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TRYST: An Artful Story Collection and Its New Publisher Find a Home on Ethereum

Harry Johal

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TRYST: An Artful Story Collection and Its New Publisher Find a Home on Ethereum


New publisher Alexandria found an outpouring of love and a historic sellout for book NFT collection, TRYST, from award-winning poet and artist Ana María Caballero. Now, they’re releasing the second edition.

Press Release


Jan 26, 2023

“Amazing to see such an incredibly strong reception for [literature] within the web3 space.” – Keith Grossman, President of TIME Magazine

Readers gathered at Usagi NY on Dec. 8 for the launch party to promote Ana María Caballero’s new fiction collection TRYST. However, the book had already sold out that morning, within 48 hours of release. Keith Grossman, President of TIME Magazine, had just collected the book on the secondary market. The promotional event had become a celebration instead.

Poet and artist Ana María Caballero released a digital collection of short stories, each with a one-of-a-kind cover. With the Alexandria team, publishers of special collectible editions of books as NFTs, Caballero presented her book as a web3 native art piece. The book isn’t token-gated, which means anyone can read it, regardless of whether they own the NFT. Buying a copy, then, means creating a relationship between the reader and the author.

“Web3 publishing is revolutionary,” Caballero Tweeted the day the book was released for pre-sale. “Finished editing a collection of stories today. Minted them as a digital book via my own smart contract, where I own all royalties. Shared it with you all. Chose a price, chose not to token-gate. I repeat: as an emerging author I chose.”

Ana María Caballero won the Steel Toe Books 2022 Book Award for poetry collection Mammal, which will be released this year. She is the recipient of the Beverly International Prize for Literature, Colombia’s José Manuel Arango National Poetry Prize, and a Sevens Foundation Grant. Her pioneering work with poetry on the blockchain has been featured by outlets such as Right Click Save, Forbes, Entrepreneur, and Elle UK. She co-founded theVERSEverse, a digital gallery for poetry. 

This groundbreaking release is the first fiction book from Alexandria, a new publisher creating limited edition digital books powered by web3, which received coverage this year from CoinDesk and Esquire. Alexandria is creating literary experiences for the digital age, focusing on the preservation and access of information and on putting IP and royalties in the hands of authors using emerging technologies. 

Alexandria’s founders, Amelie Lasker (MPhil, Cambridge University) and Sonia Joseph (Ph.D. candidate, Mila), are writers themselves. They created Alexandria out of a desire to contribute to the innovation of books and the ways in which they will be made and read in the future.

Released on Jan. 26, the book’s second edition makes more copies available for readers to collect, enjoy, and gift, while paying homage to the first edition in its art style. Collectors of the second edition will receive one of five original covers; the covers feature foliage inspired by a Brooklyn winter (with the earliest hints of spring) created by artist Alexandria Sofija and cover designer Julia Lasker.

TRYST explores the moments and the non-moments, the loves, the losses, and the in-between that make up the lives of the people of Brooklyn. A set of three lyrical and arresting short stories, TRYST offers a glimpse into the poetic and expansive inner lives of three women, each rooted in a different Brooklyn neighborhood.

“These three narratives are told by women looking for ways to be free and failing,” Caballero remarks. “There’s beauty in the endurance delivered by failure—a beauty I love to dial. I say: ‘Hi, heartbreaking beauty, how are you today? Will you lift your foot from my throat, from my wrists, so that I might describe the shadow of your size?'”

To read the book, which is free for the public, and find updates about the second edition release, visit alexandrialabs.xyz.

Source: Alexandria Labs



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Editor's Choice

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

H Johal

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Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Veteran Bollywood actor Naseeruddin Shah has made his position crystal clear amid the escalating controversy surrounding the Chalo Sansad march at Jantar Mantar, publicly denouncing those who unleashed violence on demonstrating students.

Shah pulled no punches in his condemnation, labelling the individuals responsible for the attacks as nothing short of thugs, while firmly expressing his support for the student community protesting against the alleged NEET examination paper leak scandal.

The actor’s statements come in the wake of a misleading video that spread rapidly across social media, purportedly showing Shah at the demonstration site. Sources reveal the footage was actually captured at an entirely separate event — a film screening held in Mumbai — with no connection to the Delhi protests whatsoever.

Meanwhile, the unrest has refused to stay contained within the capital. Entertainment circles and observers note that demonstrations have now rippled outward, with students taking their grievances to the streets of Mumbai as well.

Authorities in the city have responded swiftly, according to insiders, implementing restrictions on public gatherings as tensions continue to simmer across the nation over the examination integrity scandal.

The NEET controversy has ignited a fierce national conversation about fairness in India’s high-stakes academic examination system, with students and public figures alike demanding accountability from those in charge.

Shah’s vocal stance adds a prominent cultural voice to what has become one of the most charged student-driven movements in recent memory, with insiders suggesting his words have further amplified the conversation around justice for the affected candidates.

Harry’s Take

Distance doesn’t necessarily dilute solidarity — but in this case, it does complicate it. Shah’s condemnation carries moral weight, yet the viral video confusion inadvertently made his physical absence the story, which risks overshadowing the substance of what he actually said. A statement made from the sidelines, however sincerely meant, invites the question of whether cultural figures in India are prepared to put presence behind their principles when the moment demands it.

Editor’s Verdict

Naseeruddin Shah’s intervention here is significant, but the viral video mishap is the more instructive story. When misinformation positions someone at a protest they never attended, the clarification inevitably becomes louder than the cause itself — and that is a genuine problem for movements that rely on celebrity solidarity to sustain public attention. Shah’s words carry earned credibility; few voices in Indian cinema have maintained that kind of consistent moral clarity over decades. But the episode quietly exposes how fragile that solidarity can appear in the social media age, where a mislabelled clip can simultaneously amplify and undermine a public figure’s standing within hours. Students fighting a legitimate battle over examination integrity deserve more than complicated news cycles about who was or wasn’t where. Beyond the headlines, when the messenger becomes the story, the message has already lost ground it may struggle to recover.

Studio Ki Raye

Naseeruddin Shah ka NEET par bayan aana — yeh Bollywood ka ek jaana-pehchaana pattern hai. Jab bhi koi bada student ya social movement uthta hai, kuch selective voices saamne aati hain, baaki industry khamosh rehti hai. Lekin asli sawaal yeh hai ki Shah ka bayan ek fake viral video ke *response* mein zyada clearly define hua — matlab unhe apni position isliye explain karni padi kyunki social media ne pehle unhe wahan “place” kar diya. Yeh solidarity hai ya damage control? Dono ke beech ki line Bollywood mein hamesha blurry rehti hai. Aur jab tak industry ka sirf ek-do percent hi bolega, baaki chuppe rahenge — toh cultural weight kitna meaningful hai, yeh sochne wali baat hai.

  • Entertainment Desk, Studio Carry On Harry

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Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

H Johal

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Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

Vijay’s Political Swan Song Sets Box Office Ablaze With Massive Pre-Sales

Thalapathy Vijay is heading into his final cinematic chapter with a bang. His much-anticipated action drama *Jana Nayagan* has stormed advance booking charts, pulling in close to Rs 14.94 crore in pre-sales nationwide ahead of its theatrical debut.

Tamil Nadu is spearheading the ticketing frenzy, with Chennai emerging as a particularly dominant force in occupancy numbers, according to insiders. The response signals an enormous appetite among fans eager to witness the superstar’s farewell performance on the big screen.

Entertainment circles suggest the film carries considerable thematic weight, with its director steering the narrative toward ideals of unity and democratic values rather than conventional mass-entertainer fare. Sources reveal the creative team has been deliberate in crafting a story that resonates beyond pure spectacle.

The stakes surrounding *Jana Nayagan* extend well beyond typical box office competition. Industry insiders confirm this project is widely understood to be Vijay’s final film before he steps away from cinema altogether to pursue a full-time political career — a transition that has captivated both fans and observers across South India.

Critics note that the combination of a star-driven farewell, strong pre-release buzz, and a socially charged storyline creates a rare cinematic event that transcends the usual release cycle. Whether the film meets its towering expectations at the box office remains to be seen, but the advance numbers suggest audiences are already voting with their wallets.

– Entertainment Desk, Studio Carry On Harry

Harry’s Take

The tension here is real: Vijay’s farewell leverage is greatest right now, at peak sentimental value, yet Vinoth is spending that leverage on a civics lesson rather than a crowd-pleasing spectacle. That’s either a genuinely bold artistic bet or a miscalculation — because audiences voting with pre-sale wallets are buying the star’s exit, not necessarily the ideology attached to it. Whether the film can hold that theatrical momentum past opening weekend will be the real verdict on whether the thematic ambition helped or hurt.

Editor’s Verdict
The Rs 14.94 crore advance is impressive, but the more interesting story here is what it actually represents — a superstar essentially using his final film as a public manifesto before entering politics. That is an almost unprecedented convergence of cinema and political ambition in modern Indian entertainment, and it changes how audiences experience the film before they’ve even seen a single frame. The thematic pivot toward unity and democratic values isn’t incidental — it reads like a calculated statement of intent, a trailer for the politician as much as the actor. Whether the film sustains that weight across its full runtime, or whether the mass-entertainer instincts eventually override the message, will determine whether this farewell is remembered as cinema or simply as campaign material. Beyond the headlines, when a superstar’s last scene doubles as his political opening act, the audience isn’t just buying a ticket — they’re casting an early vote.

Studio Ki Raye
Vijay ka yeh farewell film sirf ek superstar ka last release nahi hai — yeh ek carefully orchestrated political launchpad hai. Rs 14.94 crore ka pre-sales number impressive zaroor hai, lekin asli baat yeh hai ki “unity aur democratic values” wali theming coincidence nahi lagti jab aap jaante hain ki yeh aadmi seedha politics mein jaane wala hai. Yeh film basically unka manifesto hai — cinematic packaging mein. Fans ticket khareed rahe hain farewell ke liye, lekin director aur Vijay dono ek future voter base nurture kar rahe hain. South Indian politics mein yeh playbook naya nahi hai — MGR ne bhi yahi kiya tha — lekin jis scale par yeh narrative build ho rahi hai, woh batata hai ki Vijay ka political team cinema ko apna sabse bada campaign tool maanta hai.

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