Artists
Scottsdale Philharmonic Will Open Its Season on Oct. 9 Under Direction of New Full-Time, World-Class Conductor
The musical program for Oct. 9 will include Mozart’s “Clarinet Concerto Mvt. 1” with Soloist Heather Van Beek; Rubenstein’s “Melody in F” with Piano Soloist Vitaly Serebriakov; Liszt’s “Oh! Quand je dors” with Soloist Melissa Solomon; and Carl’s “O Fortuna from Carmina Burana” with full chorus.
“We are so lucky and privileged that Dmitry has decided to accept the position and become our Principal Conductor as we begin our newest vision of seeing the Scottsdale Philharmonic become a major symphony in Arizona,” says Joy Partridge, President and Co-Founder of the Scottsdale Philharmonic.
All concerts in the Scottsdale Philharmonic’s 2022-23 season (Oct. 9, Dec. 4, Dec. 11, Feb. 19, March 19 and May 7) will be held at the Scottsdale Center for the Performing Arts, 7380 East Second St., Scottsdale, from 4 to 6 p.m.
Ticket donations of $15 are available for all upcoming concerts online at www.scottsdaleperformingarts.org, and the venue website lists the latest information about COVID protocols for the events.
“Every great symphony must first start with a great conductor,” Partridge says. “Dmitry amazed both our musicians and audience as a visiting guest conductor with his brilliant talent and masterful skills as he conducted our spring concerts. He received numerous standing ovations and tremendous enthusiastic applause from our audience. It was an exciting moment for all of us who were there.
“Our orchestra members have expressed their enjoyment in performing under the baton of our new and exciting musical leader,” Partridge continues. “We feel his skills as a conductor enhances our abilities to perform at our highest level.
“The vision of creating the Scottsdale Philharmonic into a major symphony in Arizona is just beginning,” Partridge explains. “Because Maestro Polyakov is a key figure in building our future and lead us to a treasury of classical musical, we created the ‘Conductor’s Circle Sponsorship’ program. Contributions to this program will allow us to develop our new vision of a first class symphony in Scottsdale and build a great symphonic orchestra and perform unforgettable concerts. He is a leader that we are excited to have for our future.”
“We want to thank our Mayor of Scottsdale David Ortega, the Scottsdale Center for the Performing Arts, and our audience, sponsors, donors, and benefactors,” Partridge said. “We are so grateful to all of you. As a non-profit, the orchestra always welcomes volunteers and any generous support.
“We prepared many projects for the next season and beyond,” Partridge continued. “Follow us on our website and social networks. We are looking forward to seeing you at our upcoming concerts.”
For more information about the Scottsdale Philharmonic or to make a donation, visit www.scottsdalephilharmonic.com or call 480-951-6077.
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Artists
Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.
According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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