Artists
Pete Goodeman, Sax Soloist for Capehart Pops Orchestra is Now Showcased on SoundCloud.Com with a 20 Song Double Album Collection from TVS Records
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Songs on the double album include City of Angels, Time Won’t Let Me, Goodtime Baby, Betcha By Golly Wow, In the Bottle, Diane, Suzy Q, If You Leave Me Now, Coney Island Baby and other favorites of the pop music era of the 1960’s and 1970’s. All are performed on the TVS Records label.
TVS Records is a new age major record label with production, publishing, promotion, manufacturing, and distribution all under one roof. Artists on the TVS Records label include Capehart Pops Orchestra, Skruffy Group, Boomin Reunion Band, and an array of featured soloists from Capehart Pops Orchestra. In addition, more than 100 top pop artists of the rock + roll era have reprised their hits with the Boomin Reunion Band. They include Chuck Jackson, Ernie K Doe, Frankie Ford, Robert Parker, Jean Knight, Len Barry, Donnie Brooks, Cannibal + The Headhunters, Jewel Akens, John Gummoe, Spencer Davis, Chris Montez, Al Wilson, Pete Rivera, Ron Dante, Jim Yester J J Jackson, Merrilee Rush, Brian Hyland, Mel Carter, Lenny Welch, Mitch Ryder, Chuck Rio, and Lou Christie.
TVS Records produces more than 500 recordings each year from TV Studios in Hollywood, Bakersfield, San Francisco, Las Vegas, Reno, New Orleans, and Atlanta.
Pete Goodeman songs can be heard on Spotify, Apple Music, Tidal, Pandora, Amazon, Shazam, Napster, and other leading digital music platforms. They are available for download on Amazon Music and in the iTunes Store.
TVS Records are also available on CD in retail stores and via direct to consumer offers such as seen in the Saturday Evening Post.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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