Artists
Tomb Slayer Radio Releases Apps for Multi-Genre Christian Music Enjoyment
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“Our mission is to inspire people worldwide by making it easy to listen to music and messages of peace, praise, and forgiveness central to the Gospel of Jesus Christ. There is so much uplifting content that can fill our lives,” said Founder Carmen Moscrip. “Tomb Slayer Radio brings together contemporary and traditional Christian music and messages in one location so that ‘those who have ears to hear, can hear’.”
Tomb Slayer Radio is an interfaith Christian music station available online 24/7 at www.tombslayerradio.com and via mobile apps downloadable on the Apple App Store and Google Play Store. In addition to the multi-genre Tomb Slayer Radio channel that is a mix of Christian music, three new stations have been added: Christmas, Contemporary, and Kids.
“What I love about Tomb Slayer Radio is that it isn’t confined to a single genre but embraces the entire spectrum of the best in Christian music,” shared Khristian Dentley, a member of the Grammy Award-winning vocal group Take 6, Dove Award multi-nominee, album producer, and host of Tomb Slayer Radio Podcasts. “From Pop to Gospel, Soul to Rap, traditional hymns to modern worship and as a launch pad for new and emerging Christian artists – the diversity of music available on Tomb Slayer Radio speaks to the diversity of Christians.”
In addition to music, there are Daily Devotionals, inspirational Podcast interviews to download, and Tomb Slayer Radio social media channels. In the coming months more channels will be added to help listeners choose the inspiring Christian music and messages that fits their mood.
Moscrip shared; “The Savior’s simple message of love needs to be shared today more than ever. Some of the most powerful sermons in my life have been felt through music, and Tomb Slayer is the new platform to broadcast God’s love.”
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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