Artists
Loveforce International Releases Rock, Water and Love
The new Digital Music Single by Honey Davis is entitled “American Beauty.” It is a Pop Rock anthem with a Rock beat and instrumentation. The lyrics tell about a woman whose beauty and charisma can get her just about anything she wants.
The Loveforce Collective’s new Digital Music Single is entitled “Scorpio.” It is a Hard Rock instrumental with furious beats released while the sun is transitioning through Scorpio in honor of the zodiac sign
The new Digital Music Single by inRchild is entitled ”You Wanna Fall In Love.” It is a rhythmic Jazz-Bosa Nova song that features instrumentation typical of a small Jazz ensemble of bass, guitar, drums, keyboards but a flute is added to give the recording more texture. The beat is fast paced yet the song maintains a light, breezy atmosphere with velvet voiced lead singer’s. Lyrically, it is a love song, about falling in love.
“Another week of fine releases,” said Loveforce International CEO Mark Thomas. “We are offering perfect music to recuperate from Veteran’s Day and get ready for Thanksgiving,” he continued.
The three new Digital Music Singles will be released to Spotify, Pandora, Apple Music, YouTube Music, Amazon Music, Instagram, Facebook, Claro Musica, iHeart Radio, iTunes, Deezer, KK Box, Boomplay, Media Net, Touchtones, Soundtrack by Twitch, Snapchat, NetEase, Anghami, TikTok, Resso, Flo, Audio Mack, Kuack, Pretzel, Gio Saavan, Yandex and Pretzel.
For further information, contact Evan Lovefire at (661) 523-4954.
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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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