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American Artist, Mara Sfara Explores Painting, Sculpting and Multi-Sensory Presentations

Harry Johal

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American Artist, Mara Sfara Explores Painting, Sculpting and Multi-Sensory Presentations

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Jul 13, 2022

Mara Sfara is a multifaceted American artist. She was initially influenced as a child in Omaha, Nebraska, by an encounter with a sculpture by Edgar Degas. Mara intuitively grasped confidence, energy, and dedication projected by the Degas sculpture, Little Dancer of Fourteen Years. It set her on a lifetime journey as an artist to create and communicate with the hearts and minds of others through artistic creations. 

Mara is the consummate student of art. Her pursuit of artistic interpretation through painting, sculpting, and innovative multi-media art led her to study and earn multiple degrees. She has attended University of Rochester, University of Pennsylvania, Columbia University, and New York University. Her longest period of study was under the renowned American Portrait Artist Burton Silverman for 10 years. Personally, she has delved into the exploration of the work of Jackson Pollock. A pursuit that is again resurfacing as she investigates neuroaesthetics, a recently highlighted subdivision of empirical aesthetics.

Ms. Sfara explains this study succinctly, “I want to peel back the layers and search for an understanding of the insight that art gives to the individual viewer. Does neuroaesthetics open new doors of perception for the artist and viewer? Can art delve deep into a person’s repressed emotions to encourage the viewer’s self-realization and to reduce conflict? I am becoming more cognizant of these issues as I apply my skills in painting, sculpture, kinetic, and multi-sensory artwork in relation to the field of neuroaesthetics. “

The Work of Mara Sfara

Multi-Sensory Art: As a pioneer in Multi-Sensory Artwork, Ms. Sfara is incorporating all her skills into this new discipline combining painting and sculpting three-dimensional scenes. An example of the innovative Multi-Sensory art by Mara Sfara is currently on exhibit at The George Walter Smith Museum located at the Springfield Museums, Springfield, Massachusetts.

The Paintings: Landscapes, Animal Kingdom, Sea Life, and Portraits are all a part of the extensive paintings by Mara Sfara. Ms. Sfara works predominately with oil paints. Her paintings range in size and include works on canvas, linen, and board. Her works span the centuries of artistic interpretation to include representational, realism, impressionism, vivid color, and black and white. 

The subject matter of the paintings of Mara Sfara are reflective of the diversity of life and the world. Her interpretations include stark realism, fantasy, and whimsical views, all with an interwoven ecosystem. Mara sees her paintings depicting landscapes, animal, and sea life as an opportunity to present the importance of the beauty of the biodiversity of life. 

The Sculptures: Mara maintains her depth of perception when working with sculptures; they are whimsical, realistic, and engaging. Her sculptures include lucite and bronze, with subjects that span a reinterpretation of mythology to the playfulness of animals and the extravagance of flowers. No matter the subject or medium, the sculptures of Mara Sfara project life, energy, and motion. 

Viewing the Work of Mara Sfara

The works of Mara Sfara have been displayed in both solo and group exhibitions around the world. The art of Ms. Sfara is part of the permanent collections at The Mattatuck Museum in Waterbury, Connecticut; Cradle of Aviation Museum in Garden City, New York; and the QCC (CUNY) Art Gallery/Museum, Bayside, New York, among others. Mara Sfara currently maintains an online gallery where she may be contacted, and works may be purchased. 

Source: Mara Sfara

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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Artists

From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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