Artists
Fever International Music Group’s Ex Vocalist of The Flys New Band, StarZero Release Single, “Darkside,” Produced by Cameron Webb (Disturbed/Megadeth/Motorhead) 2/10/22
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Hailing from San Clemente California, Sean Lenhoff stated, “StarZero has emerged as a force to be reckoned with.” Vocalist Joshua Paskowitz has no problem stating “his love, and admiration for seventies, eighties, and nineties music. His main influence, is Chris Cornell and his vocal performance displays this fact.” TC Page states, “Joshua posseses a phenomenal range and incomparable talent, the new music is nothing less than trend setting, and has been labeled as being New Grunge. A new Sub-Genre is a fitting title for a new group of this calibe.r.
The band itself is a mix of seasoned veterans, including James O’Brien from the band “Score,” which was signed to Fred Durst’s record label. Also features Ronnie King (Pepper, The Offspring, NOFX) on keyboards. The band has one goal in mind, writing and recording music that will be recognized as timeless. StarZero also hopes to Spread love and harmony, utilizing their creativity and music.
Sean Lenhoff said, “With Cameron Webb handling all the production duties the newly recorded tracks have come out sonically banging.” The release itself is being distributed worldwide by Fever International Music Group, and is now available everywhere music can be streamed or downloaded. A message straight from Joshua and his band mates “Rock on world, looking forward to meeting all of you at a show, and sharing some amazing live music with you.”
Smart Link – Listen To or Download Darkside
distrokid.com/hyperfollow/starzero/darkside
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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