Artists
Loveforce International Ends January with a Pair of Commemorations
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Ami Cannon’s new Digital Music Single entitled “Song Of Christa” is in memory of Christa McAuliffe, who was an American elementary schoolteacher. She was one of the astronauts aboard the Challenger spaceship when it blew up on January 28, 1986. The non-typical song is inspired by her life and sacrifice on behalf of humanity. The lyrics are taken from the point of view of Christa and what she would tell those who loved her, from the vantage point of heaven. The lyrics are sung and accompanied by an acoustic guitar. The song is meant to create a spiritual, peaceful and insightful feeling among listeners.
The new Digital Music Single by inRchild is entitled “American Rhythm And Roll.” It is in commemoration of a musical genre that was created my songwriter Mark Wilkins in the early 1980s. The song like the genre, is a blend of Soul and Rock music. Musically, the Digital Music Single is in played the genre it commemorates. Lyrically, the song describes the musical genre.
“We are proud to commemorate pioneers, both in space exploration and music,” said Loveforce International CEO Mark Thomas.
The two new Digital Music Singles will be released to iTunes, Apple Music, Amazon Music, Spotify, YouTube Music, Pandora, KKBox, Tidal, Deezer, iHeart Radio, Facebook / Instagram Stories, Soundtrack by Twitch, Touch Tones, Triller, Media Net, Tik Tok, BoomPlay, Snapchat, Pretzel, AudioMack, Yandex, Joax, Kuack, Adaptr, Qobuz, and Flo.
For More Information Contact Evan Lovefire at (661) 523-4954
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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