Connect with us

Artists

Vilcek Foundation Launches Digital Experience ‘Pueblo Pottery: Stories in Clay’

Harry Johal

Published

on

Vilcek Foundation Launches Digital Experience ‘Pueblo Pottery: Stories in Clay’

[ad_1]

The online experience centers the voices and insights of the community curators behind “Grounded in Clay: The Spirit of Pueblo Pottery”

The Vilcek Foundation has launched Pueblo Pottery: Stories in Clay, a digital experience to complement our exhibition of Grounded in Clay: The Spirit of Pueblo Pottery. The multimedia project is community-driven and incorporates audio, essays, videos, and interactive tools developed with the curators of the Pueblo Pottery Collective.

Pueblo Pottery: Stories in Clay is accessible on the Vilcek Foundation website, designed by Pentagram. Users can explore three-dimensional views of selected works, accompanied by descriptions of form, design, and meaning. The three-dimensional views were captured using photogammetry with the support of Cortina Productions and Forum One. 

The exhibition Grounded in Clay: The Spirit of Pueblo Pottery opens in New York this July, with presentations at the Vilcek Foundation and The Metropolitan Museum of Art that will be on view through June 2024. Pueblo Pottery: Voices in Clay is an interactive educational tool that creates new pathways for people to explore the insight of the curators and artists whose work makes Grounded in Clay such a powerful exhibition.

“Grounded in Clay: The Spirit of Pueblo Pottery is rooted in the living traditions of Pueblo nations, community members, and potters,” says Vilcek Foundation President Rick Kinsel. “For this experience, we use every technical and creative resource available to us to amplify the voices of the Pueblo Pottery Collective, and to support and extend the impact of this exhibition. Pueblo Pottery: Stories in Clay expands on the community curatorial aspects that make Grounded in Clay so powerful.” 

To help develop the digital experience, the Vilcek Foundation engaged Brian D. Vallo as a leading consultant. A member of the Pueblo of Acoma tribe in New Mexico, he served as governor from 2019-2021 and has more than 30 years of experience working in areas of museum development, cultural resources management, repatriation of ancestors and cultural patrimony, historic architecture preservation, the arts, and tourism. Vallo curated the selection of works and wrote content for the digital experience, and identified selections from the community curators to incorporate into the project.

“The Pueblo people of the American Southwest represent some of the oldest continuously inhabited settlements in North America,” writes Vallo. “Two significant ancestral Pueblo settlements on this vast landscape include what are known today as Mesa Verde and Chaco Canyon. Pottery created at these places over a thousand years ago represents a form of material culture that is enduring and that has evolved over time.”

“The pottery-making tradition is rooted in the enduring cultural heritage of the Pueblo people,” he continues. “Pottery-making is handed down from one generation to the next. In most Pueblos … the tradition is carried on through observation and a hands-on process of working with the clay and other materials.”

“The pottery-making tradition is rooted in the enduring cultural heritage of the Pueblo people,” says Brian D. Vallo. “Pottery-making is handed down from one generation to the next.”

Says Vilcek Foundation Director of Digital Brian Cavanaugh, “By leveraging technology, we amplify Native American voices and offer a window into the profound stories and traditions embedded within each vessel. The Vilcek Foundation embraces technology as a tool for empowerment, enabling the world to hear diverse narratives that have been woven through generations. This forges a path where Native voices are celebrated.”

“The exhibition of Grounded in Clay: The Spirit of Pueblo Pottery is groundbreaking in many ways, as it is a community-curated exhibition of work originating in Native American communities that centers the lived experience and voices of Native American curators,” says Vilcek Foundation Curator Emily Schuchardt Navratil. “We wanted to bring Grounded in Clay to life in the digital realm, to honor these pottery pieces and traditions, and to amplify the voices of the Pueblo Pottery Collective beyond the physical exhibition.”

Pueblo Pottery: Stories in Clay can be accessed at https://pueblopottery.vilcek.org. The Vilcek Foundation encourages individuals to explore the digital experience and to reach out to learn more about the exhibition, Grounded in Clay: The Spirit of Pueblo Pottery.

Source: The Vilcek Foundation

[ad_2]

Press Update For Studio CarryOnHarry

Find Holiday Deals Flights Attractions and Hotels !


Get Interviewed

Trulli

For Interviews At Studio CarryOnHarry Online Submission Form Click Here

156 Views
Powered by SgAiSolution
156 Views
Powered by SgAiSolution
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

Published

on

By

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

302 Views
Powered by SgAiSolution
302 Views
Powered by SgAiSolution
Continue Reading

Artists

From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

Published

on

By

From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

Press Releases at Studio CarryOnHarry

250 Views
Powered by SgAiSolution
250 Views
Powered by SgAiSolution
Continue Reading

Promotions

Trending Now

Advertiment

Recent

trending