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Miwa Komatsu Addresses the NEW CONTEXT CONFERENCE 2021 by Digital Garage

Harry Johal

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Miwa Komatsu Addresses the NEW CONTEXT CONFERENCE 2021 by Digital Garage

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Artist Miwa Komatsu unveiled an artwork with a message of harmony between mankind and the environment: “NEXT MANDALA – Home of Soul” at the NEW CONTEXT CONFERENCE 2021 by Digital Garage

Press Release
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updated: Aug 31, 2021


Digital Garage is a leading technology conglomerate based in Tokyo and San Francisco, focusing on Fintech/Adtech and investing globally. Digital Garage celebrates its 25th anniversary at the annual event, THE NEW CONTEXT CONFERENCE, on the theme “Earthshot Whole Earth 2021@Tokyo”, an homage to Stewart Brand, who is known for his “Whole Earth Catalog”.

Now in its 21st year, the latest edition of the conference took place on August 11 and featured talks on the subject of “Half Century Since Whole Earth Catalog: Shaping the Future with Technology”. It was broadcast simultaneously to worldwide audiences and was hosted by Kaoru Hayashi (Representative Director, President Executive Officer and Group CEO, Digital Garage) and Joichi Ito (Board of Directors member and Co-Founder, Digital Garage), with speakers including Stewart Brand, Taro Kono (Minister in charge of Administrative Reform), Takuya Hirai (Minister for Digital Transformation), Mitsuhiro Takemura (Founder, Takemura Juku), Mr. Shinjiro Koizumi (Minister in charge of Climate Change, Minister of the Environment), and Ms. Audrey Tan (Digital Minister of Taiwan) participated online.

THE NEW CONTEXT CONFERENCE 2021

Miwa Komatsu also attended as a speaker at the event, talking about her work “NEXT MANDALA – Home of Soul”, which she painted at Sambo-in Temple in Koyasan.*

She live painted the “eyes”, which represent the soul of the work. A video of Komatsu painting the triangles that flank the Mandala at the Digital Garage headquarters conference hall “Dragon Gate” two days prior to the event was featured, as well as showing the process of making the Mandala painting in Koyasan. In the session that followed, Zenryu Hidaka (Head Priest of Toji Temple) took the stage as a guest and talked with Kaoru Hayashi and Joichi Ito about the anecdotes that led to the commissioning of the work. Hidaka said that “NEXT MANDALA – Home of Soul”, beautifully depicts all living things and resonates with the teachings of Kukai, the founder of Shingon Buddhism.

* Komatsu’s concept of “Yamato Power (Great Harmonization)” is the ancient Japanese way of harmonizing various elements (culture, nature, humanity, and all living things).

For Komatsu, live painting is not a performance but a ritual.

At her live paintings, she wears a white Hakama and meditates. Meditation channels the energy of her whereabouts, the people who live there, its nature, guardian gods, and divine spirits are all incorporated into her work.

“NEXT MANDALA – Home of Soul” is a painting of a mandala and two pairs of dragons watching the earth from the heavens, created using the energy of the universe that Komatsu channeled through meditation.

It conveys that we are shifting from “Great Acceleration” to “Great Harmonization.”

About the event

More information about Miwa Komatsu

Video of Miwa Komatsu, Password: earthshot0811

Contact: Mana Motoi  m.motoi@communion.co.jp

Source: Digital Garage



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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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