Artists
New MTS Artist Taydem Shoesmith to Release Debut Single on New Year’s Eve
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“I think this is my first song that was written out of anger,” Taydem recalls. “I remember writing in my lyric book about how frustrated I was with the people around me and society in general. We think we have to act like the perfect person when we talk to people or go on dates. We’re kind of setting ourselves up for failure because we’re acting like someone we think they want to be with. I mean, it makes sense because in the past, relationships weren’t about love or connections. They were basically just business deals. I guess I just got to the point of wondering why I was doing this. Why were people telling me to talk more, smile more, flirt better, don’t be boring, etc, so often, when it came to relationships. Because not only was it exhausting to keep that facade up, I was also disappointed in myself for basically faking who I was, just to catch some guy’s attention. So through this song, I’m saying that I’m done putting up a show. Having confidence in the choices we make is very important, no matter if it’s in relationships, jobs, or life in general. And that is the message I hope people will take away from this song.”
From singer-songwriter to pop and alternative, Taydem’s music is a unique amalgamation of different genres and influences. Her musical inspirations include Michael Jackson, Rascal Flatts, Billie Holiday, Sabrina Carpenter, Camila Cabello and more. Her acting debut was in 2020, when she was cast for a role in the short film “In the Dark.” She has been cast as the lead in multiple films, and has created music for films as well; one of those being a theme song for a short series, “Blood Sisters.”
More details about Taydem Shoesmith can be seen at http://www.instagram.com/tshoe23.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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