Interviews
Iranian-American multi-instrumentalist Nouhi’s Nomad
Nouhi’s Nomad (pronounced New-He’s Nomad) is an Iranian-American multi-instrumentalist genre-fluid creator based in New York City. Nomad showed an early interest in music, starting with the violin at the age of three before moving to the piano at age eight. He later studied percussion, notably the tombak. At age twelve he found his calling as a singer and began studying classical voice and singing in professional choirs. He picked up guitar and bass finally in college. Nomad is also a graduate of Fiorello H. LaGuardia High School of Music & Art and Performing Arts where he sang the title character of Orpheus in their production of Orpheus in the Underworld by Offenbach. In addition to his background in classical music, Persian music and contemporary rock are a few more of his influences—with all three shining through within his Persian percussion, hypnotic and unique melodies, as well as stripped-down guitar backings. Nomad’s self-titled album further expands on these influences, while still leaving much room for experimentation. Bringing a warm and vintage style and sensitive lyrics to the forefront, Nouhi’s Nomad is a refreshing modern listen for anyone with a love of indie rock and the groovy state of nostalgia.
New single and video for “Number 4” out on April 16th!
Here is what Nouhi’s Nomad wrote to us in an exclusive interview :-
Tell us About Yourself , your Introduction Note : Name / Band Name / Location from /Goal in Life ?
- My name is Zachary Tirgan, and I’m a professional opera singer who also dabbles in songwriting and production. I’ve been singing classically since age 14 (nearly a decade) but have only recently started pursuing a career under the alias of Nouhi’s Nomad. I’m from New York, New York and I aspire to bring people together through music!
What roles and responsibilities do each band member perform ? Assigned duties ?
- The band consists of myself, my younger brother Darius, my middle school best friend Daniel Bonfiglio, and an NYU jazz student by the name of Shauli Guttman.
Darius plays bass, Daniel is on the drums, and Shauli plays lead guitar! In regards to our recent album, only Daniel is credit on the tracks as I wrote/mixed most of the songs with another drummer.
How long in performing arts and some experinces to share about your journey ?
- As I’ve been a singing professionally for 5 years, I’ve had quite a few experiences in the arts. However, one stands out. When I was singing in Cleveland, one of the tenors in the church came up to me as we were preparing to head home for the holidays. He told me something along the lines of “Zach, since you’ve been singing next to me, I’ve been inspired and had the confidence to sing out more than I ever have before. Thank you” This was the moment I realized I had done something meaningful with music, and that I wanted to keep doing so
How do you cope with creative differences ?
- As the frontman and as Nouhi’s Nomad, when creative differences or suggestion come up, I hear them out, but ultimately since the band is playing session for me, if it’s something I don’t think makes sense, or something I don’t agree with, we do it my way.
What was most attractive part for you to be in this industry ?
The most attractive part of the music industry has to be the ability to perform and connect with others!
Share some experiences good or bad, any that made you grow in life or profession ?
- Aside from the experience I listed above, having people who I could bounce my song ideas and mixes to greatly helped me fine tune my product!
Who inspired you ? How do you work on creating your own signature style ?
- The musicians I was listening to the most when I started this project were Vampire Weekend, and Mike Posner. I tried to take highlights from their style and incorporate them into my own indie rock soundscape!
What do you want to convey through your music?
- My music tells the story of my life, but in a manner which I hope others can relate to. I hope the listeners find solace, happiness, or whatever emotion they are looking for.
Story behind making of your new album ?
( idea of making , some interestings inspirational facts to share)
- This album has been in the works since my sophomore year of college. I had just then decided to take songwriting seriously and threw myself into this album for 4 years. Each song represents a landmark in my life, and the music videos will help tell the stories.
Any interesting trivia about making of songs ?
- The title of Number 4 comes from the address of the house, not the placement in the tracklist!
- The Song That I Can’t Rewrite was actually rearranged/rewritten for this album!
- Hail is the song with the most recordings from session musicians. My Jazz Theory professor, Glenn Alexander, tracked the solo at the end.
People who you would like to thank ?
- I would like to thank my parents for supporting me, my brother for playing with me, my teachers for guiding me, and my fans for inspiring me!
People who you would like to work with and people you idoloze to be like professionally ?
- I would love to work with artists such as Rostam, Paul McCartney, Sting, and Mansour. I’ve looked up to their work for quite a while and it would be a dream to collaborate with even just one of them!
Where do you see your music 3 years from now ?
- I see my music in the ears of listeners all over the world, I see it bringing people together and having the celebrate life!
How would you like to stretch your boundaries of gener in future projects ?
- I would like to be more adventurous with my use of harmony and maybe blend baroque voicing with jazz harmony!
Have you already started work on next project ? Anything you want to disclose about it ?
I’m working on 2+ music videos and a remix EP but no full albums yet. I am sitting on some unfinished songs however!
Message for Fans and listeners
Thank you for your support. It’s truly an honor to have my music be heard, and I hope to exceed your expectations!
Shoutout for CarryOnHarry Show …. listeners/readers
I hope you all check out my self-titled LP and find this interview informative! Thank you for taking time out of your busy day to be here with me!
Understanding Podcasting Microphones: An In-Depth Guide for Beginners and Professionals
Types of Podcasting Microphones
Dynamic Microphones
Dynamic microphones are the most popular choice for podcasting. They convert sound into electrical signals using a diaphragm, coil, and magnet. These microphones are robust, can handle high sound pressure levels, and require less gain than other types. This makes them excellent for capturing voices in less-than-ideal acoustic environments. The Shure SM7B and the Electro-Voice RE20 are industry standards among podcasters.
Condenser Microphones
Condenser microphones are sensitive and tend to capture a wider frequency range compared to dynamic microphones. They require phantom power to operate and are ideal for capturing subtle vocal nuances, making them great for voice work in studios. Notable condenser microphones include the Audio-Technica AT2020 and the Rode NT1-A, both widely admired for their clarity and depth.
Lavalier Microphones
Lavalier microphones, or lapel mics, are small, clip-on devices ideal for interviews and on-the-go recording. They ensure hands-free operations and are particularly useful for video podcasts. Wireless options add flexibility, allowing hosts to move freely during recordings. Popular choices include the Rode SmartLav+ and the Sennheiser ME 2-II.
USB Microphones
For those looking for simplicity and convenience, USB microphones are perfect. They connect directly to a computer without the need for additional equipment. While they may not deliver the same quality as XLR microphones, models like the Blue Yeti and the Audio-Technica ATR2100x-USB are excellent for beginners and home podcasters.
Important Features of Podcast Microphones
Frequency Response
Frequency response defines how a microphone reacts to different sound frequencies. Most voices fall within the 80Hz to 15kHz range, so a good podcasting microphone should adequately capture this spectrum. A flat frequency response is usually preferable, allowing for a more natural sound.
Polar Patterns
The polar pattern of a microphone determines its sensitivity in various directions. The most commonly used patterns are:
- Cardioid: Ideal for podcasting as it captures sound from the front while minimizing background noise.
- Omnidirectional: Captures sound from all directions, useful for roundtable discussions but picks up more ambient noise.
- Bidirectional: Captures sound from the front and rear, suitable for interviews between two people.
Sensitivity and Sound Pressure Level (SPL)
Sensitivity measures how effectively a microphone converts sound into an electrical signal. A higher sensitivity microphone captures softer sounds without requiring additional gain. Sound pressure level (SPL) measures how loud of a sound the microphone can handle without distortion. Choosing a mic with appropriate SPL ratings is crucial, especially in louder environments.
Essential Accessories for Podcasting Microphones
Pop Filters
Pop filters reduce plosive sounds (like “p” and “b” sounds) that can cause distortion. They are typically made of a screen or foam, which diffuses rapidly moving air before it hits the microphone diaphragm.
Microphone Stands and Boom Arms
Proper positioning is critical for optimal audio capture. Microphone stands and boom arms allow podcasters to adjust their microphone’s position easily while keeping hands free for notes or gestures.
Shock Mounts
Shock mounts prevent vibrations and handling noise from reaching the microphone, ensuring cleaner recordings. They are especially useful when recording in less controlled environments.
Audio Interfaces
For those using XLR microphones, an audio interface is necessary to convert the analog signal into digital for your computer. Popular models include the Focusrite Scarlett 2i2 and the PreSonus AudioBox USB, which provide excellent sound quality and ease of use.
Tips for Choosing the Right Microphone
Define Your Needs
Consider your podcasting style. Are you recording solo, interviews, or panel discussions? The type of conversations you have will dictate your microphone choice.
Budget Considerations
While it’s easy to get carried away with high-end equipment, plenty of budget-friendly microphones offer excellent quality. Determine a budget that allows for good quality without breaking the bank.
Test Before You Buy
Whenever possible, test microphones in-store to find the sound that best suits your voice. Listening to the audio capture can significantly influence your decision.
Read Reviews and Watch Tutorials
Before investing, check online reviews and tutorials. Many YouTube channels offer in-depth sound tests and comparisons to help you make informed choices.
Maintenance and Care for Podcasting Microphones
To extend the lifespan of your microphone, regular maintenance is vital. Here are some key maintenance tips:
- Keep it Clean: Dust and saliva can accumulate and affect sound quality. Use a soft cloth to wipe down your microphone regularly.
- Use Windscreens: For outdoor recording, use a windscreen to prevent wind interference and protect the mic from moisture.
- Store Properly: When not in use, store your microphone in a protective case to prevent physical damage.
Enhancing Your Podcasting Experience
Investing in a good microphone is just the beginning. To fully get the most out of your podcasting experience, include thorough planning, effective editing software, and quality recording space. An acoustically treated room, for example, can significantly reduce background noise and enhance vocal clarity.
Understanding the nuances of podcasting microphones will empower you to make informed decisions that improve your production quality. Armed with the right microphone and accessories, you can deliver a rich audio experience, engage your audience, and elevate your podcasting journey to new heights.
From the BalleBalleRadio Entertainment Desk
Manoj Bajpayee, a celebrated actor known for his powerful performances, has recently voiced his concerns regarding the pervasive influence of PR machinery within Bollywood. Bajpayee argues that the industry’s increasing focus on public relations often overshadows genuine acting talent, leading to a skewed perception of success and merit.
Bajpayee’s comments come amidst ongoing debates about the phenomenon of ‘National Crush’ titles and the superficiality of fame. He suggests that such manufactured hype can be detrimental to the careers of trained actors who dedicate themselves to the craft, but may not possess the resources or inclination for extensive self-promotion.
He emphasized the importance of acting prowess over PR stunts, highlighting the potential humiliation faced by actors who have honed their skills through rigorous training, only to be sidelined by individuals prioritizing media visibility. Bajpayee’s own career, alongside that of fellow actor Piyush Mishra, serves as an example of sustained success built on consistent, quality performances rather than fleeting PR campaigns.
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