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Studioli Music Presents “The Painful End”

Harry Johal

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Studioli Music Presents “The Painful End”

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New York, NY, July 05, 2024 –(CarryOnHarry.com)– Eric Michael Jones is an award winning singer-songwriter who describes himself as “Australian by birth, Canadian by chance, and New Yorker by choice.” Earlier this year, he was named “Best International Male Artist” in the UK WigWam Music Awards. Jones’ next single, “The Painful End,” to be released on July 10, is a poignant meditation on mortality, in collaboration with UK music act Eleanor Collides.

“I was thinking about the fictions we tell ourselves to stave off dread such as ‘she died peacefully,’ or ‘at least he didn’t suffer.’ I decided to be blunt… the end is always painful for somebody.” This raw confrontation with mortality is both unsettling and refreshingly honest. Jones explains, “I’m not trying to be morose, it’s not a sad song.”

Having just gone through a global pandemic that killed millions, and seemingly elevated brutality saturating the daily news, Jones would like us to not be numbed by numbers. Every ‘number’ hurts and feels.

Eleanor Collides’ vocals add a layer of melancholy that perfectly complements the stark lyrics. Known for his emotive voice and bittersweet themes, Collides brings the necessary emotional weight to the track. Jones’ instrumental arrangement, surprisingly optimistic with a gentle sway, evokes a surreal, almost Lynchian quality, making the song’s brutal honesty more palatable.

Jones used his time during the COVID lockdowns to write and record more than thirty songs, which he is now refining and releasing at a regular pace. “Working remotely with collaborators across continents allows indie artists like me to expand their reach and polish the music like never before,” he says. The track was mixed and mastered by another Londoner, Charles Connolly.

Known for his lyrical imagery, Jones first presents a laundry list of creatures mindlessly dispatched: “In my life, I’ve crunched cockroaches / In my life I’ve killed ants with masking tape.” Jones pulls no punches, painting vivid picture of violence against seemingly insignificant life forms, leading into the refrain – “Everybody has a painful end,” reminding listeners of the universality of suffering, no matter how small the creature. Even the Dalai Lama once said, “I’ll give a mosquito three chances…”

Deeper into the song, Jones shifts to people he knew, adding a personal layer to the narrative. He memorializes those lost to tragic circumstances, from a classmate who died huffing butane to others who met equally grim fates. “I knew a guy who had a heart attack / Crawled through the snow / But he couldn’t get back to the house,” he pens, emphasizing the relentless, often lonely nature of death.

Eric Michael Jones’ writing has often tended toward social sensitivities such as anti-bullying (More Push Than Pull), anti-violence (Violence), anti-war (Fight War), fossil fuels (No Gasoline), nuclear proliferation (New Clear Vision), and more. Deep subjects to be sure, yet delivered with wit and imagination. “I call my style dimensional rock with conditional optimism” says Jones, “I’m not sermonizing, I want people to dance and enjoy the music. I’ll just slip the message in.”

“The Painful End” is a powerful exploration of death’s inevitability and the universal pain associated with it. Through its candid lyrics and contrastingly soothing instrumentation, it leaves a lasting impression, reminding us of the shared fate that binds all living creatures.

Release day is July 10, 2024.
Pre-listen link: https://fave.co/3L5Kq2X

About The Artists:

Eric Michael Jones
New York, NY
An award winning songwriter and artist known for creating music with unexpected elements. Working from a rock and roll palette he captures the energy from British Invasion to Americana, and has evolved his own engaging sound.
EricMichaelJones.com

Eleanor Collides
London, UK
Eleanor Collides is the solo project of London based singer, songwriter and guitarist Nick Ranga. Named after Nick’s childhood imaginary friend, Eleanor Collides is an unapologetically emotional exploration of some deeply personal themes.
EleanorCollides.com

About Studioli Music:

Studioli is a New York based music publisher representing the compositions of Eric Michael Jones. Wholly owned by Jones Studio Limited, Studioli is a member of the American Society of Composers Authors and Publishers (ASCAP). The name ‘Studioli’ is a registered trademark of Jones Studio Limited.

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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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