hai, lekin asli baat yeh hai ki “unity aur democratic values” wali theming coincidence nahi lagti jab aap jaante hain ki yeh aadmi seedha politics mein jaane wala hai. Yeh film basically unka manifesto hai — cinematic packaging mein. Fans ticket khareed rahe hain farewell ke liye, lekin director aur Vijay dono ek future voter base nurture kar rahe hain. South Indian politics mein yeh playbook naya nahi hai — MGR ne bhi yahi kiya tha — lekin jis scale par yeh narrative build ho rahi hai, woh batata hai ki Vijay ka political team cinema ko apna sabse bada campaign tool maanta hai.

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