Artists
Our DJ Rocks Achieves Prestigious Recognition in the Orlando Business Journal’s Women-Owned Business Book of Lists
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The Book of Lists is an annual publication that ranks the most influential and dynamic companies across various sectors in Central Florida. Being featured in this prestigious list highlights Our DJ Rocks’ dedication to excellence, innovation, and community engagement. It also reflects the company’s significant growth and its role as a leader in the event entertainment industry.
“We are incredibly proud to be recognized by the Orlando Business Journal,” said Kristin Hubbard, Founder and CEO of Our DJ Rocks. “This achievement is a testament to the hard work, creativity, and passion of our entire team. We are committed to continuing to deliver exceptional service and unforgettable experiences for our clients.”
Since its inception, Our DJ Rocks has been at the forefront of transforming the wedding entertainment scene with its unique female DJ approach. The company has earned a reputation for its high-energy performances, personalized service, and commitment to empowering women in the industry.
As a women-owned business, Our DJ Rocks is dedicated to fostering diversity and inclusion within its team and the broader business community. The recognition from the Orlando Business Journal further solidifies the company’s position as a trailblazer in the industry.
For more information about Our DJ Rocks and its services, please visit www.ourdjrocks.com.
About Our DJ Rocks
Our DJ Rocks is an award-winning, female owned and operated DJ company based in Orlando, Florida, specializing in weddings and events. Known for its vibrant performances and personalized service, Our DJ Rocks creates memorable experiences for clients, ensuring their events are nothing short of spectacular. For more information, visit www.ourdjrocks.com
Media Contact:
Kristin Hubbard
CEO + Founder
Our DJ Rocks
407-509-9786
kristin@ourdjrocks.com
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
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Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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