Artists
On May 12, The Rochester Symphony Orchestra (RSO) Presents Its 2023 Season Finale – “A New Horizon”
What: Aaron Copland’s Fanfare for the Common Man, an American classical piece written for brass and percussion, is powerful in its simplicity and “simplicity” does not mean boring. This generally short yet instantly recognizable piece is one of Copland’s most well-known works. It was written in response to the US entry into World War II and was inspired in part by a famous speech where Vice President Henry A. Wallace proclaimed the dawning of the “Century of the Common Man.”
Over his six-decade career, William Grant Still, known as the “Dean of African American Composers” worked as a performer, arranger, orchestrator, conductor, and composer. Symphony No. 1 in A flat Major “Afro-American” is a 1930 composition, the first symphony composed by an African American and performed for a United States audience by a leading orchestra. It combines a symphonic form with blues progressions and rhythms that were characteristic of popular African American music at the time. This combination expressed Still’s integration of black culture into the classical forms.
Composer Joan Tower’s Sixth Fanfare for the Uncommon Woman was inspired originally by Aaron Copland’s Fanfare for the Common Man. There are six amazing parts to the Fanfares. Part I II, III and V are scored for brass, Parts IV and VI for full orchestra. Part I was composed in 1987, Part VI (which will be performed at the concert) was composed in 2016, twenty-nine years later for a full orchestra. The fanfares are a tribute to “women who take risks and are adventurous”, with each dedicated to an inspiring woman in music.
Duke Ellington/Arr. By Custer is a great medley of Duke Ellington tunes. Four of the Duke’s best are featured in this truly brilliant arrangement, Don’t Get Around Anymore; Do Nothing Till You Hear From Me; Sophisticated Lady; and It Don’t Mean A Thing If You Ain’t Got That Swing. Everyone gets an important part – solos are passed around the orchestra and everyone swings! And the finale is a showstopper!
The musical West Side Story was composed principally from 1955-1957, and Leonard Bernstein assembled a portion of the score into the Symphonic Dances in 1961. West Side Story stands as an essential, influential chapter in the history of American theater, and its engrossing tale of young love against a background of spectacularly choreographed gang warfare has found a place at the core of American common culture. Bernstein speculated much earlier that a genuine, indigenous form of American musical theater would eventually arise out of what has been known as musical comedy. Many people think that, in West Side Story, this theory began to be implemented. Elements from the European and American musical stage traditions were fused into an original art form that is neither opera nor musical comedy. Everyone will recognize the familiar themes: Scherzo, Mambo; Cha-Cha and Fugue.
Who: Winner of the Young Artist Competition – The RSO is proud to announce that 16-year-old pianist Shaun Lee is the recipient of the 2023 Young Artist Competition Award. Shaun is a Junior at Troy High School whose passion for music began in at age five.
He currently studies piano under Dr. Nai-Wen Wang. He also has taken Masterclasses with Dr. Tian Tian, Associate Professor of Piano at Oakland University and Dr. Christopher Harding, Chair of Piano, and Professor of Music at the University of Michigan.
In addition to winning the RSO Young Artist Competition, Shaun has won other awards including first place in the Junior Division of Piano Day Competition at Oakland University; first place in the National North American Invitational Championship Classical Piano Qualification; and second place in the Michigan Music Teachers Association State Piano Competition Finals.
Also, as well as being an accomplished pianist, Shaun is a violinist who has been studying violin from a young age. He has been playing in the Troy High School Symphony Orchestra since his sophomore year, and currently serves as the president of the Troy High School Symphony Orchestra Council.
Where: The performance will take place at St. Paul’s United Methodist Church at 620 Romeo Road, Rochester, Michigan.
When: Friday, May 12, 2023, at 8:00 p.m.
Tickets: For more information to purchase tickets, contact the Ticket Office at 248-651-4181 or visit https://www.rochestersympony.com. Tickets can also be purchased at the door, Adults $25, and students $5.
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Artists
Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026
Balle Balle Radio™ Entertainment Desk
Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.
The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.
Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.
Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.
No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Berlin Producer FANCI Steps From Behind the Boards With Debut Single “Funky Sexy Cool”
Balle Balle Radio™ Entertainment Desk
FANCI, a Berlin musician who has recently worked as a producer for other German artists, has unveiled his debut single "Funky Sexy Cool." It’s the first taste of what’s described as his debut solo album, aimed at an international audience.
The move to a solo release follows a career that started well before FANCI worked behind a mixing board. His musical foundation started at age six with piano; he later studied guitar with Rudy Stevenson, who has worked with George Benson and Nina Simone. Stevenson also mentored FANCI as a songwriter. Diana Music & Vision Publishing signed him after hearing his early demos, leading to the release of two tracks on Wemby Records under the Gemini moniker. — releases the announcement credits with regional success, though no specific chart or sales figures are cited.
From there, FANCI moved into production work for other artists while separately writing toward a full album under his own name. The music blends rock, soul, pop, new wave and funk, drawing inspiration from artists like Jamiroquai, Prince, Curtis Mayfield, Peter Gabriel and David Bowie. Other coverage of the artist has referred to him as FANCI FUNK, suggesting the funk influence extends to how he’s being branded, not just how he’s being described.
No release date has been given for the full album "Funky Sexy Cool" is drawn from, and the announcement doesn’t specify how the single has performed since release.
In association with Radio Pluggers
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we recognize that FANCI’s emergence as a solo artist represents something often overlooked in debut narratives: the quiet power of mentorship across generations. Rudy Stevenson’s fingerprints on this story matter because they connect FANCI directly to a lineage of musical sophistication—the same hands that guided George Benson and Nina Simone’s artistry are now shaping a new voice. This isn’t merely credentialing; it’s DNA. When FANCI channels soul, jazz-inflected guitar work, and lyrical depth, he’s inheriting lessons from two masters who understood how to balance technical mastery with emotional authenticity. For listeners, this context transforms "Funky Sexy Cool" from a promising debut into a continuation of a mentorship tradition that prioritizes craft and character over trend-chasing. In an era of algorithm-driven discovery, FANCI’s path—rooted in human instruction and artistic lineage—stands as a reminder that the most durable artists are often shaped by those who came before.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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