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Feuerman’s ‘Sea Idylls’ Makes the Move From Park Avenue to the Seaport

Harry Johal

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Feuerman’s ‘Sea Idylls’ Makes the Move From Park Avenue to the Seaport

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Jun 6, 2024

'Survival of Serena' by Feuerman

After spending a year on Park Avenue in Manhattan, five of Carole A. Feuerman’s iconic swimmers can be seen at the Seaport of New York City. They will remain until the end of November 2024. This historic neighborhood, considered the cradle of America, provides the ideal backdrop for her monumental works. Overlooking the East River and with the Brooklyn Bridge as a backdrop, this open-air exhibition offers – to tourists and New Yorkers alike – a walk imbued with aquatic poetry.

Renowned for her Superrealist style, Feuerman has meticulously honed her craft over the past five decades. Her sculptures possess an uncanny resemblance to living beings, rendering them almost indistinguishable from actual people, were it not for their imposing or miniature proportions. Often capturing women in serene, meditative poses adorned with glistening water droplets, the sculptures at the Seaport deviate from this characteristic feature. Instead, they engage with their surroundings, inviting the rain to caress their surfaces and breathe life into their forms.

One of Feuerman’s captivating works, Survival of Serena, stands proudly at the end of Pier 17. With the majestic Brooklyn Bridge as her backdrop, and the East River flowing behind her, she patiently awaits your arrival, beckoning you to capture a remarkable selfie in her presence. Another masterpiece, Justice, presents a poised woman in a graceful lotus pose, perched upon a gleaming, polished stainless steel sphere. As you gaze upon it, the sculpture mirrors both your own reflection and the surrounding environment.

Source: Carole Feuerman Media

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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Artists

From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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