Connect with us

Editor's Choice

Meet the Author Philip La Croix , Book writing Experince

H Johal

Published

on

Meet the Author Philip La Croix , Book writing Experince
Philip La Croix, brings his captivating storytelling skills to the literary world with the release of his highly anticipated debut novel, “The Best Laid Traps.” With a background in theatre arts and a successful career as a knight for Medieval Times, La Croix’s transition into writing showcases his exceptional talent for crafting compelling narratives. Here is an interview session with author
Meet the Author Philip La Croix , Book writing ExperinceI’m  Philip La Croixa newly published author, but I have been a performer all my life. I graduated from California State University Fullerton with my bachelors in the Theatre Arts and have spent the last 15 years performing as a Knight for Medieval Times. My job as a knight is too much fun to give up entirely, but I’m trying to shift my career focus over to writing because I have many thrilling stories to share with the world!
Growing up, I actually didn’t have much interest in books, but after I graduated from college (when I was no longer required to read) I found the joys of staring at paper and hallucinating for hours on end. One night, I had an incredibly vivid dream and felt a need to get it down on paper. It was then that I realized that writing stories is the ultimate acting experience because you have to act and think as every character you create, as well as keeping your audience captivated by telling the story of what those characters are going through.
Published Author Philip La Croix The Best LAid Traps“The Best Laid Traps” Is the story about a young man, Edward Dalton, who’s been bullied all his life and gets run off the road and left for dead in the Appalachian wilderness. He spends 6 years battling starvation, local wildlife, and his own poisoned mind to survive. After he makes a valuable discovery in his wooded sanctuary, he decides to leave the forest and go back to civilization to carry out his wildest dreams of revenge on the three people who had left him to die. He soon finds that fate has been kind to his bullies while he was away and Edward plans and waits for 10 years until he can orchestrate the perfect moment to brutally take them down and show to the world just how horrible they really are.
As far as getting the initial Idea goes, random thoughts pop into my head and either I have gotten an idea for a new story, or another part of a current story has just been revealed. When these thoughts occur, it’s kind of like being hypnotized because all of the sudden I’ll come out of these musings and have huge chunks of time missing. They say that writing is less of an act of creating everything in your stories, but rather watching what happens in your head and writing the events down exactly as you saw them. I certainly agree! Although you have to create every little detail in the beginning, it doesn’t take long before the characters start taking on a life of their own and you move from driver to passenger in the speeding bullet train that is storytelling.
It’s very easy to get stuck and say to yourself, “I’ll just take today off and come back to it tomorrow.” But what happens when the same thing happens the next day? If you don’t push past the block, the proverbial “tomorrow” never comes and your wonderful story becomes dead in the water. If you know the general direction of where your story is headed, push past the part where you’re stuck and get back on track; even if it’s the flimsiest get-out-of-jail free fix you can think of. It’s a lot better to go back and fix that area later after you have a complete story than to sit there waiting for your own deus ex machina.
As I mentioned before. You go into a story with a certain idea of how you want your characters. You guide them in the beginning but sometimes they end up being completely different than what you thought at first. For example, in the story I’m currently weighting, there’s a funny little creature that kept nagging at the back of my mind. I tried to leave him out of the story entirely because I thought he was too comical to fit in the story I’m trying to tell, but he was insistent. I have no idea how long he’ll be in the story, but I have a feeling he’s going to have a pivotal role at a crucial moment. The overall story for the book just comes to me and I have to pursue it. It doesn’t matter what type of genre or length, the story needs to be told and the writer must follow.
Well, the first book I published is an action adventure. The one I’m working on is a dark-fantasy. I have plans for sci-fi, dramas, etc. I’m really all over the board. I even wrote a full length fan-fiction novel surrounding characters from “The Hunger Games” universe. I really hope that one day I can get a copy in front of Suzanne Collins and if not get her endorsement, then to at least have her permission to publish it.
My current novel centers around the characters from L. Frank Baum’s original novel of “The Wizard of Oz.” It takes place many years after the story, and paints a different picture of what happened at the end of L. Frank Baum’s version. Instead of sending her home, Glinda traps Dorothy to keep her in stasis while she deals with a mysterious gloom or poisoning of the land of Oz, stemming from the great wizard himself. Glinda disappears and Dorothy finally breaks out and has to take up Glinda’s mantle to try and put everything back to rights. It’s kind of like “Wizard of Oz” meets “Shutter Island” and has been very exciting to write because it has so many huge twists and turns and an ending that I think will blow your mind, at least it did for me.
My marketing campaign manager Josh Mitchell was kind enough to bring you guys to my attention and am very grateful he did so. Thank you all for your hard work and help for all the writers out there.

https://www.philiplacroix.com

https://www.facebook.com/Philip.Lacroix06

https://a.co/d/5EyTaMi
👁 16 Views
Powered by SgAiSolution
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Editor's Choice

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

H Johal

Published

on

By

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Veteran Bollywood actor Naseeruddin Shah has made his position crystal clear amid the escalating controversy surrounding the Chalo Sansad march at Jantar Mantar, publicly denouncing those who unleashed violence on demonstrating students.

Shah pulled no punches in his condemnation, labelling the individuals responsible for the attacks as nothing short of thugs, while firmly expressing his support for the student community protesting against the alleged NEET examination paper leak scandal.

The actor’s statements come in the wake of a misleading video that spread rapidly across social media, purportedly showing Shah at the demonstration site. Sources reveal the footage was actually captured at an entirely separate event — a film screening held in Mumbai — with no connection to the Delhi protests whatsoever.

Meanwhile, the unrest has refused to stay contained within the capital. Entertainment circles and observers note that demonstrations have now rippled outward, with students taking their grievances to the streets of Mumbai as well.

Authorities in the city have responded swiftly, according to insiders, implementing restrictions on public gatherings as tensions continue to simmer across the nation over the examination integrity scandal.

The NEET controversy has ignited a fierce national conversation about fairness in India’s high-stakes academic examination system, with students and public figures alike demanding accountability from those in charge.

Shah’s vocal stance adds a prominent cultural voice to what has become one of the most charged student-driven movements in recent memory, with insiders suggesting his words have further amplified the conversation around justice for the affected candidates.

Harry’s Take

Distance doesn’t necessarily dilute solidarity — but in this case, it does complicate it. Shah’s condemnation carries moral weight, yet the viral video confusion inadvertently made his physical absence the story, which risks overshadowing the substance of what he actually said. A statement made from the sidelines, however sincerely meant, invites the question of whether cultural figures in India are prepared to put presence behind their principles when the moment demands it.

Editor’s Verdict

Naseeruddin Shah’s intervention here is significant, but the viral video mishap is the more instructive story. When misinformation positions someone at a protest they never attended, the clarification inevitably becomes louder than the cause itself — and that is a genuine problem for movements that rely on celebrity solidarity to sustain public attention. Shah’s words carry earned credibility; few voices in Indian cinema have maintained that kind of consistent moral clarity over decades. But the episode quietly exposes how fragile that solidarity can appear in the social media age, where a mislabelled clip can simultaneously amplify and undermine a public figure’s standing within hours. Students fighting a legitimate battle over examination integrity deserve more than complicated news cycles about who was or wasn’t where. Beyond the headlines, when the messenger becomes the story, the message has already lost ground it may struggle to recover.

Studio Ki Raye

Naseeruddin Shah ka NEET par bayan aana — yeh Bollywood ka ek jaana-pehchaana pattern hai. Jab bhi koi bada student ya social movement uthta hai, kuch selective voices saamne aati hain, baaki industry khamosh rehti hai. Lekin asli sawaal yeh hai ki Shah ka bayan ek fake viral video ke *response* mein zyada clearly define hua — matlab unhe apni position isliye explain karni padi kyunki social media ne pehle unhe wahan “place” kar diya. Yeh solidarity hai ya damage control? Dono ke beech ki line Bollywood mein hamesha blurry rehti hai. Aur jab tak industry ka sirf ek-do percent hi bolega, baaki chuppe rahenge — toh cultural weight kitna meaningful hai, yeh sochne wali baat hai.

  • Entertainment Desk, Studio Carry On Harry

Enjoyed this story? Follow Studio CarryOnHarry at carryonharry.com · Sources cross-checked via livenewsvault.com · 👍 Facebook · X · 📢 Share this story

👁 8 Views
Powered by SgAiSolution
Continue Reading

Editor's Choice

Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

H Johal

Published

on

By

Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

Vijay’s Political Swan Song Sets Box Office Ablaze With Massive Pre-Sales

Thalapathy Vijay is heading into his final cinematic chapter with a bang. His much-anticipated action drama *Jana Nayagan* has stormed advance booking charts, pulling in close to Rs 14.94 crore in pre-sales nationwide ahead of its theatrical debut.

Tamil Nadu is spearheading the ticketing frenzy, with Chennai emerging as a particularly dominant force in occupancy numbers, according to insiders. The response signals an enormous appetite among fans eager to witness the superstar’s farewell performance on the big screen.

Entertainment circles suggest the film carries considerable thematic weight, with its director steering the narrative toward ideals of unity and democratic values rather than conventional mass-entertainer fare. Sources reveal the creative team has been deliberate in crafting a story that resonates beyond pure spectacle.

The stakes surrounding *Jana Nayagan* extend well beyond typical box office competition. Industry insiders confirm this project is widely understood to be Vijay’s final film before he steps away from cinema altogether to pursue a full-time political career — a transition that has captivated both fans and observers across South India.

Critics note that the combination of a star-driven farewell, strong pre-release buzz, and a socially charged storyline creates a rare cinematic event that transcends the usual release cycle. Whether the film meets its towering expectations at the box office remains to be seen, but the advance numbers suggest audiences are already voting with their wallets.

– Entertainment Desk, Studio Carry On Harry

Harry’s Take

The tension here is real: Vijay’s farewell leverage is greatest right now, at peak sentimental value, yet Vinoth is spending that leverage on a civics lesson rather than a crowd-pleasing spectacle. That’s either a genuinely bold artistic bet or a miscalculation — because audiences voting with pre-sale wallets are buying the star’s exit, not necessarily the ideology attached to it. Whether the film can hold that theatrical momentum past opening weekend will be the real verdict on whether the thematic ambition helped or hurt.

Editor’s Verdict
The Rs 14.94 crore advance is impressive, but the more interesting story here is what it actually represents — a superstar essentially using his final film as a public manifesto before entering politics. That is an almost unprecedented convergence of cinema and political ambition in modern Indian entertainment, and it changes how audiences experience the film before they’ve even seen a single frame. The thematic pivot toward unity and democratic values isn’t incidental — it reads like a calculated statement of intent, a trailer for the politician as much as the actor. Whether the film sustains that weight across its full runtime, or whether the mass-entertainer instincts eventually override the message, will determine whether this farewell is remembered as cinema or simply as campaign material. Beyond the headlines, when a superstar’s last scene doubles as his political opening act, the audience isn’t just buying a ticket — they’re casting an early vote.

Studio Ki Raye
Vijay ka yeh farewell film sirf ek superstar ka last release nahi hai — yeh ek carefully orchestrated political launchpad hai. Rs 14.94 crore ka pre-sales number impressive zaroor hai, lekin asli baat yeh hai ki “unity aur democratic values” wali theming coincidence nahi lagti jab aap jaante hain ki yeh aadmi seedha politics mein jaane wala hai. Yeh film basically unka manifesto hai — cinematic packaging mein. Fans ticket khareed rahe hain farewell ke liye, lekin director aur Vijay dono ek future voter base nurture kar rahe hain. South Indian politics mein yeh playbook naya nahi hai — MGR ne bhi yahi kiya tha — lekin jis scale par yeh narrative build ho rahi hai, woh batata hai ki Vijay ka political team cinema ko apna sabse bada campaign tool maanta hai.

👁 11 Views
Powered by SgAiSolution
Continue Reading

trending