Artists
Dataspeed Inc. Holds Graphic Design Contest for Self-Driving Vehicles Being Demonstrated at the 2020 North American International Auto Show
Michigan artists encouraged to submit graphic designs for Dataspeed-engineered autonomous shuttles for a chance at $500 and widespread media exposure.
Press Release
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updated: Mar 2, 2020
DETROIT,
March 2, 2020 (Newswire.com) –
Dataspeed Inc., a leading autonomous vehicle engineering provider, in partnership with AM General, Comet Mobility, Easterseals, and Michigan State University, is accepting vehicle wrap graphic design submissions for their three autonomous shuttles being developed for the North American International Auto Show (NAIAS) 2020 Michigan Mobility Challenge. The designers of the selected submissions will not only have the chance for their artwork to be showcased to high-profile media individuals but will also receive a $500 award.
The design competition starts today, with graphic artists and illustrators vying for the opportunity to design the official vehicle wrap of the Dataspeed team’s autonomous shuttles. The autonomous vehicles, which the team is engineering on the AM General MV-1 wheelchair accessible platform, are transporting select event attendees from the Detroit Metropolitan Airport (DTW) to downtown Detroit during the NAIAS media days that take place June 8 through June 11 2020. Each shuttle will be equipped with industry-leading vehicle software and sensors including several forms of LiDAR, RADAR, camera, and GPS.
“This graphic design competition is an opportunity to incorporate even more stellar Michigan talent within the project,” said Greg Fleck, COO of Dataspeed. “These shuttles are aimed to build public confidence and understanding of autonomous technology, and this contest further extends public involvement by allowing local artists to help decide what they look like.”
Entrants must primarily reside in the state of Michigan or currently attend a Michigan educational institution and adhere to the contest’s full rules and regulations, such as the inclusion of the Dataspeed-led team logos. Artists are encouraged to incorporate Michigan references and technology suggestions to best represent the great step Michigan is taking in transforming the mobility industry. Submissions are accepted until March 31, 2020 at 11:59 p.m. EST.
For more information on the project, full contest rules and regulations, and to submit a design, visit https://www.dataspeedinc.com/design-contest
ABOUT DATASPEED INC.
Dataspeed Inc., located in Metro Detroit, provides complete autonomous research and development vehicle integrations that enable engineers to get up and running quickly on their algorithm, sensor, or data research activities. Built on over a decade of experience in automotive technology, the company has a strong foundation in delivering safe automated solutions. In 2019 alone, the team provided autonomous rides to over 2,000 individuals at both industry and public automotive events. Dataspeed is dedicated to building innovative driverless solutions that are safe, reliable, and cost-effective.
Source: Dataspeed Inc.
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London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.
According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
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