Artists
Paulthings Introduces Mixxtape, the Ultimate Retro Music Player
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As a nod to the era of physical media, Mixxtape is designed to evoke a sense of nostalgia among music lovers, particularly those who grew up playing cassettes. However, this device boasts an array of advanced features, including high-resolution lossless audio, Bluetooth connectivity, a high-definition touchscreen, a headphone jack, a USB-C port, 8GB of internal memory expandable up to 512GB, a rechargeable battery with up to 7 hours of nonstop use, and multi-language support.
Mixxtape can also play as a real cassette in a boombox or Walkman, providing users with a music experience that blends the past with modern technology. “Mixxtape is not just a hi-res music player – it’s a lifestyle,” said Paul Burns, the founder of Paulthings and the creator of Mixxtape. “I wanted to create a product that would provide people with a trendy, yet timeless listening experience they couldn’t get anywhere else.”
For a limited time, Mixxtape is available for just $98. Additionally, customers who buy two or more Mixxtapes can save 15%.
Paulthings is also preparing to launch another product, Shotpump, a liquor dispenser designed to make pouring a shot or cocktail easy and efficient. As a token of appreciation, Mixxtape customers will receive VIP access to Shotpump before it launches. This exclusive opportunity will allow Mixxtape customers to be among the first to experience Shotpump’s innovative design and functionality.
For more information on Mixxtape and Shotpump, visit paulthings.com.
About Paulthings
Founded by Paul Burns in 2013, Paulthings merges classic craftsmanship with modern technology, creating unique products with an unexpected convergence of design and function. By tinkering with preconceptions about art and design, Paulthings works to provide a new context to contemporary ideas by creating quirky and awe-inspiring alternatives.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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