Connect with us

Artists

Punk Classic, “TV Party” by Black Flag to be Released by Camerado as a Re-imagined Piano Lounge Cover by Crooner Robert “Gone” Marleigh

Harry Johal

Published

on

Punk Classic, “TV Party” by Black Flag to be Released by Camerado as a Re-imagined Piano Lounge Cover by Crooner Robert “Gone” Marleigh


New York, NY, March 25, 2023 –(CarryOnHarry.com)– In the tradition of classic crooning artists Nat King Cole, Frank Sinatra, Tony Bennet and others, international singer Robert “Gone” Marleigh bridges the world of thoughtful piano vocals and hardcore punk with a newly re-imagined version of “TV Party” by Black Flag.

Originally released in 1981 as the 5th track on Black Flag’s debut album, “Damaged,” anthemic punk classic “TV Party” celebrated the descent of civilization into a nihilistic, youth-driven yet socially wry world of Friday night TV viewing parties and six-packs of cheap beer.

More than three decades later, with the production support of Camerado, Robert Marleigh soulfully re-imagines the track as a mellow and wistful piano vocal number. Yet the modern retelling of “TV Party” maintains an interesting time capsule quality through the song’s original lyrical references to 1980’s top TV shows “Vegas,” “The Jeffersons” and others. Keys and female background vocals are soulfully brought to life by Helena Novosel.

“I grew up during the punk era in the USA, yet missed a lot of it as I was in a small town,” says singer Robert Marleigh. “But then I moved to New York City from Ohio when I was seventeen, during the ‘baroque’ tail end of the punk movement in America, and I came across venues like CBGBs which were still featuring a lot of East Coast punk acts. So, I managed to catch great whiffs of live punk and hardcore classics before they vanished, and the memory of that raw and buoyant power always stayed with me.”

“Lately, I’ve been doing a lot of crooning, with songs by Sinatra, Dean Martin and Nat King Cole being among my favorites. One day, while working on the Sinatra version of ‘One for My Baby’, these old punk memories came floating in for some reason, and I sort of put two and two together and decided to try to bridge the gap between the world of punk and the world of the old crooners. Maybe it’s my own attempt to bridge the world of my youth with where I’m at now in life, years later. Anyway the first track of this new adventure is ‘TV Party’.”

Other punk-crooning hybrids are lined up, with “Pay to Cum” by Bad Brains next in Marleigh’s production queue, followed by a few more tracks to be released at regular intervals.

Marleigh’s new “TV Party” releases on Spotify, Apple Music, Tidal, Amazon Music, and all other platforms on March 17th, 2023. Fans can save the track to their Spotify playlist now at https://ffm.to/tv-party-robert-marleigh, and it will be added to their playlist the instant it goes live.



Press Update For Studio CarryOnHarry

Find Holiday Deals Flights Attractions and Hotels !


Get Interviewed

Trulli

For Interviews At Studio CarryOnHarry Online Submission Form Click Here



Booking.com

👁 96 Views
Powered by SgAiSolution
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Artists

Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

H Johal

Published

on

By

Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

Balle Balle Radio™ Entertainment Desk

Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.

The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.

Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.

Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.

His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.

For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

👁 31 Views
Powered by SgAiSolution
Continue Reading

Artists

Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

H Johal

Published

on

By

Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

Balle Balle Radio™ Entertainment Desk

London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.

According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.

The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.

“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.

Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.

Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.

No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

👁 118 Views
Powered by SgAiSolution
Continue Reading

Trending Now

Advertiment

Recent

trending