Artists
Mike Gale’s 20th Album Showcases Thoughtful World-Inspired Indie Pop
Studio CarryOnHarry : Mike Gale, the celebrated British folk-pop artist, is back with his latest offering, ‘Old Man In The Universe,’ part of his enchanting new album ‘Thanks for Always Waving.’ Featuring 11 captivating tracks, this album is a masterful collection of world- and folk-inspired indie pop, skillfully mastered by Todd Tobias (known for his work with Guided By Voices and Circus Devils).
Known for his feel-good brand of folk-inspired indie pop, Mike Gale’s ‘Thanks for Always Waving’ marks his 20th album in as many years and his twelfth album released under his own name, having initially performed under the monikers Co-Pilgrim and Black Nielson.
Explaining the inspiration behind ‘Old Man In The Universe,’ Gale shares, “Old Man In The Universe’ was one of those very rare songs that came out fully formed when I was writing it, lyrics and all. It’s about reaching a certain point in life and realizing that many of the dreams you had when you were younger may not come true. Still, it encourages us not to lose heart and to recognize the good things that have happened.”
Remaining true to his DIY roots, Gale produced, recorded, and mixed the album at his home studio. He previously introduced the singles ‘Grumble Pie’ and ‘Summer Be Gone,’ accompanied by a soothing video featuring the artist Kimvi, filmed in Suzhou, China by Matt Wallwork.
“‘Thanks for Always Waving’ is my 20th album. I wanted to go back to basics a bit with this one – simple pop songs with a stripped-down, gentle feel. I was very inspired by one of my favorite bands’ (Tall Dwarfs) use of homemade percussion for rhythm, and the idea that you don’t need a traditional drum sound to make a song groove. Lyrically, the album is mostly about trying to keep a positive outlook and being generally grateful for what you have despite the world seeming like a terrible place most of the time,” explains Mike Gale.
He further elaborates on the album’s title, saying, “The title of the album comes from my love of a YouTube channel called ‘Solo Travel Japan,’ which is basically a guy taking overnight ferry trips to the many Japanese islands. One of the things he says as he leaves port is ‘Thanks for Always Waving,’ and it stuck.”
A multi-instrumentalist and a singer since childhood, Mike Gale’s journey into guitar playing and music composition began around the age of 20, initially influenced by The Lemonheads. Born in Southampton, Gale’s upbringing spanned various locations, including North Devon, Oxford, New York, and Melbourne, before returning to his beloved south coast of England.
Drawing melodic and percussive inspiration from artists like Tall Dwarfs, Pavement, and The Clean, ‘Thanks for Always Waving’ is one of Gale’s most pop-oriented albums to date, featuring mellow bongo beats and soothing waves of organs.
The ‘Thanks For Always Waving’ album is now available on various digital platforms, including Spotify, Apple Music, and Bandcamp.
Album Credits:
- Written and performed by Mike Gale
- Produced, recorded, and mixed by Mike Gale
- Mastered by Todd Tobias (Guided By Voices, Circus Devils)
- Album cover photo by Romeo
- Album design by Andy Reaney
- Video for ‘Old Man In the Universe’ by Kerrylyn Genetive
- Video for ‘Summer Be Gone’ by Matt Wallwork, featuring KIMVI
- Publicity by Shameless Promotion PR
Tracklist:
- Yipee
- Old Man in the Universe
- Summer Be Gone
- I Enjoy my Existence
- Grumble Pie
- Bees Knees
- I Know Her
- Set it on Fire
- They’re Closing the Marina
- Michael 6
- When Here Comes the MorningSpotify https://open.spotify.com/album/5XLP83pJpVqy5u6dHJJuc8
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Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.
The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
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The move to a solo release follows a career that started well before FANCI worked behind a mixing board. His musical foundation started at age six with piano; he later studied guitar with Rudy Stevenson, who has worked with George Benson and Nina Simone. Stevenson also mentored FANCI as a songwriter. Diana Music & Vision Publishing signed him after hearing his early demos, leading to the release of two tracks on Wemby Records under the Gemini moniker. — releases the announcement credits with regional success, though no specific chart or sales figures are cited.
From there, FANCI moved into production work for other artists while separately writing toward a full album under his own name. The music blends rock, soul, pop, new wave and funk, drawing inspiration from artists like Jamiroquai, Prince, Curtis Mayfield, Peter Gabriel and David Bowie. Other coverage of the artist has referred to him as FANCI FUNK, suggesting the funk influence extends to how he’s being branded, not just how he’s being described.
No release date has been given for the full album "Funky Sexy Cool" is drawn from, and the announcement doesn’t specify how the single has performed since release.
In association with Radio Pluggers
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we recognize that FANCI’s emergence as a solo artist represents something often overlooked in debut narratives: the quiet power of mentorship across generations. Rudy Stevenson’s fingerprints on this story matter because they connect FANCI directly to a lineage of musical sophistication—the same hands that guided George Benson and Nina Simone’s artistry are now shaping a new voice. This isn’t merely credentialing; it’s DNA. When FANCI channels soul, jazz-inflected guitar work, and lyrical depth, he’s inheriting lessons from two masters who understood how to balance technical mastery with emotional authenticity. For listeners, this context transforms "Funky Sexy Cool" from a promising debut into a continuation of a mentorship tradition that prioritizes craft and character over trend-chasing. In an era of algorithm-driven discovery, FANCI’s path—rooted in human instruction and artistic lineage—stands as a reminder that the most durable artists are often shaped by those who came before.
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