Artists
MTS’ John McDonough Releases 3rd Single From His 2022 Concept EP
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Now, John McDonough has released the 3rd single from “We’ll Answer the Call.” “Point Me East” is unique in its point of view. John explains:
“’Point Me East’ is sung from the point of view of the Husky Clipper, the eight-man racing shell used to win gold in the 1936 Berlin Olympic Games. The fully restored shell, on display at the University of Washington Shell House, provides inspiration for generations past and present.”
The new single will further expand the EP’s concept, and its upcoming music video will visualize the raw emotions that John McDonough has put into all the tracks of this EP. He is now fully geared to get back into his RV named “Roxie” and continue touring the country to promote this unique EP.
About John McDonough: John McDonough is a singer/songwriter from Chicago, Illinois whose shows span six decades of hits combined with unique and moving originals. John’s acoustic guitar work, passionate vocals, and personal lyrics result in a modern singer/songwriter sound rarely heard. Before relocating to Chicago in 2020, John had spent 25 years performing in and around Austin, TX. He played to the rowdy crowds of 6th street, the dinner crowds of the suburbs, and everything in-between. Ten years ago John retired from psychotherapy to focus solely on music, and in that time has released five CD’s of original music, played over 500 gigs, performed in eleven major music festivals, several times appeared and performed on local and national radio, and embarked on successful tours throughout the United States. “Dream’s and Imagination,” “Surrounding Colors,” and”‘Can You See Me Now,” released between 2014 to 2019, all received great reviews and airplay throughout Europe and the United States, with all three releases spending six consecutive months on the Americana Music Association Record Chart.
www.johnmcdonoughlive.com
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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