Artists
Wonderfilled Launches New Era of Transmedia Storytelling with Prism-Led Mythic Universe
Temple Of Booty: A Cosmic Dance Ritual
On July 1, Professor Prism releases Temple of Booty, a 32-track electro-funk dance album available worldwide on all major streaming platforms. The album blends Detroit booty bass, Miami freestyle, and ghetto tech music into a high-energy, body-positive sonic ritual inspired by the parties of old. Developed over the past year, Temple of Booty marks the return of the Professor Prism persona—originally introduced over a decade ago in the transmedia performance piece Pinky Elefante. The music is celebratory, mature, and intentionally immersive: a soundscape designed for movement, release, and mythic transformation.
The Broken Road: A New Chapter In GiantLands
Also launching this July is The Broken Road, the first official adventure module for the GiantLands roleplaying game. Co-written by James M. Ward, Stephen E. Dinehart IV, and Penny Williams, the module expands the mythos and mechanics of the world first introduced in 2021, developed in collaboration with some of the genre’s foundational creators. The Broken Road is the first in a new series of four books being published this month, all contributing to the revitalization and re-centering of the GiantLands universe around inclusive, imaginative storytelling.
“I originally created GiantLands as something for younger players,” says Dinehart. “But I encountered a lot of toxic gatekeeping and ideological resistance, from those who truly fear change. As such, I’m choosing to move forward by rebuilding the world I imagined—this time with a broader audience in mind and staying true to artistic values.”
Rise of Marduk: Enuma Elish – The Next Opera
In addition to game and music releases, July also marks the premiere of Dinehart’s second mythic opera, Rise of Marduk: Enuma Elish. Following the success of Throne of Ninurta, which debuted on January 1, this new work reinterprets the Babylonian creation epic through the lens of generative AI, contemporary music, and ritual performance. The opera is the second entry in a long-form mythic cycle that merges ancient storytelling with modern media technologies. Developed in collaboration with AI and poetic composition tools, Rise of Marduk continues Dinehart’s exploration of sacred drama for the digital age.
GiantLands Returns To Lake Geneva at EGGcon 2
Fans and players will have the opportunity to experience GiantLands live at EGGcon 2, held in Lake Geneva, Wisconsin from July 24–27. The convention will feature gameplay hosted by Dinehart and his collaborator Penny Williams, showcasing new material from The Broken Road and other upcoming releases. The appearance at EGGcon marks a return to the birthplace of tabletop roleplaying games and a symbolic step forward in reclaiming the form for new generations of storytellers.
Toward A New Kind Of Theme Park
These releases represent a larger long-term vision: the creation of a real-world theme park and temple complex also built around original intellectual property, ritual storytelling, and embodied myth. Having contributed to projects such as Universal’s Super Nintendo World, Dinehart’s goal is to move beyond IP licensing into something deeper—spaces where the story lives and breathes, driven by guests.
The Prism Era Begins
The launch of these works also signifies Dinehart’s full departure from partnerships that no longer reflect his values, catalyzing into a personal and creative transformation. Through a return to Profesor Prism, Dinehart now speaks to a broader spectrum of players, dreamers, artists, and seekers.
“This is for the ones who still believe in wonder,” Prism says.“For those who know the old world is gone. This is a time of change, who will you become?”
About Profesor Prism
Profesor Prism is the radiant creative persona of Stephen E. Dinehart IV, a multidisciplinary artist, composer, narrative designer, and founder of Wonderfilled, Inc and Alien Ranch Pictures. His work spans theme parks, opera, games, and music, all rooted in immersive storytelling and spiritual play. Through Prism, Dinehart invites audiences to imagine radiant futures beyond the limits of genre, media, or tradition.
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Artists
Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026
Balle Balle Radio™ Entertainment Desk
Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.
The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Berlin Producer FANCI Steps From Behind the Boards With Debut Single “Funky Sexy Cool”
Balle Balle Radio™ Entertainment Desk
FANCI, a Berlin musician who has recently worked as a producer for other German artists, has unveiled his debut single "Funky Sexy Cool." It’s the first taste of what’s described as his debut solo album, aimed at an international audience.
The move to a solo release follows a career that started well before FANCI worked behind a mixing board. His musical foundation started at age six with piano; he later studied guitar with Rudy Stevenson, who has worked with George Benson and Nina Simone. Stevenson also mentored FANCI as a songwriter. Diana Music & Vision Publishing signed him after hearing his early demos, leading to the release of two tracks on Wemby Records under the Gemini moniker. — releases the announcement credits with regional success, though no specific chart or sales figures are cited.
From there, FANCI moved into production work for other artists while separately writing toward a full album under his own name. The music blends rock, soul, pop, new wave and funk, drawing inspiration from artists like Jamiroquai, Prince, Curtis Mayfield, Peter Gabriel and David Bowie. Other coverage of the artist has referred to him as FANCI FUNK, suggesting the funk influence extends to how he’s being branded, not just how he’s being described.
No release date has been given for the full album "Funky Sexy Cool" is drawn from, and the announcement doesn’t specify how the single has performed since release.
In association with Radio Pluggers
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we recognize that FANCI’s emergence as a solo artist represents something often overlooked in debut narratives: the quiet power of mentorship across generations. Rudy Stevenson’s fingerprints on this story matter because they connect FANCI directly to a lineage of musical sophistication—the same hands that guided George Benson and Nina Simone’s artistry are now shaping a new voice. This isn’t merely credentialing; it’s DNA. When FANCI channels soul, jazz-inflected guitar work, and lyrical depth, he’s inheriting lessons from two masters who understood how to balance technical mastery with emotional authenticity. For listeners, this context transforms "Funky Sexy Cool" from a promising debut into a continuation of a mentorship tradition that prioritizes craft and character over trend-chasing. In an era of algorithm-driven discovery, FANCI’s path—rooted in human instruction and artistic lineage—stands as a reminder that the most durable artists are often shaped by those who came before.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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