Artists
Dream Hustle Records Vol. 4
Dream Hustle Records Presents “Dream Hustle Records Vol. 4.” New music coming soon. Utilizing studio and live music recordings with real live music instrumentation and high quality.
Phoenix, AZ, June 10, 2021 –(PR)– Dream Hustle Records, the world leader in underground music music-entertainment, today announced the further expansion of its catalog with the highly anticipated summer drop of “Dream Hustle Records Vol. 4.” The first single, “Dream Hustle” dropping this summer 7/4/21.
Dream Hustle Records launched in December 2018, as the first label dedicated to representing the best hip-hop, underground artist in Phoenix and trap talent in Arizona, which has led and influenced the cutting-edge in hip-hop and urban culture throughout the years opening for Beanie Seagle and attending the BET Music Awards in 2019.
Dream Hustle Records will now have additional A&R, marketing and digital resources based in Phoenix, AZ dedicated to discovering hip-hop talent.
Sherm Gotti continues to work with Dream Hustle Records to identify and sign the best artist talent from across the entire state.
The first flagship artist signings to join Dream Hustle Records Baljit “who is Baljit” King Kaylan – Tha Hustle and Blacc D3mon – Da Rawest all have put out commercially successful local EPs currently available on all platforms. These artists are highly respected and hugely popular rappers. The trio joins some of Arizona’s most popular underground rappers and performers.
In making the announcement, Sherm Gotti Executive Vice President of Dream Hustle Records said, “We are excited to launch “Dream Hustle Records Vol. 4. There is a wealth of domestic hip-hop talent here and in the surrounding cities, that has the potential to transcend language and geographical boundaries to appeal to audiences throughout the country. I look forward to working alongside Dream Hustle to expand our community of artists across the continent, and to help elevate hip-hop from Arizona to new heights.”
Manny Dyer, Head of A&R Dream Hustle Records said, “The reaction to the recent launch of Dream Hustle Records Vol. 4 showed the weight and respect that the Dream Hustle Records name and brand carries globally. We are excited to bring and create a new sound. It provides an important opportunity for audiences worldwide to discover the incredibly talented hip-hop artists emerging throughout the continent.”
Tim Hardin AKA Dream Hustle, Chairman & CEO, Dream Hustle Records said, “Hip-hop is one of the most exciting movements in music today. In recent years we have seen an increase in its popularity in Phoenix, but the appetite for hip-hop continues to grow amongst audiences around the world. We are excited to further expand Dream Hustle Records into playlist worldwide, and for these incredible opportunities to help build Dream Hustle Records into the authentic and collaborative home of hip-hop across all the world.”
Dream Hustle Records Vol. 4 is dropping soon.
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London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.
According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.
The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
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