Editor's Choice
Ramayana & Love and War Take Centre Stage as Ranbir Moves On
Ramayana & Love and War Take Centre Stage as Ranbir Moves On
Studio CarryOnHarry Entertainment Desk | 26 July 2026
Ranbir Kapoor has officially put the brakes on persistent speculation linking him to Dhoom 4. Speaking at San Diego Comic-Con, the Bollywood A-lister made it clear that the franchise rumours have no basis, redirecting attention to his two massive upcoming projects — Ramayana and Love & War. For more of Bollywood’s top stories, stay connected with our entertainment desk.
Ranbir Kapoor Denies Dhoom 4 at Comic-Con
When quizzed about whispers of him headlining the next chapter of Yash Raj Films’ beloved action franchise, Ranbir was unequivocal. He stated simply that right now his plate is full — and Dhoom 4 is not on it.
Rumours of Ranbir joining the Dhoom universe have swirled for several years, fuelled by the franchise’s tradition of introducing a new lead villain with each instalment. However, Yash Raj Films has made no official announcement regarding any new Dhoom project, and Ranbir’s denial appears to draw a firm line under the speculation.
What Is Ranbir Actually Working On?
Rather than dwelling on what he is not doing, Ranbir highlighted two landmark productions currently occupying his time and energy.
Ramayana
The epic mythological saga has been one of the most anticipated Indian film projects in recent memory. Ranbir is set to portray Lord Ram in this grand production, which promises to be a cinematic event of unprecedented scale for Hindi cinema.
Love & War
Directed by the visionary Sanjay Leela Bhansali, Love & War is confirmed for a March 20, 2026 theatrical release — timed to coincide with Ram Navami festivities. The film is widely expected to be one of Bhansali’s most ambitious productions to date.
Animal Park — The Silence Speaks Volumes
Notably, Ranbir made no mention of Animal Park, the highly anticipated sequel to his blockbuster Animal (2023), during his Comic-Con appearance. Whether that signals a shift in priorities or simply reflects where production currently stands remains to be seen. Fans and trade watchers are keeping a close eye on any developments surrounding that project.
Critics’ Perspective
Trade analysts see Ranbir’s public denial as a calculated and savvy move. With two marquee productions already on his slate, attaching himself to further franchise speculation could dilute audience anticipation. Critics note that by steering the conversation firmly toward Ramayana and Love & War, Ranbir is consolidating his image as a prestige performer rather than an action franchise player. According to entertainment industry coverage, this kind of brand management is increasingly common among top-tier Bollywood talent navigating multiple tentpole projects simultaneously.
- Dhoom 4: Denied by Ranbir Kapoor — no YRF confirmation
- Ramayana: In production — Ranbir as Lord Ram
- Love & War: Directed by Sanjay Leela Bhansali — releasing March 20, 2026
- Animal Park: No update offered at Comic-Con
– Entertainment Desk, Studio Carry On Harry
Background & Timeline
The Dhoom franchise, produced by Yash Raj Films, has delivered three instalments since 2004 — each featuring a new lead antagonist alongside series regulars. Speculation about Ranbir Kapoor joining the franchise as a villain or lead has circulated since at least 2019. Meanwhile, Ranbir’s career has evolved significantly, with Animal (2023) becoming one of Bollywood’s highest-grossing films. His casting as Lord Ram in Ramayana was confirmed in 2023, marking a defining chapter in his career trajectory.
Critics’ Perspective
Trade analysts and film critics largely view Ranbir’s Comic-Con statement as a shrewd piece of personal brand management. With Ramayana and Love & War already representing two of the most high-stakes releases in recent Bollywood history, industry observers argue that adding Dhoom 4 to the conversation would only create unnecessary noise. Critics note that Ranbir is carefully positioning himself as a prestige cinema force, steering well clear of franchise speculation that could distract from his current landmark commitments.
What’s Next?
Watch for an official trailer release for Love & War as its March 20, 2026 date approaches, and keep an eye on any Ramayana production updates. The big question now is whether Yash Raj Films will formally announce a Dhoom 4 lead — and whether Animal Park gets a release window confirmed before year’s end.
Editor’s Verdict
Ranbir Kapoor appearing at San Diego Comic-Con to address Bollywood rumours is itself the real story here — it signals how deliberately his team is managing his global positioning. Shutting down Dhoom 4 speculation isn’t just a denial; it’s a statement of artistic intent. With Ramayana and a Bhansali film on his slate simultaneously, he is arguably carrying more prestige weight than any Hindi film actor right now, and the last thing that narrative needs is franchise noise clouding it. The silence around Animal Park is equally telling — sometimes what a star chooses not to say in a room full of cameras is the most strategic communication of all. Beyond the headlines, when an actor at this level starts curating his silence as carefully as his announcements, the industry usually takes notice before the audience does.
Studio Ki Raye
Ranbir ka yeh Comic-Con appearance sirf rumour denial nahi tha — yeh ek carefully orchestrated brand positioning thi. Dhoom franchise mein villain ka role, chahe kitna bhi iconic ho, ultimately ek supporting arc hota hai — aur Ramayana mein Lord Ram ke baad aap villain kaise khelo bina perception damage ke? Timing bilkul sahi hai. Jo cheez zyada interesting hai woh Animal Park ka complete silence hai — agar sequel on track hota, toh Ranbir zaroor kuch hint dete. Yeh khamoshi suggest karti hai ki project abhi bhi settle nahi hua hai, ya deliberately back-burner par hai. Bhansali aur Ramayana — dono prestige territory hai. Ranbir apni filmography ko reinvent kar rahe hain, action star se mythological-prestige performer ki taraf.
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Editor's Choice
Remembering a Legend: The Extraordinary Journey of Bollywood’s Most Beloved Comic Genius
Remembering a Legend: The Extraordinary Journey of Bollywood’s Most Beloved Comic Genius
He was an engineering professor who became a cinematic institution. Born in Kabul and raised in the bustling lanes of Mumbai, the man who would go on to grace over 300 Hindi and Urdu films spent his early adult years teaching mathematics at a college of engineering — a far cry from the glittering world of Bollywood that would eventually claim him as one of its greatest treasures.
His pathway into entertainment came through the stage. A theatre performance that caught the eye of a well-known comedian ultimately led to an introduction with legendary actor Dilip Kumar, setting the wheels in motion for a screen career that would span nearly five decades. His cinematic debut arrived in 1973, opposite Rajesh Khanna in a courtroom role that hinted at the commanding presence audiences would come to adore.
Through the 1970s, insiders note, he carved a reliable niche as an authority figure, a menacing villain, or a scene-stealing supporting player alongside some of the era’s biggest names. His flamboyant turn as a crime overlord and a haunting appearance as a Sufi mystic in a celebrated 1978 classic remain standout moments from that formative period, entertainment circles say.
The 1980s brought meatier roles and expanded creative territory. He headlined several films written specifically around his talents, while simultaneously cementing relationships with the decade’s top-billed stars across action, drama, and family entertainers.
Then came his true coronation. Sources reveal that from the late 1980s through the 1990s, he transformed into one of Hindi cinema’s most irresistible comic forces. Paired frequently with Govinda in a string of blockbuster comedies, his razor-sharp delivery, gift for physical humour, and ability to inhabit larger-than-life characters — overbearing fathers, scheming relatives, bumbling officials — made him utterly unmissable. A Filmfare Best Comedian win, multiple nominations, and awards for his dialogue writing further cemented his legendary status.
Critics note that his versatility extended well beyond laughs. He navigated action, social drama, and political narratives with equal ease, working across both Hindi and South Indian productions. Television also beckoned, with memorable stints in popular comedy series keeping him firmly in the public eye.
Honoured posthumously with the Padma Shri — India’s fourth-highest civilian award — in 2019, and having departed the world on New Year’s Eve 2018 following a prolonged illness, his legacy endures through a vast and irreplaceable body of work that continues to delight audiences across generations.
- Entertainment Desk, Studio Carry On Harry
Editor’s Verdict
Few careers in Hindi cinema carry the quiet lesson this one does — that genuine talent refuses to be boxed in. An engineering professor who became a Filmfare-winning comedian, a stage actor who outgrew every category the industry tried to place him in, a man who could unsettle you as a villain on Friday and have you helpless with laughter by Sunday. What his journey quietly tells the industry is that formal training in performance is never the only door in, and that longevity belongs to those willing to reinvent without ever losing the core of what makes them watchable. The Padma Shri arriving posthumously is bittersweet — recognition that came just a little too late for him to hold.
Beyond the headlines, the greatest comic performers are rarely celebrated while they still have time to bow.
Studio Ki Raye
Mehmood Johnny Lever, ya koi bhi naam lo — lekin yeh khabar jo silently ek badi baat keh rahi hai woh yeh hai ki Bollywood ne apne supporting actors ke saath hamesha ek stepchild jaisa sulook kiya hai. Ek aadmi jo 300 se zyada films deta hai, Govinda ke saath ek ke baad ek blockbuster comedy hit karta hai, aur Padma Shri bhi milti hai — toh *posthumously*. Yeh recognition ka pattern Bollywood mein tragic roop se familiar hai. Industry ke liye yeh ek reminder hai ki comic actors aur character artists ko sirf nostalgia mein nahi, unke jeete ji celebrate karna chahiye — kyunki woh heroes ke chamak ke peeche woh mortar hote hain jisse poori film ki wall khadi rehti hai.
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Bhai Tera Star Hai Day 7 Box Office: Raghav Juyal’s Solo Lead Debut Stalls at ₹1.06 Crore — 2 Crore Lifetime Unlikely
Studio CarryOnHarry Entertainment Desk | 7 August 2026
Raghav Juyal’s much-anticipated solo lead debut, Bhai Tera Star Hai, has had a deeply disappointing theatrical run. After completing its first seven days at the India box office, the film has mustered a cumulative net collection of just ₹1.06 crore — making a ₹2 crore lifetime total look increasingly out of reach.
A Milestone Debut That Failed to Connect
For Raghav Juyal, Bhai Tera Star Hai represents a deeply personal achievement. It marks his first-ever feature film as a solo leading man — a milestone that took him 16 years of working in the industry to reach.
Known for his breakout antagonist role in the 2024 action thriller Kill, Juyal had built significant goodwill among audiences. His comic timing and expressive style had earned him a loyal following. Yet, despite that goodwill, the film has failed to translate fan affection into ticket sales.
Bhai Tera Star Hai Box Office: Day-by-Day Breakdown
The film opened on a subdued note and never recovered momentum. Here’s how the first-week numbers stacked up:
- Day 1: ₹0.25 crore
- Day 2: ₹0.25 crore
- Day 3: ₹0.20 crore
- Day 4: ₹0.21 crore
- Day 5: ₹0.06 crore
- Day 6: ₹0.05 crore
- Day 7: ₹0.04 crore
- Total Week 1 Net: ₹1.06 crore
The film opened approximately 80% lower than Juyal’s previous outing Kill on its debut day — a stark contrast that underlines the challenge of carrying a film as a solo lead versus playing a scene-stealing supporting role.
What Went Wrong?
Negative Reviews and Stiff Competition
Critical reception for Bhai Tera Star Hai has been largely unfavourable, with reviewers noting that the comedy failed to land despite Juyal’s natural flair for humour. Poor word-of-mouth choked any chance of a weekend revival.
The film also faced the added burden of clashing with Spider-Man: Brand New Day, a major Hollywood tentpole that dominated multiplex screens and squeezed the Bollywood comedy’s screen share significantly.
Screen Count Has Already Collapsed
According to verified box office tracking data, the film’s screen count has shrunk by over 40% compared to its opening day — a clear signal from exhibitors that audience demand simply isn’t there. This level of screen reduction after just one week typically signals the film’s theatrical chapter is drawing to a close.
Can Bhai Tera Star Hai Cross ₹2 Crore Lifetime?
In Bollywood, a film’s opening week is its strongest. With Bhai Tera Star Hai collecting only ₹1.06 crore in seven days, crossing the ₹2 crore lifetime mark now appears highly improbable. Industry observers tracking entertainment industry coverage widely agree that Week 2 collections will be negligible at best.
This will in all likelihood be the film’s final week in theatres, with a digital streaming release expected to follow shortly.
Studio COH Perspective
Raghav Juyal’s box office struggle with Bhai Tera Star Hai raises a question Bollywood needs to answer honestly: is the industry doing enough to build new solo stars, or does it keep setting them up without the right vehicles? A comedian with 16 years of hustle deserved better script support. As we follow Bollywood’s top stories, this one serves as a reminder that star power alone — without story — rarely survives the box office.
– Entertainment Desk, Studio Carry On Harry
Background & Timeline
Raghav Juyal is a dancer and actor who first gained national attention through reality television dance competitions. He spent over a decade building a following before landing his breakout dramatic role as the chilling antagonist in the 2024 action film Kill. That performance earned him widespread critical praise. Bhai Tera Star Hai marks his first feature film as a solo lead — a career milestone 16 years in the making — making its disappointing box office performance all the more difficult to absorb.
Studio CarryOnHarry Perspective
At Studio Carry On Harry, we believe Raghav Juyal’s box office stumble with Bhai Tera Star Hai is less a reflection of his talent and more a commentary on Bollywood’s ongoing struggle to build new solo stars with the right material. His villain work in Kill proved he can command the screen. What this week’s numbers really expose is the gap between audience affection for a performer and their willingness to buy tickets for a poorly reviewed comedy. The industry must do better by its emerging talent.
What’s Next?
Watch for Bhai Tera Star Hai‘s official OTT streaming announcement, expected within the coming weeks given the film’s early theatrical exit. Raghav Juyal’s next project choices will also be closely monitored — industry insiders will be keen to see whether he pivots back to ensemble or supporting roles, or persists with solo lead vehicles.
Editor’s Verdict
Sixteen years is a long time to wait for your name above the title, and when the moment finally arrives, the film has to do its share of the heavy lifting too. Raghav Juyal clearly has the talent — Kill proved that beyond any argument — but talent in a supporting role and talent carrying an entire film are two very different demands, and the industry routinely confuses the two. Dropping an unfancied Bollywood comedy against a Spider-Man release compounds the problem further; that scheduling decision alone deserves scrutiny. The numbers here are not a verdict on Juyal as a performer. They are a verdict on how carelessly the industry sometimes handles the debuts it claims to celebrate. Beyond the headlines, a star is only as strong as the machinery built around him — and in this case, the machinery let the man down long before audiences ever got the chance to.
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