Artists
Masaru Hinaiji Ft. Kayumai – his new track Meet Again
Studio Carry On Harry : Sahara Recording Studio introduced to us Masaru Hinaiji Ft. Kayumai – his new track Meet Again was released recently. On this ocassion Studio asked to Masaru to let us know hos thoughts about creation of his new release and trivia of his musical journey.
Where do you come from Masaru Hinaiji ?
I am Masaru Hinaiji from Japan,I am here to inform you that my New Single is out titled “Meet Again”.
Let is know about your New Single ?
To answer curiosity of the listeners of Studio CarryOnHarry I am here some thoughts about my new release,This track has the sad background of the loneliness come from the separation with one lover girl.And the melody had occurred to me in this situation.
I represented the mind of it and the beliefs of that we can meet again someday.
What is the background of this love story that may have met a roadblock but ultimately became inpiration to be expressed into a beautiful melody ?
Masaru Hinaiji : I offered the vocal for kayumai, she has really angelic beautiful voice.we have known each other for a long time ago.I find her on Japanese amature music site. And attracted soon.
Any trivia that you would like to share in your journey as a muscian ?
Masaru Hinaiji : As for my trivia I want to share about some experiences, I think that most important thing to accomplish any dream is that it’s the keeping doing it, never give up. In my early days , I still can’t any make big result happen on this world wide scene of acceptance to my work, however for a long time , I was in the same situation in the Japanese amature music site.Firstly, no people were interested in my music and the number of the total views was really small.
But I had never given up, and finally many people come to listen to my track and I could get best grand prix of the remix contest taken place on the amature music site.
And now I am a professional producer DJ.
Masaru Hinaiji : Thank You Studio CarryOn Harry for supporting my music my dreams on your platform.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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