Artists
School of Rock Students Are Ready to Take the Stage with Frank Zummo at 26 Degree Brewery
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Admission to the event is $15, and should be purchased in advance online at rocki.ng/417edOL. Proceeds from this event will benefit School of Rock’s longtime partner, The Society For The Prevention of Teen Suicide.
“Our students are excited to take the stage with renowned drummer Frank Zummo,” said Craig Zim, owner of the four School of Rock locations in Broward County. “Music has always been a powerful tool for unity and profoundly shape lives. It’s incredible to witness these young musicians embrace this remarkable opportunity to showcase their acquired knowledge and skill.”
School of Rock’s approach to music education is unique. Whereas traditional music education approaches focus on teaching music only through one-on-one lessons, School of Rock’s patented Method combines one-on-one instruction with group rehearsals and live performances, starting students on their musical journey by playing songs that inspire them. The integrated SongFirst approach teaches students techniques and theory while also helping them apply those skills when performing with other musicians. This results in remarkable musical proficiency.
“At School of Rock, our mission is to provide opportunities for our students to thrive, learn, and make meaningful connections,” said Rob Price, CEO of School of Rock. “We are thrilled to partner with Frank Zummo and the Society for the Prevention of Teen Suicide (SPTS), to offer this event that brings the community together to share ideas and support one another. Music has the power to lift spirits, spark conversations and ignite passions.”
School of Rock provides students of all ages an exciting and engaging music lesson experience, which includes, bass lessons, guitar lessons, drum lessons, singing lessons and piano lessons. Frawing from all styles of Rock and Roll, School of Rock students learn theory and techniques via songs from legendary artists such as, Aretha Franklin, Lenny Kravitz and Led Zeppelin. Thanks to the school’s performance-based approach, students around the world have gained superior musical proficiency, with some moving on to record deals, and larger platforms such as, American Idol, The Voice and Broadway.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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