Artists
Lisa’s Clarinet Shop Named One of America’s Top 100 Small Businesses
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This honor reflects their iron-clad commitment to invigorate the rich musical traditions of wind playing through their comprehensive services which include instrument sales, expert repairs, and commitment to the creation of jobs, through their repair and ambassador training programs.
“Being named to the CO-100 list is not just an honor; it’s a reflection of our passion for music and the community we serve. This recognition fuels our drive to continue innovating and sharing our love for music and with every professional client and student we serve, and train,” said Lisa Canning, owner of Lisa’s Clarinet Shop.
Recipients of the CO-100 honor benefit from a one-year membership to the U.S. Chamber of Commerce, national brand exposure, and opportunities to engage with top experts and peers at the forefront of American business.
The celebration peaks on October 8, at the U.S. Chamber of Commerce’s headquarters in Washington, D.C. During this premier event, honorees will enjoy a VIP experience and engage in the CO-100 Small Business Forum, connecting with influential leaders in the business world. The evening will culminate in an awards dinner where top achievements will be spotlighted, with Lisa’s Clarinet Shop in the running for additional accolades and prizes.
“At Lisa’s Clarinet Shop, this recognition reafirms our mission to enrich lives through wind music, because wind playing changes lives profoundly. Everyone who has experienced playing a wind instrument has been deeply touched and has a story to share,” added Canning.
For more information on Lisa’s Clarinet Shop and the CO-100 list, visit lisasclarinetshop.com/about/lisa/
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The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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