Artists
Nitric Entertainment Group=NEG Announces 4 Días Después Debut Single
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Los Angeles, CA, August 03, 2025–(CarryOnHarry.com)– LOS ANGELES, CA– August 4, 2025– Nitric Entertainment Group-NEG introduces the launch of 4 Días Después debut solitary entitled \” Contraste \” readily available on digital systems starting August 4, 2025. This remains in collaboration with Los Angeles based Nitric Entertainment Group-NEG. This is the second time that Nitric Entertainment Group-NEG has had the chance to with a global act. \” Contraste \” is an intense blend of pop punk with components of easycore, exploring the psychological tension between the everlasting and the fleeting. The song was produced by Juan Carrillo, an artist from Bogotá and active member of two dynamic metal bands in the city. Via raw guitars and overruning energy, the song reflects on the vacuum left by the temporary and the fullness that originates from understanding God. This release notes the official debut of 4 Días Después, a job that breaks onto the alternate scene with a genuine strategy and no wish for fame. The single will certainly be offered on major electronic songs platforms such as Spotify, Apple Music, YouTube, Deezer, and Amazon Music, providing its message and audio directly to a new generation of listeners.
About 4 Días Después:4 Días Después is an independent music project developed and led by Bogotá \’s Isaac Aranda, that is additionally the composer of the song \” Contraste. \” The project is rooted in pop punk and easycore, greatly affected by the noise of the Californian scene. It was born from the desire to risk to do something about it: to tape-record tunes written long earlier and share them with pals, without seeking fame or recognition, yet simply to offer songs to those that need or enjoy it. With a sound loaded with feeling, the project debuts with \” Contraste, \” a straightforward, prone, and free-spirited intro.
Contact:
Media Relations
Nitric Entertainment Group- NEG
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Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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