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Worklife’s ‘Keeping it Local’ Show Features the Distinct Work of Five Artists, United by Los Angeles

Harry Johal

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Worklife’s ‘Keeping it Local’ Show Features the Distinct Work of Five Artists, United by Los Angeles

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Starting Oct. 10, Worklife Studios in the Sunset Junction Invites You to Experience a Collection of Local Art Characterized and United by the City’s Influence

Though inexplicable, there’s a certain “LA-ness” about all who reside in the City of Angels. While it certainly characterizes local habits, style, and lingo, it also weaves its way into local art.

When the idea of a group show first struck Worklife Managing Director Brianne Kimmel and her team, they began brainstorming artists to showcase until they were left with an amalgamation of Angelenos; their work fiercely distinct yet united by locality. 

Born and raised in LA, Emily Labowe is an established figure in fashion as well as textile design. She creates intuitive, abstract art that decides its fate on the canvas. In her words, her work “evokes a subtle essence of LA — from the rough edges to the bright colors, and textured mediums I use.” @emlabowe

Wallace May is a North Carolina-born, Los Angeles-based artist. Her current body of work is mainly acrylic and watercolor paintings that center memory and “borrowed nostalgia.” Of LA’s influential aspects, the architecture has lent itself most to Wallace’s work, immersing her in the same midcentury buildings and homes captured in the photographs she paints. @wallymadethis

Phoebe Clemens Rigg is a self-taught LA-based oil painter. Her work attempts to name themes and images while her color and composition choices document not just physical spaces, but the moods they emanate. Her works capture many moments and scenes firmly grounded in Los Angeles. “My work is saturated with LA.” @phoebeclemens

Conner Meager is an LA-based artist who uses elements of the past to create something digestible for the present. While his most used materials are an ode to his hometown, Detroit, his subject matter reflects a childhood obsession with rock ‘n’ roll culture and a love of film. Though not originally from Los Angeles, Conner has always felt drawn to it. “LA was one of the first things to ever inspire me as an adolescent.” @connermeager

Easton Schirra lives and loves in his home of Los Angeles with his fiancé and cat, Punk. He finds inspiration in the beauty of the world and the people that inhabit it. A modern-day renaissance man, or in his words “a caffeine-fueled octopus,” Easton creates as much of whatever he can. Easton moved to LA to pursue acting at the age of 12. “This is the land of opportunity. It’s always been the dream for me.” @eastonschirra

When: The opening-night reception of “Keeping it Local” is on Oct. 10 from 6-10 p.m. The show will run from Oct. 11-25 from 11 a.m.-6 p.m. weekdays.

Where: Worklife Studios, 3531 Sunset Blvd., Los Angeles, CA 90026

RSVP: On Eventbrite. Worklife asks you to consider purchasing a donation ticket via Eventbrite. All funds will support Hurricane Helene Relief in North Carolina. 

Source: Worklife

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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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