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Sue Moerder’s Dead and Discarded Breathes New Life Into Northern Liberties, Philadelphia

Harry Johal

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Sue Moerder’s Dead and Discarded Breathes New Life Into Northern Liberties, Philadelphia

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Sue Moerder Skull Art attracting curious, antique, taxidermy and ‘outsider art’ lovers.

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updated: May 18, 2021 08:00 EDT


Amid offbeat boutiques, stores and resurgent craft beer hot spots, a must-see new gallery is attracting scores of oddity, antique, taxidermy art and curious “outsider art” lovers to Sue Moerder Skull Art in Northern Liberties, Philadelphia — right off 2nd Street and minutes from Old City and Fish Town. For Moerder, a former advertising art director turned tattoo artist/shop owner, skull assemblage art is the culmination of a lifelong quest for artistic fulfillment.

“I’ve always struggled with art to find the right fit — until now,” said Moerder, who majored in illustration at the University of the Arts (formally Philadelphia College of Art). “Whether it was advertising or tattoos, my art was always for somebody else. And while I loved the profession and my life at Moerder Tattoos & Gallery in New Jersey, tattooing permanent Art on someone was stressful. With skull assemblage art, everything flows naturally, and I enjoy the whole process.”

Moerder’s love of animal skulls started with tattooing them, and then one day after receiving a deer skull from a friend, she decided to paint it just for fun. “I found the experience totally immersive as my mind became lost in the art. I was hooked! My skull art evolved away from simply painting them… into larger and more intricate sculpted pieces. And my tattoo shop soon doubled as a gallery.”

After 18 years of doing tattoos, Moerder felt the timing was right this year for a new chapter in her art journey… exclusively creating skull assemblage art. “I find the entire process inspiring,” she said. “Every day is like a fun treasure hunt spent scouring antique shops and poking around scrapyards for missing pieces to my latest puzzle. It might be a door hinge or a rusting hunk of metal… there’s endless inspiration everywhere I go.”

When people step inside Moerder Skull Art, they’re awestruck by dozens of one-of-a-kind pieces to admire or acquire. From intricate sculptural lighting, mirrors, and wall pieces to animal skull sculptures both small and large, Moerder’s Skull Assemblage Art is a breathtaking amusement park for the senses.

“There’s so much art in a small space, people don’t know where to look first,” she laughs. “Sometimes I’ll invite visitors to check out my Basement Bone Lair. It’s jammed with countless animal skulls (all ethically sourced), including coyotes, deer, horses, cows, pigs, minks, and hedgehogs — and tons of odds and ends for new projects. I love letting people discover how amazing animal skulls are. My objective is always to make beautiful skulls even prettier and bring new life to the dead and discarded.”

To view current animal skull sculptures for sale, or to schedule a visit at Sue Moerder Skull Art go to suemoerder.com or call or text 215-292-8189.

Source: Sue Moerder Skull Art



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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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