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Art Museum Doubles in Size, Opens Exhibition of Women Artists

Harry Johal

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Art Museum Doubles in Size, Opens Exhibition of Women Artists

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Michigan’s Muskegon Museum of Art opens their new expansion featuring works from The Bennett Collection of Women Figurative Realists

Today marks the opening of the Bennett Schmidt Pavilion at the Muskegon Museum of Art (MMA) which almost doubles the size of the century old midwestern art museum. The new expansion is named for two of the country’s leading collectors of figurative realist paintings who have donated $12 million in artworks and cash to help create the new space and display works by women artists. Fewer than five museums in the world dedicate space solely to the work of women artists.

More than 150 paintings by women artists have been donated to the MMA by art collectors and champions of gender equality, Steven Alan Bennett and Dr. Elaine Melotti Schmidt, of San Antonio. The opening exhibition, which features some of these works, Transcending Tradition: Selection of Works from The Bennett Collection of Women Realists, is now open and will run through May 11, 2025.

Bennett and Schmidt have collected figurative realist paintings by women artists since 2009, creating The Bennett Collection, and in 2018 established The Bennett Prize-a $50,000 biennial award designed to propel the careers of women painters who have not yet realized full professional recognition. It is the largest art award offered solely to women painters. The Prize is currently in its fourth cycle, 10 finalists have been named, and the winner will be announced at the MMA on May 15, 2025.

Over the past decade, only 11 percent of art acquired by the country’s top museums for their permanent collections was by women, according to the Burns Halperin Report published in 2022. ArtNet News reported that of the 260,470 works acquired by 26 of the top museums in the United States between 2008-2018, less than 15% were by female artists.

Paintings donated from The Bennett Collection include works by more than 115 artists, including Artemisia Gentileschi, Mary Cassatt, Agnes Martin, Elaine de Kooning, Harmonia Rosales, Julie Bell, Andrea Kowch, Katie O’Hagan and many other contemporary and historical women figurative realist painters. A number of these donated paintings are featured in the Transcending Tradition exhibition.

“This opening of the Bennett Schmidt Pavilion marks the start of a new MMA,” said MMA Executive Director Kirk Hallman. “Steven and Elaine’s vision is one shared by the MMA. The Bennett-Schmidt gift is a call to action institutionally, encouraging both the Muskegon Museum of Art and other museums to continually expand opportunities for women artists.”

“The artwork in Transcending Tradition catapults the MMA into the forefront of progressive museums that recognize the primacy and power of the work of women painters,” said Bennett. “What has been an exceptionally good collection at the MMA is now augmented with many powerful works by women that span the generations.”

Contact Information

Amanda Rogalski
Principal
aarogalski@rogomarketing.com
6165409231

Kristina Broughton
Marketing Director
kbrought@muskegonartmuseum.org
231-720-2570

Source: Muskegon Museum of Art

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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