Editor's Choice
Amaal Mallik vs Tanishk Bagchi: Saiyaara Credit War Erupts
Studio CarryOnHarry Entertainment Desk | 27 July 2026
Bollywood’s music world has been rocked by a fierce public spat after singer-composer Amaal Mallik unleashed a scathing online attack against music composer Tanishk Bagchi, accusing him of wrongfully claiming credit for the popular song Saiyaara. In a series of now-deleted social media posts, Amaal did not hold back, branding Tanishk as the so-called ‘destroyer of originals’ — a pointed jab at the composer’s known reputation for recreating classic Bollywood tracks.
The posts, which circulated rapidly across social media before being taken down, contained what witnesses described as serious and pointed allegations. Music lovers and industry insiders were quick to screenshot and share the content, turning the controversy into one of the hottest trending topics in the entertainment space almost overnight.
It is important to note that these are unverified claims originating solely from Amaal Mallik’s perspective. As of the time of writing, Tanishk Bagchi has not issued any public statement addressing the accusations, and the allegations have not been independently corroborated by any third party.
Social media, as always, has been ablaze with opinions. Fans of both composers have lined up on opposing sides, with some supporting Amaal’s call for original artists to receive proper recognition, while others questioned the timing and the decision to eventually delete the posts. The fact that the allegations were retracted raises further questions about what truly transpired behind the scenes.
The broader debate around music recreation versus original composition in Bollywood is not new, but this very public clash between two prominent names has once again brought it sharply into focus. Whether this dispute will be resolved privately or spill further into the public domain remains to be seen.
Studio CarryOnHarry will continue to monitor this developing story closely. All claims should be treated as unverified until an official response or clarification emerges from either party.
– Entertainment Desk, Studio Carry On Harry
Harry Johal’s Take
The deletion is the most revealing detail here – public allegations that are retracted without explanation rarely close a story, they open one. If Amaal Mallik had solid ground to stand on, pulling the posts suggests either legal pressure or a private negotiation has already begun. The industry will read the silence from both sides not as resolution, but as the quiet before a more formal reckoning.
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Editor's Choice
Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films
Balle Balle Radio™ Entertainment Desk
Two 2026 releases, "Resident Evil" and "Spider-Man: Brand New Day," are tied at the top of Rotten Tomatoes’ running Verified Hot list, each pulling in more than 5,000 Verified ratings from ticket-buying audiences, according to the site’s latest update.
Just as Certified Fresh represents critics’ consensus via the Tomatometer, Verified Hot is its audience equivalent, requiring a minimum 90% score on the Popcornmeter using ratings exclusively from Fandango ticket buyers, according to the guide. Rotten Tomatoes introduced the badge to give paying audiences their own equivalent stamp of approval, separate from critical consensus.
Behind the two leaders in the largest-sample tier, "The Odyssey" ranks second with over 5,000 Verified ratings, followed by "Project Hail Mary," "Obsession," "Hoppers" and "The Super Mario Galaxy Movie." Several of these titles also turn up on other year-end and mid-year lists tracking 2026’s most-discussed films, including "The Odyssey," "Project Hail Mary" and "Obsession" among the movies cited as generating the most audience conversation this year.
In the next tier, covering films with 1,000 to 5,000 Verified ratings, "Avengers: Endgame," "Heart of the Beast," "Forgotten Island" and "Practical Magic 2" share the top spot, with "Coyote vs. Acme," "The Invite," a musical performance film featuring Stray Kids and others filling out the rest of the ranking. Rotten Tomatoes notes a third, smaller tier of 250 to 999 ratings exists for titles still building an audience track record, which it describes as newer and more niche releases.
New films earning a 90% Popcornmeter score are added weekly, with placement within each tier based on cumulative Verified rating volume.
Studio CarryOnHarry will be watching whether films lower in the 1,000-to-5,000 tier gain enough ratings to crack the top bracket as the list updates through the rest of 2026.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Editor's Choice
Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series
Balle Balle Radio™ Entertainment Desk
Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.
Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.
"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.
The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.
Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.
About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.
[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)
> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri
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Harry Johal — Entertainment Editor
Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.
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