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Donald Vega Earns GRAMMY® Nomination for “As I Travel,” Best Latin Jazz Album

Harry Johal

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Donald Vega Earns GRAMMY® Nomination for “As I Travel,” Best Latin Jazz Album


New York, NY, November 17, 2024 –(CarryOnHarry.com)– Celebrated pianist and composer Donald Vega receives a GRAMMY® nomination in the category of Best Latin Jazz Album for his 2023 recording of As I Travel, an autobiographical suite of compositions inspired by his journey to the United States from his native Nicaragua, and the people and experiences that shaped him along the way.

“Always and everywhere melody and harmony is held together by rippling, tumbling rhythms, clearly embedded in body and soul with which Mr Vega leans into his music.” -Raul Da Gama, Latin Jazz Net

As I Travel features an all-star roster of GRAMMY® winning artists, Lewis Nash (drums), John Patitucci (bass), and Luisito Quintero (percussion), and was recorded and mixed by by multi GRAMMY® winning producer and engineer Jim Anderson. As I Travel highlights the interactive and interconnected nature of what it means to learn and grow as a human being. As I Travel was released on October 27, 2023 via Vega’s independent record label, Imagery Records. The 2025 GRAMMY® Awards, officially known as the 67th GRAMMY Awards, will take place live at Crypto.com Arena in Los Angeles on Sunday, Feb.2.

This is Vega’s first GRAMMY® nomination. The album honors Donald’s Latin heritage while embracing the ever-evolving nature of jazz. The nine original compositions on this album combine a mix of jazz and Latin jazz, contributing to the ongoing dialogue and interplay between these two styles, allowing Vega to share his journey through a captivating, melodic performance.

“A recording with high-caliber vision and carefully crafted compositions…” -Downbeat, 12/2023

The story behind As I Travel began long before the album was even conceived as an idea. At age 14, Vega – led by his mother who had previously begun the process of moving to America to pave a way for her family – fled from the civil war in Nicaragua and emigrated to the United States. “This album is an American story,” Vega says. “The topic of immigration has been debated in the United States since its founding. No matter what side you land on, each immigrant’s story is unique, full of hope and often heartbreak.”

Musically, Vega puts storytelling at the forefront of his compositions. Whether through pleasing melodies or idyllic harmonies, Vega infuses his time on the bandstand into every note and rest he performs. More than mere pitch and rhythm, Vega carries with him the compassion and kindness carried from his wealth of varied experiences in each performance. “My music comes from a place of love… This album is a celebration of friends and family and all the experiences and memories that make us who we are,” Vega says. “I hope [listeners] feel all those things and bring that level of love and compassion back to their own families and lives. Wouldn’t that be great?”

As I Travel begins vibrantly with a track entitled “Baila! Dance Like No One’s Watching.” As the name suggests, the piece is a jubilant statement that reflects the culture and outlook of Vega’s homeland. “In Nicaragua, there is so much poverty, and yet the people are known for their joy,” Vega says. “They take time to celebrate every moment and ‘Dance Like No One’s Watching’.” As a father, Vega sees this same unconquerable spirit of happiness in his son, and this piece is equally dedicated to and inspired by his son and his homeland.

The album continues with a retelling of one of Vega’s oldest and dearest compositions, “Tomorrows.” “Tomorrows” is a tale of hope and optimism for the future, inspired by the hope and optimism of his own story – even if sometimes the optimism is created in the embellishment. “The story gets told a lot that I came to this country at the age of 14 on the 4th of July. The truth is, I don’t recall the exact date or year,” Vega admits. “…but it’s a nice idea isn’t it? That America was celebrating another year at the same time I was crossing the border to start a new chapter in my life.”

As the album nears its close, listeners are presented with a driving, beautiful work entitled “Dear Mayra,” Vega’s tribute to his mother. Vega’s mother was in many ways his beacon growing up. From paving the way to America for her family, to always ensuring Vega had everything he needed to pursue music, she is a steadfast, “positive force of nature” in the composer’s life. “You’ll notice there are many sections where this song does not let up,” Vega says. “It drives you forward no matter what – just like every mom does all over the world.”

During his first years in America, Vega spoke little to no English and his primary form of cross-cultural communication was music. This multi-layered dependence and joyous release that Vega found in music allowed him to connect with others in a way that was not otherwise possible. Now, as an established musician and inimitable creative force in his own right, Vega seeks to tell his personal story – and in so doing, the stories of so many others – through music.

“There are thousands of immigration stories just like mine that don’t get told,” Vega explains. “I’m fortunate enough to be able to share my story through music.”

“Just by the titles of this album, you embark on a journey, even an invitation to travel. The richness of Vega’s music is that of every migrant in the land of the USA – the ability to overlay their own culture on an artistic quest that encompasses that of the host country. The same applies to all other forms of art for every artist who arrives here. This album is fascinating in all these aspects, thanks to Donald Vega’s rhythmic and melodic sensibility.” -Thierry De Clemensat, Paris-Move.

In addition to As I Travel, Donald Vega recently recorded his first ever holiday album, All Is Merry and Bright, released on his personal label, Imagery Records. The album is available now on all streaming platforms. For more information visit www.donaldvega.com.



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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

H Johal

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

Balle Balle Radio™ Entertainment Desk

London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.

According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.

The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.

“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.

Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.

Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.

No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026

H Johal

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Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026

Balle Balle Radio™ Entertainment Desk

Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.

The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.

Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.

Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.

No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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