Artists
Jersey Girl Named Female Country Vocalist of the Year in Nashville
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The Josie Music Awards is the largest independent music awards show in the world. This year, more than 52,000 entries were reviewed by a distinguished panel of music industry experts, and fewer than 1.5 percent of entries received a nomination. Radlmann stood out against a field of 21 nominees to snag top honors in her category.
“It’s an incredible honor to be recognized among such an enormously talented field,” said Radlmann. “New Jersey has not been historically known as a country music mecca, but this award might be one small step toward putting Jersey on the country music map.”
Southpaw was also nominated for Country Group of the Year, but it was Radlmann’s time to shine. “Christine’s heartfelt and distinctive vocals move people,” says Southpaw guitarist Colin McConnell. “It’s a thrill, but not surprising, to know the signature voice of Southpaw moved the judges too.”
Radlmann’s feat is particularly noteworthy given that Southpaw is entirely self-produced, from songwriting to performance, engineering and production. “Mixing and producing music is such a joy when you have fantastic material to work with,” says Southpaw keyboardist and producer Sean Garnhart. “It was so exciting to see Christine honored for her work at the legendary Opry.”
Since their 2021 debut album, “Unhitched,” Southpaw has been played on more than 400 radio stations worldwide. The band was also named a top-ten national finalist in the Jack Daniels Battle of the Bar Bands competition, sponsored by the country’s largest radio broadcaster, iHeartRadio.
Southpaw is presently producing singles for their second album, and their upcoming single, “Your Name” debuts on November 11 of this year. Formed in 2018, Southpaw is a collaboration of three Union County, New Jersey, musicians with distinctly different, acclaimed creative careers—published poet and literary editor Christine Radlmann, Emmy-winning sound designer Sean Garnhart, and award-winning advertising professional Colin McConnell.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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