Artists
Sioux City Strangler Reveals New Single “Nobody Knows My Name”
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The single is paired with a modern reworking of “Sixteen Tons” made famous by Tennessee Ernie Ford and Johnny Cash. The country song is reimagined from a country classic to a rock-and-roll, synth-forward track.
Paired with a narrative podcast (Sioux City Strangler: The Podcast), whose final episode will be released on October 25, 2022. Sioux City Strangler spans multiple media platforms: social media, video, music, and podcasting. By combining the podcast’s episodic narrative with the abstraction of rock lyrics, Sioux City Strangler tells a story about violence and entertainment in 2022 USA.
What does Sioux City Strangler Sound Like?
When asked, frontman Christopher Chase Godwin replied, “Like a Tom Waits cover of a Bruce Springsteen song, I feel its most present in ‘Nobody Knows My Name,’ a first-person account of the inner workings of a killer.”
You can hear traces of The Stooges in Jeff Lynn’s (ex Wires on Fire) guitar work on both tracks. Marc Ribot, a frequent Tom Waits collaborator, is an influence, according to Lynn.
Michael Wegener appears on percussion, either completely programmed or played live on top of a 1970s Lowery transistor organ rhythm.
You can find the podcast and singles on SiouxCityStrangler.com.
Press Contacts:
Katrina Mohn / Past Due Media
(424) 280-4598 / info@wearepastdue.com
Links
Website: www.siouxcitystrangler.com
Instagram: @siouxcitystrangler
Nobody Knows My Name Music Video:
www.siouxcitystrangler.com/video
Nobody Knows My Name on Spotify:
https://open.spotify.com/album/05apSppDYm3yMUveUyHUto?si=0QkXJh0GTCedEipR3Ixs1A
Sixteen Tons on Spotify:
https://open.spotify.com/album/5MNZGU1ScPNsNyiZKnMENe?si=6oTGPG-HQXW7nUr1QxVQWQ
Sioux City Strangler The Podcast:
https://open.spotify.com/show/668EKpQcJW6J1zLrbS3Zv5?si=60c11b637d254d29
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Artists
SENSANE to Release Debut Vocal Album in October with UK and Indian Artists
Balle Balle Radio™ Entertainment Desk
SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
Press Releases at Studio CarryOnHarry
Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…
Balle Balle Radio™ Entertainment Desk
C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
Press Releases at Studio CarryOnHarry
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