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Hawai’i Symphony Orchestra Renews Contract with Maestro Dane Lam as Music and Artistic Director

Harry Johal

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Hawai’i Symphony Orchestra Renews Contract with Maestro Dane Lam as Music and Artistic Director


Honolulu, HI, November 14, 2025 –(CarryOnHarry.com)– The Hawai‘i Symphony Orchestra (HSO) is proud to announce the renewal of Music and Artistic Director Dane Lam’s contract, reaffirming the Orchestra’s commitment to artistic excellence and dynamic leadership under his baton and anchoring a lasting, wide-reaching partnership through June 2031. Since assuming the role in July 2023, Lam has brought fresh energy, international perspective, and visionary programming to Hawaiʻi’s only professional symphony.

Under Lam’s direction, HSO has presented an expanded repertoire that bridges classical masterworks, cinematic performances, and local collaborations and frames it all in Hawai’i’s Pacific context. Concerts such as Lunar New Year 2026: Year of the Horse and Hōkūleʻa 50 reflect Lamʻs interest in curating programming that envelopes the cross-cultural ties on island. His 2025-26 conducting highlights include HSO’s season premiere Strauss & Respighi alongside a concerto for pipa performed by Wu Man, Brahms & Elgar featuring violinist Jinjoo Cho and the Hawaiʻi premiere of Māori composer Gillian Whitehead’s Tūranganui, along with upcoming programming Hapa Holiday Extravaganza featuring Natalie Ai Kamauu, and Mozart & Mahler 9. Each concert conducted by Lam reflects his belief that orchestral music in Hawaiʻi should be both world-class and deeply rooted in the regionʻs creative spirit.

Lam’s vision, bold and globally attuned, continues to draw celebrated guest artists to Hawaiʻi. Among them are internationally acclaimed soprano Renée Fleming and violinist Ray Chen, whose appearances recognize a milestone in the orchestra’s growing international profile. Through Lam’s guidance, the orchestra also launched its landmark Beethoven Festival, marking the first time all nine Beethoven symphonies performed in a single period in Hawaiʻi. Each concert in the festival featured a work by a contemporary composer from the Asia-Pacific region, underscoring HSO’s commitment to innovation, inclusion, and cultural resonance in the 21st century.

Dane Lam explains his decision, “Hawaiʻi is home now – not only for my family, but artistically. What we are building together at the Hawaiʻi Symphony Orchestra is redefining what a 21st-century orchestra can be: a cultural bridge between Hawaiʻi and the wider Pacific. I am honored to continue as Music and Artistic Director into the next decade, working alongside our extraordinary musicians, dedicated staff, board, and ʻohana. Together, we are proving that symphonic music is essential – inspiring creativity, strengthening community, and connecting people across generations and oceans. In a region shaping the world’s future, HSO stands at the forefront: Hawaiʻi’s orchestra, playing a leading role in the AsiaPacific century.”

Chair of the HSO Board of Directors Paul Kosasa shares, “Dane’s vision, artistry, and commitment to our community have elevated the Hawaiʻi Symphony Orchestra to new heights. His leadership continues to inspire our musicians and audiences alike, and his deep connection to Hawaiʻi reflects the very spirit of our orchestra. We are thrilled to continue this journey with Dane as we shape an exciting future for music in the islands.”

Born of Australian-Chinese descent, Dane Lam currently serves as Music & Artistic Director of the Hawaiʻi Symphony Orchestra, Artistic Director of State Opera South Australia, and Principal Conductor of the Xi’an Symphony Orchestra. Internationally he has led major productions for Opera Australia, Scottish Opera, Opera Holland Park, Opera Hong Kong, and Opera Queensland, as well as concerts with orchestras including the Sydney Symphony, Melbourne Symphony, Shenzhen Symphony Orchestra, and Munich Radio Orchestra. A graduate of The Juilliard School and a protégé of the late Kurt Masur, Lam’s artistry has been praised for its clarity, vitality, and emotional depth, and his artistic leadership has been singled out as building global bridges through music.

Concertmaster Ignace Jang reflects on the announcement, “An organization as complex as the HSO requires both an aspirational and inspirational figure. Maestro Dane Lam has led the orchestra to new heights, thanks to his boundless vitality, and I am grateful to have the chance to work with him. Of note to me, his respect towards the musicians has helped create an environment of unity on stage.”

Under Lams’s continued leadership, the Hawaiʻi Symphony Orchestra looks forward to building on its mission to share exceptional music across Hawaiʻi with a world-class orchestral sound.

Watch the Video: We invite you to view the accompanying video, available at: Maestro Dane Lam

With sincere thanks to Halekulani Hotel and Halekulani Living, for their generous contribution. Mahalo to NMG Network for their creative collaboration.

Creative Team: Directed by: Anthony Banua-Simon @anthonybanuasimon Filmed by: Blake Abes @blake.abes and Romeo Lapitan @roml Edited by: Romeo Lapitan @roml

For tickets and further information visit www.myhso.org or follow us on social media: @hawaiisymphonyorchestra

Media Contact:
Renée Ragucci
Marketing Manager
Hawai‘i Symphony Orchestra
(808)-380-7723
rragucci@hawaiisymphonyorchestra.org
2025-26 Season Media Kit Available Upon Request

About Hawaiʻi Symphony Orchestra:
Hawai‘i Symphony Orchestra (HSO) is the premier provider of live symphonic music in the Pacific. Performing at the historic Hawaii Theatre Center and Neal S. Blaisdell Concert Hall, HSO features award winning musicians who bring a distinctive voice to a dynamic and diverse repertoire. With more than thirty concerts annually – including the Halekulani Masterworks Series, HapaSymphony, Films in Concert, and Sheraton Summer Festival- the HSO reaches over 35,000 audience members and 3,000 students annually through its performances and educational programs. HSO is deeply committed to enriching lives by offering a uniquely local perspective on world-class music.



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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

H Johal

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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

Balle Balle Radio™ Entertainment Desk

Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.

The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.

Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.

Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.

His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.

For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

H Johal

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

Balle Balle Radio™ Entertainment Desk

London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.

According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.

The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.

“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.

Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.

Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.

No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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