Artists
Celebrate Memorial Day in Las Vegas on the Rooftop with All Motown
All Motown, the new, live, all-female cast Las Vegas production show, is excited to announce its All Motown: Sunset limited performance series for Memorial Day Weekend 2021 as an outdoor, rooftop show with one of Las Vegas’ most spectacular city views at sunset.
Las Vegas, NV, May 21, 2021 –(PR.com)– Celebrate Memorial Day on the Rooftop with All Motown
All Motown, the new live Las Vegas production show, is excited to announce its All Motown: Sunset limited performance series for Memorial Day Weekend 2021 as an outdoor, rooftop show with one of Las Vegas’ most spectacular city views at sunset.
All Motown, featuring an all-female cast (aka The Duchesses of Motown) premiered March 5, 2021, at the Alexis Park Resort Hotel in Las Vegas, NV has been selling out shows since it opened performing the top songs that defined a generation from the Motown discography to nightly standing ovations.
The Duchesses of Motown, led by Ms. Tonja Jones along with Gwen, Tai, and LeAna, are known for singing Motown songs with a splash of DooWop! Formerly part of the Las Vegas casts “Forever Doowop,” “Forever Motorcity” and “Timeless” the Duchesses have been performing on the Las Vegas Strip for many years to sold-out shows. All Motown returns the Duchesses to their roots in a revue of the top-selling Motown artists of all time, including Martha and The Vandellas, Mary Wells, Gladys Knight, The Marvelettes, The Supremes, and many more in this new 75-minute tribute show.
“The masks are off,” exclaimed Tonja Jones. “We’re so excited to perform this amazing show in a park-like setting on the rooftop terrace of Alexis Park when the sun goes down the music will go up and the view, oh the view…”
All Motown is part of an impressive lineup of uniquely different shows performing at Alexis Park Resort Hotel, which also includes Purple Piano: A Celebration of Prince, The Big Little Variety Show, Amazing Magic starring Tommy Wind as well as BurlesQ, Rock Candy: Male Revue, Jokesters Comedy Club, Alain Nu – The Man Who Knows and Late Night Magic.
All Motown: Sunset featuring the Duchesses of Motown will perform their outdoor show for four dates only May 27-May 30, 2021 at 7:30pm. Tickets start at $44.95 and are on sale now through most major ticket brokers, online at www.TicketKite.com/all_motown_sunset or by calling the Ticket Kite Box Office at 702-483-8056.
All Motown will resume its normal schedule, in theater, every Thursday, Friday, Saturday, and Sunday nights at 6:00 pm. Tickets start at $44.95 and are on sale now through most major ticket brokers, online at www.TicketKite.com or by calling the Ticket Kite Box Office at 702-483-8056.
Alexis Park Resort Hotel is located at 375 E. Harmon Ave, Las Vegas, NV 89169.
Media Contact: Denise Kraft, denise@vergepublicrelations.com, Verge PR, 206-852-1656
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London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.
According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.
The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
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