Artists
MTS Management Group and Artists Win Five at Independent Music Network Awards
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With MTS Records (the label arm of MTS) winning the coveted Record Label Of The Year award, “Fluctuating” by Hannyta won in the New Artist Breakout Single category. MTS winners in the Country genre include Pamela Hopkins as Favorite Female Artist, See Your Shadow as Favorite Duo or Band, and “You Gotta Jump In” by Gary Pratt as the Country Breakout Single.
The Independent Music Network is a unique platform created by a team of highly accomplished musicians and passionate music lovers. With an aim to celebrate independent music creators, the network has a prominent presence cross the country. MTS Management Group is grateful for the recognition given to its team.
“As long-time fans and admirers of the IMN, we were excited to be nominated for the first time last year,” says Michael Stover, President of MTS. “To bring home five awards this year is simply amazing. We couldn’t feel more grateful or blessed. Congrats to all the winners!”
Additional category winners include notable artists such as allie Young, DK Davis, Matt Gonzo Roehr, Tommy Rice, Ed Silver, Eileen Carey, Christine Van Hoy, Jim Cartwright, Mark Milovats and Terry Bell.
More details can be seen at http://www.independentmusicnetwork.com
MTS Management Group is more than just an artist management/publicity/promotions company…It is where INDIE artists get MAJOR exposure! Specializing in full-service artist management, publicity and promotions, radio and social media campaigns for new and established independent artists and indie labels, MTS Management Group and MTS Records are on the cutting edge of today’s new music business. MTS was founded in 2010 by Award-winning songwriter, musician and producer, Michael Stover. For more information, please visit http://www.mtsmanagementgroup.com.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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