Artists
Loveforce International Releases New Hip Hop and Pop-Rock
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Billy Ray Charles new Digital Music Single is entitled “Game Over.” It is an Alternative Hip-Hop, Neo-Soul, song. The term Game Over is an analogy for once one is married the fun and games with other singles is over. Intricate rhythms and precise instrumentation provide the jam. The lyrics tell the story of a man who was enjoying single life but now realizes that part of his life is now going to be over.
Evan Lee Lovefire’s new Digital Music Single is entitled “Breakaway.” It is a song in the Indie, Alt-Pop, Pop-Rock & Adult Contemporary genres. The instrumentation is generally sweet with percussive guitar licks appearing in strategic places. Lyrically, the song talks about the protagonist’s desire to end a relationship that has lost it’s spark over time. It’s like listening into a rehearsal of what one person would tell another in a breakup speech.
“We are proud to be releasing two fine song in completely different genres,” said Loveforce International CEO Mark Thomas. “We hope that the public response is a zestful as our releases are,” he continued.
The two new Digital Music Singles will be released to iTunes, Apple Music, Amazon Music, Spotify, YouTube Music, Pandora, KKBox, Tidal, Deezer, iHeart Radio, Facebook / Instagram Stories, Soundtrack by Twitch, Touch Tones, Triller, Media Net, TikTok, BoomPlay, Snapchat, Pretzel, AudioMack, Yandex, Joax, Kuack, Adaptr, Qobuz, and Flo.
For more information, contact Evan Lovefire at (661) 523-4954.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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