Artists
Loveforce International Releases a DJ Remix and a Song Inspired by a Popular Book
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The latest Digital Music Single by Ami Cannon is entitled “I Don’t Take It Personally.” It is an Adult Contemporary genre song with elements of Pop, Rock, Soul, and Jazz. It features solid instrumentation & background vocals by Allison Wahl. Lyrically, the song is inspired by Don Miguel Ruiz’s popular book The Four Agreements, focusing on the second agreement “Don’t Take It Personally.” The lyrics put the protagonist in situations where the agreement is applied.
The latest Digital Music Single by Stix Muzic Group is a remix of “Groove Train.” It is a DJ remix done by DJ Chi Uld. The remix makes the recording slightly faster and makes the sound a bit fuzzier than the original R&B House cult recording.
“We’ve got two cutting edge Digital Music Singles coming out this week,” said Loveforce International CEO Mark Thomas. “While Ami Cannon commits the principals of one the “Four Agreements” to music, a DJ with a Chinese-German sounding name is turned loose on a Stix Muzic Group track. Where but on Loveforce International would you find two releases so completely different coming out on the same day?,” he continued.
The two new Digital Music Singles will be released to Spotify, Apple Music, Pandora, iTunes, Amazon Music, YouTube Music, iHeart Radio, Deezer, KKBox, Boomplay, Tidal, Snapchat, Pretzel, Media Net, Soundtrack by Twitch, Touch Tones, NetEase, Facebook, Instagram Stories, Snapchat, Yandex, Kuack, Adaptr, TikTok, Resso, Flo and Audio Mack.
For Further information contact: Evan Lovefire (661) 523-4954.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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