Artists
Wade Hayes, Dion Pride, Linda Davis and More to Headline 2023 Love Tattoo Foundation Benefit Concerts Hosted by MTS’ Richard Lynch
The benefit concerts will feature a star-studded lineup including an Academy of Country Music Awards nominee, a #1 Billboard Country chart artist, a Country Music Association Awards nominee, a Grammy nominee, and a musician who has performed on the Grand Ol’ Opry stage more than 8500 times in his career.
The benefit concert series lineup: Wade Hayes (May 27); Dion Pride (June 17); The Kody Norris Show (July 8); Tony Booth/Dottsy (July 30); Tim Atwood (August 12); Linda Davis, Lang Scott & Bill Whyte (September 9); Bobby Tomberlin/Tess Frizzell (October 14); Richard Lynch and Friends (November 11). All shows will be hosted by the Richard Lynch Band.
“I’m so excited to be able to bring together some of the biggest names in traditional country music for this benefit concert series,” said Lynch. “I’m looking forward to bringing a little bit of Nashville to Ohio, while raising money and awareness for the Love Tattoo Foundation and the important work we do.”
The Love Tattoo Foundation is a non-profit organization that honors and assists the American Veterans who carry mental or physical scars, from serving our country. Its mission is to raise money and awareness to help give these Veterans the opportunities they sacrificed, so we could have ours. Named for a duet recorded by Richard lynch and Ronnie McDowell, the Love Tattoo Foundation has raised more than $150,000 since its inception.
For more information about the Love Tattoo Foundation and the benefit concert series, please visit www.lovetattoofoundation.org.
About Richard Lynch: Over the past 4 decades, Richard Lynch has compiled a long list of country hits and chart-toppers on both domestic and international sales and radio airplay charts. Richard has been in Billboard Magazine, Taste Of Country, The Boot, CCM Magazine, Country Music People, Maverick, and countless others. He has also appeared on WSM Radio Nashville, RFD TV, Fox TV and more. He has recorded popular duets with legendary artists like Ronnie McDowell and Leona Williams, as well as Grammy Winner, Rhonda Vincent. Lynch is the owner of Keepin’ It Country Farm in Waynesville, OH and co-founder of Love Tattoo Foundation that assists veterans. http://www.richardlynchband.com
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Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.
The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
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The move to a solo release follows a career that started well before FANCI worked behind a mixing board. His musical foundation started at age six with piano; he later studied guitar with Rudy Stevenson, who has worked with George Benson and Nina Simone. Stevenson also mentored FANCI as a songwriter. Diana Music & Vision Publishing signed him after hearing his early demos, leading to the release of two tracks on Wemby Records under the Gemini moniker. — releases the announcement credits with regional success, though no specific chart or sales figures are cited.
From there, FANCI moved into production work for other artists while separately writing toward a full album under his own name. The music blends rock, soul, pop, new wave and funk, drawing inspiration from artists like Jamiroquai, Prince, Curtis Mayfield, Peter Gabriel and David Bowie. Other coverage of the artist has referred to him as FANCI FUNK, suggesting the funk influence extends to how he’s being branded, not just how he’s being described.
No release date has been given for the full album "Funky Sexy Cool" is drawn from, and the announcement doesn’t specify how the single has performed since release.
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Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we recognize that FANCI’s emergence as a solo artist represents something often overlooked in debut narratives: the quiet power of mentorship across generations. Rudy Stevenson’s fingerprints on this story matter because they connect FANCI directly to a lineage of musical sophistication—the same hands that guided George Benson and Nina Simone’s artistry are now shaping a new voice. This isn’t merely credentialing; it’s DNA. When FANCI channels soul, jazz-inflected guitar work, and lyrical depth, he’s inheriting lessons from two masters who understood how to balance technical mastery with emotional authenticity. For listeners, this context transforms "Funky Sexy Cool" from a promising debut into a continuation of a mentorship tradition that prioritizes craft and character over trend-chasing. In an era of algorithm-driven discovery, FANCI’s path—rooted in human instruction and artistic lineage—stands as a reminder that the most durable artists are often shaped by those who came before.
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