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Dataspeed Inc. Holds Graphic Design Contest for Self-Driving Vehicles Being Demonstrated at the 2020 North American International Auto Show

Harry Johal

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Dataspeed Inc. Holds Graphic Design Contest for Self-Driving Vehicles Being Demonstrated at the 2020 North American International Auto Show

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Michigan artists encouraged to submit graphic designs for Dataspeed-engineered autonomous shuttles for a chance at $500 and widespread media exposure.

Press Release
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updated: Mar 2, 2020


Dataspeed Inc., a leading autonomous vehicle engineering provider, in partnership with AM General, Comet Mobility, Easterseals, and Michigan State University, is accepting vehicle wrap graphic design submissions for their three autonomous shuttles being developed for the North American International Auto Show (NAIAS) 2020 Michigan Mobility Challenge. The designers of the selected submissions will not only have the chance for their artwork to be showcased to high-profile media individuals but will also receive a $500 award.

The design competition starts today, with graphic artists and illustrators vying for the opportunity to design the official vehicle wrap of the Dataspeed team’s autonomous shuttles. The autonomous vehicles, which the team is engineering on the AM General MV-1 wheelchair accessible platform, are transporting select event attendees from the Detroit Metropolitan Airport (DTW) to downtown Detroit during the NAIAS media days that take place June 8 through June 11 2020. Each shuttle will be equipped with industry-leading vehicle software and sensors including several forms of LiDAR, RADAR, camera, and GPS.

“This graphic design competition is an opportunity to incorporate even more stellar Michigan talent within the project,” said Greg Fleck, COO of Dataspeed. “These shuttles are aimed to build public confidence and understanding of autonomous technology, and this contest further extends public involvement by allowing local artists to help decide what they look like.”

Entrants must primarily reside in the state of Michigan or currently attend a Michigan educational institution and adhere to the contest’s full rules and regulations, such as the inclusion of the Dataspeed-led team logos. Artists are encouraged to incorporate Michigan references and technology suggestions to best represent the great step Michigan is taking in transforming the mobility industry. Submissions are accepted until March 31, 2020 at 11:59 p.m. EST.

For more information on the project, full contest rules and regulations, and to submit a design, visit https://www.dataspeedinc.com/design-contest

ABOUT DATASPEED INC.
Dataspeed Inc., located in Metro Detroit, provides complete autonomous research and development vehicle integrations that enable engineers to get up and running quickly on their algorithm, sensor, or data research activities. Built on over a decade of experience in automotive technology, the company has a strong foundation in delivering safe automated solutions. In 2019 alone, the team provided autonomous rides to over 2,000 individuals at both industry and public automotive events. Dataspeed is dedicated to building innovative driverless solutions that are safe, reliable, and cost-effective.

Source: Dataspeed Inc.



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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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